Mona di Orio

Mona di Orio
1969-2011

The news of the death of Mona di Orio on Friday was both shocking and incredibly sad, it marked a great loss for the perfume industry and for all within the perfume-loving community. Mona di Orio was an exceptionally talented perfumer, and from all accounts a truly wonderful person, I did not know her personally, nor did I ever have the chance to meet her, I have however, gained a huge sense of enjoyment through her fragrances and I am extremely thankful for her contribution to the perfume industry. The Les Nombres d’Or collection is nothing short of a triumph and her legacy will live on through her perfumes. My thoughts are with her friends, family and co-workers at this very difficult time

I had originally scheduled a review of Tubéreuse for the end of next week, but in light of the recent events I thought it would be fitting to reschedule it and include it here, as a tribute to Mona di Orio’s extraordinary talent.

Rose Macarons

“Macarons – Om, nom, nom.”

Following Andy Tauer’s Rose Master Class at Les Senteurs on Thursday I have had roses on the brain. Well, to be precise I have had Andy Tauer’s rose fragrances on my brain, so this week, it makes sense for me to write about two Tauer fragrances that I have been meaning to review for quite some time – Une Rose Vermeille and Une Rose Chyprée. Seeing as I am renowned for having quite a sweet tooth and being a sucker for anything rose flavoured, I will start with Une Rose Vermeille.

Une Rose Vermeille was released in 2010 and is the second addition to Andy Tauer’s ‘Homages’ line, which also houses Une Rose Chyprée and Carillon Pour un Ange. It is described as a ‘Gourmand Rose’ and is, in my opinion, the most delicious fragrance I have ever tried – it is a rose good enough to eat.

Tubéreuse Trilogy

Finally after lots of hard work, late nights and multiple cups of tea (Lavender Earl Grey if you’re interested) the dreaded University assignments have been completed and I can spend some time on the writing that I enjoy!
 
Thankfully the kindness of fellow perfumistas will always get you through any situation and thanks to the lovely Ines of All I am – a redhead, who after reading my Guide to Tuberose, insisted that I tried a number of other tuberoses, I have had the opportunity to distract myself from my work with perfume. My ability to procrastinate is rather impressive, in fact it is so impressive I had to include it within the title of this post.
 
Anyway, on to Histoires de Parfums! Included in my sample care package of tuberoses (and a few other goodies) was all three fragrances in the Histoires de Parfums Tubéreuse Trilogy. Now, as you all know I’m a sucker for tuberose so the idea of a trilogy was rather exciting to me, so imagine my surprise when, upon trying all three I discovered that none of the scents were particularly tuberose-centric at all. That’s right, these three tuberoses aren’t really tuberoses, a fact that would be disappointing to me if they weren’t so good, tuberose or no tuberose.
 

Boudoir

Talking about another Vivienne Westwood scent (Anglomania) last week as part of the ‘Gone, But Not Forgotten’ Series led me to drag out my bottle of Boudoir which has been lurking somewhere in the back of my ‘purgatory drawer’ – a fate that awaits those perfumes of mine that no longer have a place in my collection.

When I gave Boudoir its first spritz in what must be at least a year I was shocked, why was this in the purgatory draw? I like this! My biggest problem, it seems, is that I have a short attention span, I can only concentrate for a maximum of about five minutes before being distracted by something shiny or basically anything other than the task at hand (a problem that was recently brought to my attention by my boss, who very politely mentioned that my time management skills left a lot to be desired) and this is true with perfumes, I do tend to love something for a while before I get bored and want something new. I guess you could call me a ‘fragrant magpie’ of sorts.

Anyway, enough about me, on to the fragrance! Boudoir was Vivienne Westwood’s first fragrance and was released in 1998, it is classified as a ‘Floral Chypre’ and is the only Westwood fragrance that seems to have stood the test of time, Libertine, Anglomania and Let it Rock have all since fallen by the way side and have lost their places as part of the Westwood collection.

A Taste of Heaven

“Pure, unadulterated love at first sniff.”

Like many others, I was lucky enough to receive a sample set of By Kilian’s entire L’Oeuvre Noire line through the By Kilian Facebook page. I have already tried a couple of the scents from the line, I’ve also reviewed two (Sweet Redemption and Back to Black) and my thoughts so far are generally very positive.

The L’Oeuvre Noire (The Black Masterpiece) collection consists of 10 fragrances and “evokes a Faustian atmosphere that casts an iniquitous alluring spell, pervading the spirit and senses, while transporting the soul to nirvana. Inspired by a search for perfection, the poetry of Rimbaud and Baudelaire, as well as the lyrics of modern day poets like Pharrell Williams and Snoop Dog. The Black Masterpiece ‘By Kilian’ is revolving around ingenues, artificial paradises and Parisian orgies.” [1]

This week I gave each sample a quick spritz to see which one I would review first and there was one that instantly stood out – A Taste of Heaven (Absinthe Verte). When I say it stood out, I mean that I literarily died and went to heaven, and if this is just ‘A Taste of Heaven’ I cannot wait to experience the whole thing.

Anglomania
“Anglomania is quite a blowsy scent, a fact that is only emphasised by the quite, erm, ‘breasty’ advertising image.”

Vivienne Westwood is the epitome of British eccentricity. A self-taught designer, mother of punk and general, all round odd ball, Westwood put British fashion on the map and her mixture of shabby chic and unusual tailoring has proved to be timeless.

