The fact that luxury car manufacturer Bentley are making excellent fragrances is a surprise to pretty much everyone. Now, don’t get me wrong, I’m not surprised that a brand who is responsible for some of the highest quality motor vehicles in the world gives a damn about quality when it comes to their diffusion products – that actually makes a lot of sense. But, this is not just acceptable perfumery from a brand using good quality materials – this is really well thought out and executed perfumery that fits the spirit of the brand and the man who one would expectg to wear such fragrances. In short: Bentley is doing some great stuff so don’t sleep on them just because they also make cars…
Bentley’s latest launch is the Bentley Beyond collection, which consists of three fragrances: Exotic Musk (Mathilde Bijaoui) Majestic Cashmere (Julie Massé) and Wild Vetiver (Sidonie Lancesseur). The collection is an exploration of exotic places – Acapulco, Goa, Java – through singular materials, a story that is not new, but is really well executed here. Both Exotic Musk and Majestic Cashmere are delightful olfactory experiences, but it is Wild Vetiver that is the gem of the collection. It’s a vetiver that, even after all of the other vetiver fragrances in the world, feels new. That, my friends, is something worth turning your attention to.
Hermès’ Un Jardin series, which was started by the previous in-house perfumer Jean-Claude Ellena, is an ode to nature that doesn’t necessarily rely on nature to showcase the botanical. Through both natural and synthetic ingredients, the collection takes one on a journey through many gardens around the world, capturing specific and often surprising elements of these landscapes. For Un Jardin En Méditerranée, the piquancy of tomato stems evoke fig trees in a Tunisian garden, whilst in Un Jardin Apres La Mousson paints a watercolour of rainsoaked concrete through melon and spices, creating a mineral, atmospheric beauty. In my favourite, Le Jardin de Monsieur Li, plasticky notes of kumquat and jasmine create a collage image of an imaginary garden – one that could only exist in the mind. Each of these ‘jardins’ is full of suprise.
Now Hermès has Christine Nagel as their nose and with their latest garden, Un Jardin sur la Lagune, Nagel continues the story. Her first jardin is inspired by a dream – a secret Venetian garden imagined in the deepest part of her subconcious. Nagel describes this garden as a “cycle of trees and flowers, nature still enduring within it”. From an olfactory perspective, la Lagune is a soft aquatic floral pieced together with transparent colours – cooling and warming as the sun moves across this most dreamlike of olfactory gardens.
There’s something really exciting and free about new niche brand KIERIN NYC. They may not offer any complicated gimmicks or a wildly unusual olfactory point of view, but they do something really surprising for niche: they offer accessible, genderless fragrances at a price point this is more reasonable than many designer brands. But this is the spirit of KIERIN NYC – a brand that wants to be for anyone and everyone, making high quality, niche-style fragrances easily available to anyone who is interested.
KIERIN NYC was founded as an “uncompromising New York centric brand” by Mona Maine de Biran (co-founder) that aims to tell the stories of the city through the art of olfaction. KIERIN NYC partnered with perfumer Mathieu Nardin, a Grasse-native who has lived and worked in the Big Apple, to create their debut collection of four fragrances. The brand has a distinct point of view with strong values. They believe in fragrances that are cruelty free, eco-conscious, genderless and inclusive. Those are things that resonate in the fragrances and are absolutely things I can get on board with.
The four KIERIN NYC fragrances are: Sunday Brunch, 10 A.M. Flirt, Santal Sky and Nitro Noir.
I’m always crushing on something scented or other. My nose knows no limits. Candy Crush is where I showcase the beautifully scented things I’m crushing on right now so you can hopefully develop a crush too.
A well-fragranced home is an important thing in my book. A scented candle can create a pleasing olfactory ambience for when friends are over for dinner, whilst a room spray can provide scented refreshment to stale air and cover up unpleasant pet or cooking odours. Then there’s the reed diffuser, now these are interesting. I’ve always looked at reed diffusers as the background noise of home fragrance – they provide a fragrant hum in the background, adding a more subtle ambience to a room. These three methods of home fragrance – the candles, room sprays and reed diffusers – can be used together, of course, to compliment and contrast, but it is the reed diffuser that makes for the perfect base layer in one’s home fragrance arsenal.
I am guilty of being both a home fragrance lover and a Miller Harris fanboy, so it was no surprise that when the brand launched their dedicated collection of home fragrances, I was most intrigued. The crown jewel of this collection, which features room sprays (one of which is an aquatic oriental called ‘Periwinkle’ that I must have) to compliment their existing series of candles, is the ceramic reed diffusers. Available in four fragrances (Cadimus – a tuberose, Narcoflor – a huge floral bouquet, Verditer – an ode to figs, and Mossket – an earthy chypre), these diffusers are as much an enviable decorative object as they are a vessel of beautiful fragrance. I was sent Narcoflor to try and it’s officially a Candy Crush!
It’s National Fragrance Day and for the fifth year running, The Perfume Society are challenging us fragrance lovers to show them a #Smellfie!
To me, MUGLER COLOGNE, has always felt like a perfect mid-point in the MUGLER brand. Where ANGEL and ALIEN etc. have always been divisive, challenging compositions, COLOGNE embodies a more palatable signature, whilst maintaining the innovative, unusual quality of the brand. With its weird, steamy muskiness, COLOGNE is as much a ‘MUGLER’ as ANGEL, but somehow it feels more casual, more effortless and with a wider appeal.