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It’s been a long time since I’ve written about violets, so here are four very good ones on Escentual. Click here to read.

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The success of Jean Paul Gaultier’s iconic masculine fragrance Le Mâle somewhat overshadows the greatness of anything else the brand has created. Many of the Gaultier fragrances that followed – the likes of Fragile and Gaultier² – were just as innovative and remarkable as Le Mâle, even if the market wasn’t quite ready for them at the time. Le Mâle is often talked about and nearly always lauded – I myself have written about it on numerous occasions, partly because it’s an icon, and partly because it played a large part in my formative years – I wore it throughout my adolescence and on many a raucous night out (and in…).

But this article isn’t about Le Mâle, no, Le Mâle gets more than enough attention (cheeky git that he is). This is a celebration of Classique, the feminine counterpart to Le Mâle and Gaultier’s very first fragrance – a perfume that doesn’t get the spotlight anywhere near as often as it deserves or desires. Classique has sat on the shelves of our department stores and our bedrooms for 26 years now and whilst others have come and gone, Classique has remained, proving that a good idea executed at the right time really does stand out. But what makes Classique so timeless? Today we’re going to find out.

I’m always crushing on something scented or other. My nose knows no limits. Candy Crush is where I showcase the beautifully scented things I’m crushing on right now so you can hopefully develop a crush too.

 I love Editions de Parfums Frederic Malle. It is, hands down, one of my favourite fragrance brands and I’ve said many times before that it’s one of those rare cases where I would happily own every single fragrance in the collection. Honestly, there isn’t a single dud in the entire line and that too, is quite rare. Malle has curated a fine collection of scents – perfumes created by the greatest perfumers and presented without fuss, allowing the fragrances to speak for themselves. They are some of the best, if not the very best perfumes on the market – fact.

I’ve think I’ve hammered the point home, haven’t I? If I haven’t, let me summarise: Editions de Parfums Frederic Malle is amazing. The end.

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I’m always crushing on something scented or other. My nose knows no limits. Candy Crush is where I showcase the beautifully scented things I’m crushing on right now so you can hopefully develop a crush too.

I challenge you to find me a more iconic modern masculine fragrance than Terre d’Hermès. Go on, I’ll wait… OK, so I’m sure there are actually quite a few modern masculines out there as good this iconic ode to the earth and sky created by legendary perfume Jean-Claude Ellena (formerly the in-house Perfumer at the brand), but still, it’s one of the very best, not to mention the most unique mainstream masculine offerings out there.

For Hermès, the aesthetic design of their olfactory output is as important as the fragrances themselves. Hermès is a luxury brand and they present their distinct fragrances in innovative, high-end flacons that capture the heritage and eccentricity of this idiosyncratic house. Terre is no exception, with its solid, statuesque H-shaped flacon of weighty glass featuring a twistable spray mechanism – showcasing heritage and innovation in one handsome object.

This month, Hermès launch Terre d’Hermès in a beautiful limited edition bottle featuring a unique design.

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So here we are, on the very last day of 2018! This year has been an odd one – the world feels as if it is collapsing in on itself and for that reason, it has been quite stressful. Personally and professionally it has been turbulent – lots of great ups and some downs too. So it’s nice to do something as frivolous as focus on the best and worst perfume of the year.

That’s right, it’s time for my annual Candies – my virtual award show for the greatest and the, err, not so greatest perfumes of the year. Here you will find my ten favourite perfumes, with other awards such as Best Flanker and the much-coveted Sour Candy, which is awarded to the worst perfume of the year. So pour yourself a drink, it’s gonna be a long night – JK, you’ll breeze through it in ten minutes, promise.

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There are a few perfume ‘genres’ that I have never really ‘got’: green, woody and amber. Well, with time (and through this blog) I’ve learned to appreciate green and to love woods, but for the most part amber still eludes me. Amber, for those of you not familiar with it, is a blend of benzoin (a balsamic resin obtained from the bark of a number of trees within the Styrax genus), labdanum (a sticky brown resin sourced from shrubs) and vanilla that creates a warm, glowing sweetness that is soft, fluffy and gauzy in texture. It is the backbone of big oriental fragrances such as Shalimar, but it’s also used as a standalone theme in many modern perfumes.

More than being an iconic perfume genre, the amber is also the perfect scent for this cold weather. I like to think of ambers as winter warmers – those gloriously toasty and enveloping scents that get stuck in one’s winter scarf, wafting a hedonistic aura around the wearer. So as the winter draws in, it makes sense for everyone to have an amber in their wardrobe. But what happens when you don’t really like amber? Or, you think that you don’t like amber?