I do love tuberose, it’s true, but it often feels that all of the great tuberoses have already been well and truly done. After all, it’s pretty difficult to best the likes of Fracas, Carnal Flower, Tubereuse Criminelle and Beyond Love now, isn’t it? But every now and then a new tuberose will come along that brings something new to the table, something that isn’t photorealistic, venomous, raucous or all of the above – something that is the antithesis of all of these truly wonderful things.
The thing is, tuberose can be rather demanding (it is reportedly known to corrupt virgins, you know) and it has a tendency to dominate every molecule of air it comes into contact with, so one can be found craving the beauty of tuberose but with a little less of the baggage. Enter Tuberose Angelica by Jo Malone London, an everyday sort of tuberose that is high on prettiness and low of drama. Created by perfumer Marie Salamagne (who also made the brand’s tremendous Mimosa & Cardamom), Tuberose Angelica is part of the Cologne Intense collection, but despite its dark, brooding packaging, it has one heck of a sunny disposition!
Burlington Arcade is London’s unofficial perfume destination. Its 196 yards host the likes of Penhaligon’s, Lalique, Editions de Parfums Frederic Malle, CHANEL, Doja Rove and By Kilian, making it an essential stop for any London tourist that is partial to a bit of perfume. The dainty Georgian promenade is a perfume-lovers paradise and quite organically offers a unpretentious, calm and accessible atmosphere that is seldom found in the city’s many department stores, which are so often crowded centres of anxiety, pushy sales people and too much perfume (if such a thing exists).
I was invited to Burlington Arcade to visit By Kilian’s only standalone boutique in the UK (they also have a boutique in Harrods’ Salon de Parfums) for a tour of the brand’s many scented options. Now, By Kilian is a brand that I feel that I’ve had limited exposure to. I remember being intrigued by some of the fragrances within the initial collection, which at the time of launch, seemed so different to anything else that was out there in niche. Since my initial exploration of By Kilian, the brand has exploded, offering a whopping 38 fragrances, home fragrance options and scented jewellery. Obviously I had some catching up to do so with my super-knowledgeable By Kilian rep as my guide, I got stuck right in.
“Shalimar” – just the utterance of its name sends shivers down my spine. Whenever I feel tired of overwhelmed with the onslaught of perfumery today, I often spritz on a touch of Shalimar to recalibrate. It refreshes my nose and reminds me of what ‘great’ smells like. But what makes Shalimar so wonderful? What makes it more than a classic – a legend? Well, for my Escentual column this week I’ve written about The Legend of Shalimar to coincide with the launch of the Shalimar Holiday Makeup Collection, which is currently Exclusive to Escentual for two weeks. To read my column click here, but also don’t forget to check out Emma’s piece on the swatches from the collection and Ceryn’s on the collection’s look.
It’s hard to think of a ‘his ‘n’ hers’ perfume duo more iconic than Jean Paul Gaultier’s flagship masculine and feminine fragrances, Le Mâle and Classique. Together they capture the cheeky, sexually-charged and contemporary spirit of fashion’s naughties designed. They changed the way we think about perfume presentation and have managed to remain undated, despite their ever-so-90s aesthetic. Today our fragrant power couple have gone under the knife with olfactory surgeons Daphne Bugey (Classique Essence de Parfum) and Quentin Bisch (Le Mâle Essence de Parfum) to be fitted with an entirely new look, and smell. Click here to check out my full review of the Jean Paul Gaultier Essence de Parfums over at Escentual.
As you may know, Nick Gilbert, my scented partner in crime and I run a perfumed Twitter project called ‘@Fragrantreviews’, in which we review fragrances in 140 characters or less. Well, if you didn’t you do now and you’re in luck because it’s that time of the month where we round up all of the reviews from the last 30 days. Without further ado, I bring you all of our reviews posted in August & September 2016! They range from the sublime to the disappointing, and all that’s in between!
I’ve embarked on a new series within my weekly Escentual column. It’s called ‘From the Archives’ and it aims to shine a spotlight on hidden gems – those fragrances that are neither new or iconic, but are still pretty damn good. My first dip into the archives is a modern curiosity: YSL’s Cinéma. Cinéma interests me because it’s a classic case of subverting expectations. It serves Hollywood glamour, yes, but it’s far from a noisy blockbuster, in fact Cinéma celebrates an unconventional screen siren in the form of mimosa. Click here to read my full review.
The district of Peckham in south-east London isn’t the first place that springs to mind when one thinks of the house CHANEL, but that’s exactly where the world’s most famous couturier decided to host a five-day pop-up scent installation inspired by their fragrances. The location was chosen because it is home to the studio of Es Devlin, the Stage Designer picked by CHANEL for their first collaboration with i-D under their ‘The Fifth Sense’ partnership.
Es Devlin creates “kinetic sculptures meshed with light” and is famous for piecing together elements of the London 2012 Olympic Closing Ceremony, Béyonce’s Formation World Tour (having created a gigantic “monolith” of a video screen for the tour), Adele’s BRIT Awards performance of “When We Were Young”and pretty much all of Kanye West’s performances in recent years. With such an illustrious and frankly fascinating body of work, it’s no surprise that Es was the perfect artist to work with for CHANEL’s very first pop-up scent installation.
Entitled ‘Mirror Maze’ this installation takes themes of navigation, gravity and memory, and links them to fragrance. The physical aspect sees a mirrored maze reminiscent of Coco Chanel’s famous mirrored staircase intertwined with video installations and soundscapes. Fragrance comes into play in the form of a specially-created scent crafted by CHANEL in-house Perfumer, Olivier Polge – a fragrance that scents a special space within the installation. The fragrance and installation (which closed yesterday) will last for five days, after which they will only exist as memory.
“I began to think about scent as a means of finding my way and measuring myself – not in space but through time. I thought about the smells that take me back – burning street tar, Vicks inhaler, Christmas tree resin, freshly cleaned school corridors, printer ink, chlorine, sunscreen, baby milk, mosquito coils, Indian jasmine mixed with street cooking, diesel – and I began to see them as landmarks for who I was when I first and last smelled it.”