Here we are, in the last few weeks of 2016 – I cannot believe that this year has gone so quickly! This will be my last post before I take my Christmas break (don’t worry, I’ll be back soon enough with The Candies 2016 – my best-of-the-best round-up of the year), during which I will gorge on just about anything edible I can get my hands on. But before the festivities kick off, I wanted to share my final review of 2016 with you and I’ve deliberately left this fragrance to last for the very simple reason that it’s really bloody good, which makes it the perfect perfume to end a year of fragrant discover on. So let’s do exactly that.
Fathom V is the latest scent from Beaufort London, a daring niche brand created by musician and writer Leo Crabtree who offers a collection of fragrances inspired by the sea. I’ve not written about Beaufort London yet because I’ve found their fragrances quite challenging, if I’m being entirely honest. There’s a darkness to this collection, yes, but also an incredibly unique take on familiar themes that really does push the limits as to what is acceptable and palatable in modern perfumery. But when a brand names their first collection of fragrances ‘Come Hell or High Water’ one knows that they mean business and Beaufort London certainly takes the art of perfumery seriously. These scents aren’t easy by any stretch of the imagination, in fact they can be downright difficult, but that’s exactly what makes them thoroughly intriguing sniffs.
This newest addition to Come Hell or High Water is inspired by the imagery of “violent weather, shipwrecks and magical islands” within Shakespeare’s ‘The Tempest’, taking its name from the nautical measure that represents six feet of depth, essentially referring to a body of water that is five fathoms deep. The fragrance is an olfactory clash between the green and the aquatic, creating something that is as contrasting, ever-changing and as powerful as the ocean. Fathom V is not your typical green fragrance nor is it your typical aquatic, in fact there is nothing ‘typical’ about this scent at all – it is wholly and entirely unexpected at every level, depth and fathom.
One could argue that Francis Kurkdjian, the enfant terrible of the perfume industry, is not averse to playing with fire. He regularly crafts bold creations and dares to tread where many other perfumers do not. I truly believe that he is one of the great perfumers of modern times, up there with the likes of Dominique Ropion and Jean-Claude Ellena. The work he does for designer brands is often bold and trend-setting, resulting in many of the modern classics we revere today, fragrances such as Jean-Paul Gaultier’s Le Mâle and Narciso Rodriguez for Her. For his own brand, Kurkdjian crafts accessible designer-style fragrances with high quality materials, elevating the genre to its highest point. His latest creation, Baccarat Rouge 540, feels like a departure from his radiant MFK style and is instead, an essay in contrasts, olfactory shocks and unconventional luxury. It serves as further proof that he is at the cutting edge of the industry and the very top of his game.
Baccarat Rouge 540 came into being in 2014 when Kurkdjian was approached by the legendary crystal maker to create a limited edition fragrance housed within an exquisite Baccarat crystal flacon (you can see that here). The Baccarat Rouge 540 we see today is the much more affordable, but still rather luxurious, Eau de Parfum incarnation. For his inspiration, Kurkdjian looked to the house’s signature red crystal, a colour that features in many Baccarat designs, with one red crystal included within each and every chandelier since 1987. It is the red crystal of Baccarat that this fragrance presents in olfactory form.
The fragrance is crafted around three accords, each of which celebrates an integral facet of the manufacturing process for Baccarat crystal: mineral, fire and craftsmanship. Kurkdjian stated that he wanted to create a “graphic” fragrance that represents both the density and transparency of crystal, and also the modernity of the brand, which is moving back into the fragrance market following an extended break. This is a fragrance that Kurkdjian created to be representative of the future and that is exactly what he has done, “starting from the dry down and building up like a house of cards”, a perfume that is entirely new and positively futuristic.
Amongst perfume lovers, aquatic fragrances are possibly the most maligned, after all they are the domain of the mainstream. In truth, aquatic or water-inspired fragrances can be pretty nifty, evoking oceans, mermaids, and monsters all through the use of sparkling natural materials and clever aroma chemicals. These fragrances are the antidote to the oriental spice bombs and floral weapons, and they’re pretty intriguing. Check out my round up of aquatic fragrances in the latest instalment of my Escentual A-Z of Fragrance here.