Dame Viv has released five fragrances (not including flankers); Boudoir, Libertine *, Anglomania *, Let it Rock * and Naughty Alice, three of which have since been discontinued. If I’m being perfectly honest the fragrances from the line have been a mixed bag, Boudoir is a great, slightly filthy chypre, Libertine is a pretty decent floral citrus (it used to be a favourite of mine until my tastes developed), Let it Rock was a dreadful oriental and don’t get me started on Naughty Alice…..Anglomania is the best and most interesting of the bunch.

Anglomania is named after Westwood’s recurring collection of the same name and the scent is intended to evoke “Asian intensity with British heritage” [1]. It was released in 2004 and was created by the great Domique Ropion (Carnal Flower, Alien, Geranium Pour Monsieur to name but a few), it does exactly what it says on the tin.

Bottega Veneta

If you had mentioned the name Bottega Veneta to me a month ago I would have stared at you blankly and wondered who the hell you were talking about. My interest in fashion is more of a passing interest, I can appreciate excellent design and I have a good few fashion books for my coffee table (despite the fact that I don’t actually have a coffee table, sad I know) and I’m more than slightly addicted to Project Runway, but I would never describe myself as a fashionista, hence my somewhat unfashionable ignorance of Bottega Veneta.

So, for those of you, like me, who aren’t aware of Bottega Veneta (which is Italian for ‘Venitian Workshop’), they are an Italian luxury goods house that specialises in leather goods [1]. Like many fashion and luxury goods houses they are diversifying their brand and stepping in to the world of fragrance, every house needs a fragrance these days and if you don’t have one then you are quite behind the times (see Louis Vuitton, although they are going to release something next year).

Their first fragrance, “Bottega Veneta, the Eau de Parfum, evokes the suppleness and sensuality of the house’s renowned leather goods” [2] and is described as a “leathery floral chypre”.

Red Stilettos

BREAKING NEWS: THE CANDY PERFUME BOY IN TUBEROSE LOVING SCANDAL

OK, OK, so the fact that I love tuberose is hardly a scandal, in fact it is hardly news at all (see The Candy Perfume Boy’s Guide to Tuberose), what is news is the fact that until very recently I had never really paid attention to a tuberose fragrance that goes by the name of ‘Scandal’.

As you probably know, tuberose has a bit of a reputation, she is the bad girl of white florals, she wears bright red stilettos, stays out all night and doesn’t give a damn what you think. So if I love tuberose it is pretty shameful of me not to have paid attention to Scandal, but I do have an excuse, the nearest place I can try Scandal is London and whenever I visit the ‘Old Smoke’ I tend to have a list of about a million things that I need to try, I have tried Scandal but only in passing. Thanks to the lovely Vanessa from Bonkers About Perfume I have had the opportunity to spend some time with Scandal to see what makes it so scandalous.

Scandal is one of three original perfumes created by “fragrance specialist, historian, perfumer” [2] and the man behind Harrods’ Haute Parfumerie – Roja Dove, the others being Enslaved and Unspoken (great names all round). Scandal was released in 2007, and as the name suggests, this perfume is a shocking floral.

Golden Sunset

Oud is the latest addition to Mona di Orio’s Les Nombres d’Or collection, which focuses on creating perfumes centred around a single note in an intelligent and creative way. The fragrances within the collection are; Oud, Vanille, Tubereuse, Vetyver, Musc, Ambre and Cuir. The names may lead you to think that these fragrances are typical, single note scents, but that is far from the truth, each one is very much a composition with an interesting take on the eponymous note.

Les Nombres d’Or

“Seven sensational yet easy, relaxed fragrances from the Mistress of Perfumery.

Inspired by the ancient aesthetic theory of the Golden Ratio, Mona has created a suite of eaux de parfumss which have all her signature notes of glamour, mystery and romance but which are constructed with with the ultimate luxury of classic simplicity.” [1]

Oud in particular has received a lot of positive hype in the perfume blogosphere since it’s release earlier this year. Enthusiastic reviews from the likes of Olfactoria’s Travels and Eyeliner on a Cat, bloggers who’s opinion I hold in high esteem, had raised my hopes for this scent and I couldn’t wait to make my merry little way across to Les Senteurs in London to try it.

Lady Gaga

“My general impression of Le Feu d’Issey is that it’s an ‘everything but the kitchen sink’ scent, in the sense that there is just so much going on, in fact, I would go as far as saying that the kitchen sink has probably been thrown in as well.”

When I first thought about the Gone, But Not Forgotten Series there were a few perfumes which I knew absolutely had to be added and some that I thought I would explore after receiving suggestions from my readers. Le Feu d’Issey is one of those fragrances that I knew had to be part of this series, but there was one little snag – I had never smelled it and it’s nigh on impossible to get hold of.

Luckily for me Perfumeland is full of lovely, wonderful and generous people and none are lovelier than the ultra-lovely Birgit of Olfactoria’s Travels who came to my rescue and very kindly donated a sample of Le Feu d’Issey so that I could review it for this series. Thanks B!

Despite being discontinued, Le Feu d’Issey was given a five star rating by Luca Turin in Perfumes The Guide and is also included in Sanchez and Turin’s latest book ‘The Little Book of Perfumes’ as one of the top 100 perfumes of all time. It also has quite the cult following and a reputation for being wonderfully weird. All of these facts have ensured that Le Feu d’Issey has stayed at the top of my ‘Must Test’ list (a list that gets longer and longer by the day) for a good few years, and when I did eventually get to try it I certainly wasn’t disappointed.