The success of Coco Mademoiselle took CHANEL by surprise when it launched in 2001. Created to rejuvenate the ageing Coco, which had launched 17 years prior but aged double in that time, Coco Mademoiselle’s purpose was to keep the Coco name on the shelves, which it more than did. In reality, Coco Mademoiselle’s popularity isn’t that surprising, after all, it plays a familiar tune (fruity patchouli a la ANGEL) and does it well, all whilst bearing the name “CHANEL” on its bottle. That’s pretty much a recipe for success, if you ask me.
Coco Mademoiselle presented a chic, yet bombastic, blend of sticky citrus (orange, bergamot, mandarin), sweet rose and contrasting patchouli. It riffed on ANGEL, of course, but pushed everything in a more luxurious, less challenging direction becoming a fruitchouli for the masses. I cannot deny that it’s a great fragrance, it’s just one that I’ve never personally gelled with, but then again, as a 33 year old, bespectacled and slightly stocky gay man (OK really stocky), I’m hardly the target market (“Mademoiselle” I am not).
So since 2001 we’ve had Coco Mademoiselle Eau de Toilette (2002) and the Eau de Parfum Intense (2018) (which I liked more than the original). Now we have Coco Mademoiselle L’Eau Privée, a lighter, more sheer fragrance that is meant to be worn at night time. The mood is very much satin sheets and silk lingerie in a blush shade of pink. Perfect for spritzing on when you’re wearing your flannel PJs and bunny slippers from Primark, I say. Let’s sniff.
The Candy Perfume Boy 