Orange Stars

Andy Tauer, the self-taught independent perfumer from Switzerland, offers a line of unique perfumes that vary in their unique identity, yet they all seem to share an inherent ‘Tauerness’ that runs as a coherent theme linking each scent to each other. Others have coined this link ‘The Tauerade’ (in the same way the Guerlain base is known as the ‘Guerlainade’) and my favourite example of the Tauer accord is in Orange Star.

Orange Star was released in 2010 and is one of the latest additions to Andy Tauer’s ‘Classics’ line, which includes such highly regarded scents as; L’Air du Désert Marocain, Lonestar Memories, Incense Extrême and Incense Rose. Andy Tauer describes Orange Star as “a rich citrus fragrance with a clean orange flower in its heart, and a soft elegant base that seems to last forever”. [1]

If I had to pick a favourite Tauer fragrance (it’s a hard task to pick just one) Orange Star would probably be it, it’s just so unique and not in an unwearable way (see Sécrétions Magnifiques), it is absolutely beautiful and wearing it is akin to receiving a big orange scented hug.

Mona di Orio

Mona di Orio
1969-2011

The news of the death of Mona di Orio on Friday was both shocking and incredibly sad, it marked a great loss for the perfume industry and for all within the perfume-loving community. Mona di Orio was an exceptionally talented perfumer, and from all accounts a truly wonderful person, I did not know her personally, nor did I ever have the chance to meet her, I have however, gained a huge sense of enjoyment through her fragrances and I am extremely thankful for her contribution to the perfume industry. The Les Nombres d’Or collection is nothing short of a triumph and her legacy will live on through her perfumes. My thoughts are with her friends, family and co-workers at this very difficult time

I had originally scheduled a review of Tubéreuse for the end of next week, but in light of the recent events I thought it would be fitting to reschedule it and include it here, as a tribute to Mona di Orio’s extraordinary talent.

Retro Rose

“Une Rose Chyprée is a fragrant time capsule that transports you back to a sepia-toned past.”

I am continuing this week’s rose theme with a review of yet another rose fragrance from Andy Tauer. Following Andy’s Master Class on Roses, I discussed the divinely edible Une Rose Vermeille, now it’s time for me to focus on the wonderfully retro Une Rose Chyprée.

Une Rose Chyprée is like no other modern perfume, it is a fragrant time capsule which transports you back to a sepia-toned past, when perfume was bold and perfumers didn’t shy away from deep, rich mossy notes with a masculine edge. Andy Tauer describes Une Rose Chyprée as a “modern vintage perfume” [1] and that is exactly what he delivers, a throwback rose chypre with a modern twist.

Rose Macarons

“Macarons – Om, nom, nom.”

Following Andy Tauer’s Rose Master Class at Les Senteurs on Thursday I have had roses on the brain. Well, to be precise I have had Andy Tauer’s rose fragrances on my brain, so this week, it makes sense for me to write about two Tauer fragrances that I have been meaning to review for quite some time – Une Rose Vermeille and Une Rose Chyprée. Seeing as I am renowned for having quite a sweet tooth and being a sucker for anything rose flavoured, I will start with Une Rose Vermeille.

Une Rose Vermeille was released in 2010 and is the second addition to Andy Tauer’s ‘Homages’ line, which also houses Une Rose Chyprée and Carillon Pour un Ange. It is described as a ‘Gourmand Rose’ and is, in my opinion, the most delicious fragrance I have ever tried – it is a rose good enough to eat.

Kate Bush

This week I have been listening to the new Kate Bush album ’50 Words for Snow’, a striking and beautiful conceptual piece centred around falling snow. Kate Bush is a dab hand at creating a landscape with her music and in my mind these landscapes have been reflected in two of the Mona di Orio’s creations from the Les Nombres d’Or collection. Oud is the golden, shimmering sunset depicted in Kate’s conceptual piece ‘A Sky of Honey’ from the album ‘Aerial’ and Musc is the eerily quiet snow covered landscape depicted in ’50 Words for Snow’.

On the album’s title track, Kate encourages Stephen Fry to cite 50 words for snow (it sounds absolutely bonkers, as you would expect from Ms Bush, but it works), some of the words are real, some are made up and they become completely ridiculous & fantastical as the song progresses (‘Faloop’njoompoola’ anyone?). My favourite of these snowy terms is No 47 ‘Blown From Polar Fur’ (honourable mentions go to ‘Wenceslas Air’ and ‘Bad for Trains’) and it perfectly reflects the snowy nature of Musc.

Musc is part of Mona di Orio’s Les Nombres d’Or (The Golden Numbers) collection which refers to the golden ratio, a mathematical theory of proportion that is showcased in the collection via fragrances centred around a single note, masterfully accentuated by other ingredients.

Tubéreuse Trilogy

Finally after lots of hard work, late nights and multiple cups of tea (Lavender Earl Grey if you’re interested) the dreaded University assignments have been completed and I can spend some time on the writing that I enjoy!
 