Jo Malone always strikes me as more of a lifestyle brand than a fragrance house. They produce an array of lovely scented goodies for the house and body that are housed within beautiful packaging. They look, feel and smell luxurious in a straight forward kind-of-way and have an unfussy approach in all that they do – an approach that does not seek to challenge. Their fragrances aren’t the most groundbreaking in the world, but they always come across as pleasant in a pure sort-of-way.
The brand’s latest fragrance, ‘Wood Sage & Sea Salt’ almost feels like a departure from the clean and pure simplicity that is inextricably linked with the name Jo Malone. Created by perfumer Christine Nagel, this new instalment from the British brand intends to celebrate the “treasure of the English coast” and be evocative of the “windswept shore” in a fresh, salty and mineral scent that really is unlike anything else one can find in the collection. Sure, it’s still a ‘clean’ cologne in the Jo Malone style, but it’s also a fascinatingly abstract piece of work that comes as a complete surprise.
“Escape the everyday along the windswept shore. Waves breaking white, the air fresh with seal salt and spray. Alive with the mineral scent of the rugged cliffs. Mingling with the woody earthiness of sage. Lively, spirited and totally joyful.”
I love the rain. There’s something about gloomy black skies and relentless downpours that appeal to my melancholic side. It’s fun too and as kids, my sister and I would often play outside in the rain until we were soaked through to the bone. We revelled in the burning cold of the open heavens and gorged on the smell of petrichor like greedy gremlins, fuelled by the most ancient and fundamental of elements. We also had fun splashing and throwing mud at each other, of course.
British perfume house Jo Malone appears to love the rain too, so much so in fact that they have launched a selection of four colognes (three new and one old) as part of their limited edition London Rain collection. Their take on rain is altogether more sanitised than my sister and I making mud pies though, focusing instead on the purifying and almost cinematic elements of rain within an urban landscape, celebrating it as a key part of London life. As the brand says; “what could be more British than London rain?”
“This collection is intensely urban whilst harnessing the power of nature in the city; drenched blooms, savage rainstorms battering the parks, the torrential drumbeat pelting the pavements. And the scents that rise from nature’s outburst, refreshing city life, making everything seem brand new.”
Created by perfumer Christine Nagel (Etat Libre d’Orange’s Archives 69, Versace Woman and Giorgio Armani’s Si) the London Rain collection consists of; Rain & Angelica, Wisteria & Violet, Black Cedarwood & Juniper and White Jasmine & Mint (originally launched in 2007). Each cologne captures “the different moods of a downpour”, ranging from the aquatic to the spicy and casting the idea of urban rain in a variety of watery shades.
In this review I’ll be taking a look at two perfumes in the collection – Rain & Angelica and Black Cedarwood & Juniper. The former represents morning rain over London’s green spaces, whilst the latter is a moodier affair that captures evening rain dashing against the city’s jungle of buildings and pavements. Together they demonstrate how a single idea can be presented in a number of guises, displaying familiar aquatic notes in new and intriguing ways.
To celebrate 20 years of haute perfumery, Thierry Mugler parfums is launching a collection of limited edition fragrances with a leather twist in October. Harking back to the origins of traditional perfumery and the link between perfumers and glove makers, Mugler sets to unleash four luxurious limited editions of its four famous fragrances.
Angel, A*Men, Alien and Womanity have all been given the leather treatment, having been infused with tailor made leather pieces in metal caskets for a period of four weeks. These brand new leather interpretations aim to enhance the original compositions with “intense, innovative carnal notes” and showcase Mugler’s four iconic fragrances through “the prisms of leather.”
“(Les Parfums de Cuir) The Fragrances of Leather is a journey to the heart of Mugler fragrances, with a noble material, for a collection of 4 exceptional creations”
As with all things Mugler, Les Parfums de Cuir promises to be an innovative collection of olfactory twists on four fragrances that have each created the mould for their respective genres. So throw on your leather corsets, suits and boots we’re off on a tour of Planet Mugler, and this time we’re doing it in style.