Candy Crush: Blenheim Bouquet Classic Candle by Penhaligon’s
I’m always crushing on something scented or other. My nose knows no limits. Candy Crush is where I showcase the beautifully scented things I’m crushing on right now so you can hopefully develop a crush too.
Scented candles are much loved at Candy Perfume Towers. We like to have them in every room to ensure that each wing, turret and chamber is appropriately scented. Apparently we also have delusions of grandeur and for the sake of honesty I really should inform you that Candy Perfume Towers is actually an end of terraced abode (a rather lovely one it must be said) and not a castle. It’s not even officially called Candy Perfume Towers. Boo to reality, we say. Boo to it!
Anyway back to scented candles. These lovely objects are great because they can really set the mood in a room and they feel like a true indulgence, making for the perfect gift or even the ultimate treat. Good candles are those that have a strong presence but don’t overwhelm and I think I may have just found one that strikes that balance perfectly. That candle is the Blenheim Bouquet Classic Candle from Penhaligon’s, which boasts a timeless scent worn by all sorts of gents, from the gentry of the early 1900s to the hipsters of today. Oh and Winston Churchill too. That’s quite the endorsement now, isn’t it?
The Hottest Couple in Town: La Femme Prada & L’Homme Prada
I do like a bit of Prada, it’s true. Their fragrances are so in synch with their brand, offering modern luxury, innovation and often a splash of humour, right from the elegant Infusions all the way to the mischievous Candy. In fact, one of my current summer obsessions has been their Infusion de Cedre, which is that rare thing: an aldehydic floral for men. Anyway, I digress. Prada have just launched two new pillar fragrances: La Femme Prada and L’Homme. The Femme is a wonderfully voluptuous white floral in a golden sheen, whilst the masculine is much softer, warmer and greyer. Click here to head on over to Escentual to read my full review.
I’ve been a little bit behind in putting a link to last week’s Escentual column up here, and for that I apologise! Anyways, the centrepiece of the article was Acqua di Parma’s Acqua Nobile Rosa, an Eau de Toilette incarnation of last year’s Rosa Nobile. Now, if you remember my review from last year, you will know that I was more than a little bit taken with Rosa Nobile, and I’m pleased to say that this new EDT is just as good, if not a bit lighter. Rosa celebrates the more ethereal, jammy and citrus-like facets of the rose and it’s a good alternative for those who want something less present. Click here to check out my review.
Stella, Stella, Stella, how I love thee. It’s true, I do and as far as eponymous signature fragrances go, or woody roses for that matter, Stella is hard to beat. I’m also a bit biased because my sister wears it, but that aside, I’m fully committed to admitting that Stella McCartney’s debut fragrance is a good egg. With that in mind, I was very intrigued to road test the new Eau de Toilette version of Stella, not least because that spotty pink bottle is to die for, but also to see whether it was faithful to the original, and most importantly, whether it was at all necessary.
Stella Eau de Toilette is the centrepiece of my Escentual column this week, in which I sink my teeth into this new scent to ascertain whether it is just ‘Stella Light’ (that sounds like a beer, doesn’t it?) or whether it is something different altogether. To read my review, and the results of this highly scientific analysis, simply click here to head on over to Escentual. If you’ve tried the EdT, or you simply a fan of the original, do please leave a comment either here or there – I’d love to hear your thoughts!
New from Penhaligon’s: Ostara Eau de Toilette (Illustration: Melissa Bailey)
This spring, quintessentially British perfume house, Penhaligon’s will launch ‘Ostara’, the brand’s latest collaboration with venerable perfumer, Bertrand Duchaufour. Charting a fragrant journey of daffodil from “bulb to bud to bloom”, Ostara is described by the brand as a “modern interpretation” of an “incandescent flower”.
“An iconic feature of the British countryside, the daffodil symbolises the optimism and revival of spring. In 1802, the distinguished poet William Wordsworth wrote about a sea of daffodils in his poem, ‘I Wandered Lonely as a Cloud’. Excerpts have been included on the outer packaging of the fragrance to reflect the radiance of the flower.”
Perfume Pic of the Week: Vintage Shalimar Eau de Toilette
So it’s a brand new year and after a short break its time to get one’s nose firmly back to the grindstone (booo!). This year I am hoping to be more dedicated to regular posts on The Candy Perfume Boy after a slightly turbulent 2013, with reviews and routine instalments in my ‘Scent a Celebrity‘, ‘Guide to‘ and ‘Desert Island Sniffs‘ series. I’ll also be sharing my weekly Escentual column and updates on the hunt for my wedding scent with you – all-in-all, I hope for it to be a very exciting year!
One new addition to The Candy Perfume Boy’s roster in 2014, is the ‘Perfume Pic of the Week’. Starting today and running every Monday, I hope that this visual feature allows us to connect more and discuss all elements of perfume ranging from new and exciting launches to perfume advertising, bottles from my collection and anything else that is smelly and intriguing.
The inaugural Perfume Pic of the Week is an image of some vintage Shalimar Eau de Toilette I picked up in Tesco of all places (other supermarkets are available). My online snooping dates it as being from the late ’90s/early ’00s, but if you have a better estimate then please say. I’ve included the Shalimar here because a vintage purchase is most unusual for me, simply because I avoid the chase for vintage formulations as a general rule of thumb.
Never underestimate the power of Birgit of Olfactoria’s Travels. Having tried Chanel’ N°22 many times along my perfumista escapades I had never really found the love for it that I, and others thought I would. I mean it is a big aldehydic floral, and I’m sort-of into that kind of thing (OK, I love that kind of thing), but no N°22 never seemed to grab me, that was until an ever-persevering Birgit slipped a sample (and a number of hints, in an entirely non-pushy way I should add*) my way.
Now I will just put it out there that I have learned to love N°22, to me it epitomises the spirit of Chanel. It’s classy and elegant, but just that little bit rebellious. But whilst I enjoy it, I’m just not sure I’ll ever be running out to buy a bottle, my feelings very much lay in the ‘oh wow this is great but I don’t think I need it’ camp. That said, I am still definitely making my mind up about it and if there is one thing I have learned being a fumeophile it is that one should ‘never say never’!
N°22 was originally released in 1922, created by Chanel in-house perfumer Ernest Beaux (he of N°5 fame) it was intended as a lighter version of N°5. Chanel describes N°22 as “a skin scent […] full of grace […] (that) also bears the imprint of their (Chanel & Beaux’s) audacity.” N°22 now sits within the Les Exclusifs de Chanel line and I would probably rate it as my favourite Les Exclusif offering so far.