Thankfully the kindness of fellow perfumistas will always get you through any situation and thanks to the lovely Ines of All I am – a redhead, who after reading my Guide to Tuberose, insisted that I tried a number of other tuberoses, I have had the opportunity to distract myself from my work with perfume. My ability to procrastinate is rather impressive, in fact it is so impressive I had to include it within the title of this post.
 
Anyway, on to Histoires de Parfums! Included in my sample care package of tuberoses (and a few other goodies) was all three fragrances in the Histoires de Parfums Tubéreuse Trilogy. Now, as you all know I’m a sucker for tuberose so the idea of a trilogy was rather exciting to me, so imagine my surprise when, upon trying all three I discovered that none of the scents were particularly tuberose-centric at all. That’s right, these three tuberoses aren’t really tuberoses, a fact that would be disappointing to me if they weren’t so good, tuberose or no tuberose.
 

Boudoir

Talking about another Vivienne Westwood scent (Anglomania) last week as part of the ‘Gone, But Not Forgotten’ Series led me to drag out my bottle of Boudoir which has been lurking somewhere in the back of my ‘purgatory drawer’ – a fate that awaits those perfumes of mine that no longer have a place in my collection.

When I gave Boudoir its first spritz in what must be at least a year I was shocked, why was this in the purgatory draw? I like this! My biggest problem, it seems, is that I have a short attention span, I can only concentrate for a maximum of about five minutes before being distracted by something shiny or basically anything other than the task at hand (a problem that was recently brought to my attention by my boss, who very politely mentioned that my time management skills left a lot to be desired) and this is true with perfumes, I do tend to love something for a while before I get bored and want something new. I guess you could call me a ‘fragrant magpie’ of sorts.

Anyway, enough about me, on to the fragrance! Boudoir was Vivienne Westwood’s first fragrance and was released in 1998, it is classified as a ‘Floral Chypre’ and is the only Westwood fragrance that seems to have stood the test of time, Libertine, Anglomania and Let it Rock have all since fallen by the way side and have lost their places as part of the Westwood collection.

Festival of Colours

Neela Vermeire is a new Parisian based Niche line that explores the history of India through three vibrant and colourful fragrances. Each fragrance has been created by the very talented Bertrand Duchaufour and is representative of a particular period in India’s history, they are as follows:

Trayee
Vedic Period

Mohur
Moghul British Raj

Bombay Bling!
Modern India

With her first three fragrances, Neela Vermeire offers a festival of colour, fragrances that showcase exotic ingredients and smell as vibrant, lively and diverse as the country that inspires them.

“This diversity has inspired Neela Vermeire to create and dedicate the first trio of fragrances to India – her native country – while living and working in Paris, her adopted city and perfume capital of the world. Neela’s education in social sciences and training in law, may not have any direct connection to perfumes but her formative years in India have had a great and lasting impact on her “olfactory development.” [1]

A Taste of Heaven

“Pure, unadulterated love at first sniff.”

Like many others, I was lucky enough to receive a sample set of By Kilian’s entire L’Oeuvre Noire line through the By Kilian Facebook page. I have already tried a couple of the scents from the line, I’ve also reviewed two (Sweet Redemption and Back to Black) and my thoughts so far are generally very positive.

The L’Oeuvre Noire (The Black Masterpiece) collection consists of 10 fragrances and “evokes a Faustian atmosphere that casts an iniquitous alluring spell, pervading the spirit and senses, while transporting the soul to nirvana. Inspired by a search for perfection, the poetry of Rimbaud and Baudelaire, as well as the lyrics of modern day poets like Pharrell Williams and Snoop Dog. The Black Masterpiece ‘By Kilian’ is revolving around ingenues, artificial paradises and Parisian orgies.” [1]

This week I gave each sample a quick spritz to see which one I would review first and there was one that instantly stood out – A Taste of Heaven (Absinthe Verte). When I say it stood out, I mean that I literarily died and went to heaven, and if this is just ‘A Taste of Heaven’ I cannot wait to experience the whole thing.

Anglomania
“Anglomania is quite a blowsy scent, a fact that is only emphasised by the quite, erm, ‘breasty’ advertising image.”

Vivienne Westwood is the epitome of British eccentricity. A self-taught designer, mother of punk and general, all round odd ball, Westwood put British fashion on the map and her mixture of shabby chic and unusual tailoring has proved to be timeless.

Dame Viv has released five fragrances (not including flankers); Boudoir, Libertine *, Anglomania *, Let it Rock * and Naughty Alice, three of which have since been discontinued. If I’m being perfectly honest the fragrances from the line have been a mixed bag, Boudoir is a great, slightly filthy chypre, Libertine is a pretty decent floral citrus (it used to be a favourite of mine until my tastes developed), Let it Rock was a dreadful oriental and don’t get me started on Naughty Alice…..Anglomania is the best and most interesting of the bunch.

Anglomania is named after Westwood’s recurring collection of the same name and the scent is intended to evoke “Asian intensity with British heritage” [1]. It was released in 2004 and was created by the great Domique Ropion (Carnal Flower, Alien, Geranium Pour Monsieur to name but a few), it does exactly what it says on the tin.