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On Escentual this week I review the ENTIRE Sauvage collection from DIOR, from the EDT to the EDP and the bath/body products. Read all about the collection here.

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MUGLER have finally launched the highly-anticipated ALIEN MAN – a masculine counterpart to their blockbuster feminine ALIEN (launched in 2005) and their first male pillar since B*MEN in 2004. As you know, I’m a massive MUGLER fan so I have wasted no time in putting together some words in my weekly Escentual column to give you all of the details. So, if you want to know what ALIEN MAN smells like then all you need to do is click here and you’ll be taken on a little bit of a space voyage through this brand new scent.

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Due to its undeniable popularity, I am often asked for my thoughts on BLEU DE CHANEL and those thoughts are as follows: I like it, I think it’s the typical, modern aromatic masculine but executed very well with top notch ingredients. Do I wear it? Yes, sometimes, but I prefer to smell it on my husband – it smells particularly handsome on him. Does it excite me? I wouldn’t go that far but I do think that as far as this style of fragrance goes, the big bad BLEU is the best of the bunch. So yes, I’m a fan (aren’t we all) and I can totally see why it is so popular – it’s good.

In June, CHANEL is extending the BLEU DE CHANEL family with BLEU DE CHANEL PARFUM – a fragrance that “unleashes the power of BLEU DE CHANEL”, presenting it in its purest and most concentrated form. This is CHANEL in-house perfumer Olivier Polge’s first tweaking of BLEU and much like his approach to Nº5 with L’EAU he has sought to remain faithful to the original, keeping what made it so iconic, but has reset the balance, this time specifically in relation to BLEU’S signature woods to make them more prominent, “to create a stronger and more intense energy”. So is this BLEU DE CHANEL on steroids or is it BLEU DE CHANEL in 4K ultra-high definition?

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We often talk about ‘notes’ or materials in fragrances and how they come together to create a multi-faceted composition. But these materials are incredibly nuanced themselves and each one brings not one, not two, but a multitude of different things to a fragrance, meaning that there is always a lot to learn when one goes back to the source materials. I always think that the best way to understand a perfume material is to break it down into facets and that’s exactly what these olfactory deconstruction pieces are for – to dissect each material into little parts so we can really understand what makes it tick, and what makes it smell so good.

Perfume is like a giant jigsaw puzzle. Each fragrance is made up of specifically shaped pieces that lock together. Perfumers match up the pieces, locking them together facet-to-facet, tessellating each nuance to either enhance or contrast them, or in some cases, to create something entirely new. The great thing is that, unlike jigsaw puzzles, where there is one way of piecing things together, perfumery is open-ended and the perfumer can tie things together in whichever way they see fit. This means that the picture at the end can be whatever they dream up. There are endless possibilities and to me, that’s pretty damn exciting.

L'Envol de Cartier Eau de Toilette
L’Envol de Cartier Eau de Toilette

There are so many fragrance launches each year it’s difficult to write about them all. Speed Sniffs is a way to bring you to the point reviews fragrances that are quick and easy to digest. After all, sometimes all one needs is a few lines to capture the essence of a scent. Speed Sniffs are perfume reviews without all of the faff and tell you whether the subject is something you want to sniff or not. So hurry up and read, because we don’t have much time…

I reviewed L’Envol de Cartier in its original Eau de Parfum concentration last year so I am designating this Eau de Toilette as a speed sniff, mainly because the differences between the concentrations are not huge – but they are notable, which is why L’Envol Eau de Toilette is worthy of a review. The first flanker to L’Envol presents a fresher signature, taking the honey, mead and iris notes of the original and making them weightless with citrus and gaiac wood. The result is a fresh oriental that gives wings to the complex richness of the original.