There are few brands whose launches I look forward to more than those from Maison Francis Kurkdjian. I’ll just come out and say it – I’m a Francis Kurkdjian fanboy. If you’ve been following my Instagram over the last week, you will have seen proof of this in the form of me spending much of my time enjoying Kurkdjian’s creations for rebellious fashion designer, Jean Paul Gaultier (specifically; Le Mâle, Fragile and Fleur du Mâle). Maison Francis Kurkdjian, the perfumer’s very own brand is one of my favourites and with MFK, Kurkdjian manages to weave simplicity and complexity effortlessly together, creating approachable but high quality, and more importantly, high class perfumes.
Maison Francis Kurkdjian’s latest fragrance is À la Rose, and unsurprisingly, it’s all about the humble rose – 250 of them, in fact. You can never get enough rose in my opinion, and seeing as the flower can be interpreted in so many different ways, ranging from delicious rosewater treats (see Essence Nº1: Rose by Elie Saab) to heady examples of rosy exoticism (see Guerlain’s Nahéma), there’s always a surprise, or two, to be had. In short: the world of rose is never boring.
Kurkdjian already has two roses within his collection (Lumière Noire pour Femme & pour Homme –two heavy and oriental roses), so exactly what does À la Rose bring to the table that we’ve not seen from the perfumer before? Well, the focus is definitely quite different and this new rose feels very much in keeping with Kurkdjian’s penchant for clear and radiant signatures that present familiar themes in their purest form. It does exactly what one expects it to and for once, lives up to the marketing spiel, which is somewhat of a rarity in the industry today. À la Rose is described as follows:
“A la Rose is an ode to femininity, a declaration of love captured in a fragrance. Two hundred and fifty precious roses from Grasse offer their radiance and their unmatched richness in every flacon”
Elie Saab burst onto the fragrance scene in a blaze of golden glory. His debut perfume ‘Le Parfum‘ was penned by none other than industry veteran, Francis Kurkdjian and it presented a radiant woody floral that utilised a solar orange blossom note to capture the unending beauty of Saab’s couture. This perfume kick-started a genre of radiant, glowing fragrances such as Carven’s Le Parfum (also by Kurkdjian) that now permeate the department store shelves, and it has deservedly found quite a following and spawned a number of flankers.
This year, Elie Saab and Francis Kurkdjian have teamed up once again to do something new – specifically to release a more exclusive collection of unisex fragrances entitled ‘La Collection des Essences’. Consisting of four perfumes, Essence Nº1: Rose, Essence Nº2: Gardenia, Essence Nº3: Ambre and Essence Nº4: Oud, the collection has been created to showcase “perfumed expressions of haute couture”, and unlike many exclusive collections (most of which are yawn-worthy and blatant money spinners), this one does exactly what it sets out to do with four fragrances that certainly capture the spirit of ‘Eau de Couture’.
“La Collection des Essences expresses a supreme elegance, a concise refinement that melds light and colour, depth and subtlety, volume and transparency. Four bold and exclusive statements with precise, dense and dazzling formulas.”
– Elie Saab
I have managed to try the whole collection and I must say that I am impressed, as I expected to be – I am, after all, a bit of Kurkdjian fan-boy. The Gardenia is a sharp, green and fuzzy take on the flower that sits somewhere between photorealism and abstraction, whereas the Ambre is a spicy, cosy and piquant amber, in a similar vein to Byredo’s 1996, and the Oud avoids the typical rose/super-spicy cliches as a woody and animalic oud that wouldn’t feel entirely out of place within Kurkdjian’s own collection. It is the Rose however, that has me hooked with its beautiful gourmand tones, that really are quite striking, despite their simplicity.
I’m still alive! Due to being away for work this week, I haven’t been able to turn my attention to The Candy Perfume Boy. I assure you that normal service will resume next week, with more reviews and news from the perfume world. Whilst I may not have had time to put together a post for the blog this week, I have still written for my weekly Escentual column, and this week’s subject is the fabulous, glamorous and radiant new fragrance from Jean Paul Gaultier – ‘Classique Intense‘.
This new scent, penned by none other than Francis Kurkdjian, isn’t your typical ‘intense’ version that amps up the heavier notes and makes for a thicker and long-lasting experience. No, this is Classique with the glamour dials turned right up – a radiant floral vanilla that is the shows topping starlet to the original’s backstage boudoir. Between all that glitter and gold lies a beautifully composed fragrance that is a worthy addition to the Classique lineup. Read my review here.
At the recent launch event for Maison Francis Kurkdjian’s latest duo of fragrances there was a lot of discussion around art and its relation to the world of perfume. Kurkdjian, who is ever a frank and fascinating speaker, asserted that perfume is not art because it is created to please consumers and where art is given a value by the market, perfume prices are set by their creators. This isn’t to say that Kurkdjian is belittling perfume by any means, in fact it seems that he takes a purely practical view of the subject, comparing his collection to an olfactory wardrobe, containing a plethora of pieces ranging from the everyday staple of the white T-Shirt (Aqua Universalis) to the more occasionally worn leather trousers (Absolue Pour le Soir).
Also at the event, Art Curator, Karine Giannamore spoke at length about what constitutes a masterpiece, piecing together simplicity, hard work, innovation and emotion, as the key ingredients that create a timeless work of art. Giannamore states that a masterpiece “has to be new [and] has to be original” but also must be “cemented in tradition”. This collision of the innovative and the traditional is exactly what Francis Kurkdjian has played with for his two new fragrances – féminin Pluriel and masculin Pluriel.
“What makes a work of art? A masterpiece? A Timeless work of art? Something so good or beautiful that it cannot be affected by changes in society or fashion.”
– Karine Giannamore
The Pluriel (Plural) duo has been created as a mirror image – two fragrances that perfectly capture the essence of femininity and masculinity, or as the brand puts it; “the eternal feminine and masculine.” With each fragrance, Kurkdjian takes a traditional theme and adds a contemporary twist to create a pair of perfumes that feel thoroughly modern and very much in keeping with his clear and radiant style. For féminin Pluriel and masculin Pluriel, Kurkdjian has crafted two new pieces for his olfactory wardrobe – two fragrant garments that are as modern, chic, timeless and elegant as anything a couturier could construct.
Awards Season is set to end this Sunday with the 86th Academy Awards (a.k.a. ‘The Oscars’) and the stars will be out in full force, donning their finest garb having spent hours preening their faces and coiffing their hair. Of course, us mere mortals will simply be watching the ceremony at home in our pyjamas, possibly scoffing on some popcorn in a nod to the wonders of the silver screen. Still, we can live vicariously through the glamour of the winners and losers, can’t we?
Thinking about the Oscars and the upcoming Jasmine Awards (for which I need to pick myself an outfit) led me to ponder over which perfumes are best suited to formal occasions. Most of the time I’m of the belief that one should wear whatever they heck they want when they want, but in situations where dress codes are enforced and one has to be smart, it can be beneficial to pick out a scent that is suitably dapper to match.
For this post I’ve put together some of my favourite ‘smart’ perfumes for black tie or formal occasions. They range from the smart casual to the well-tailored and the dramatic, and between them they serve as a mini-guide to picking that perfect scent for a special occasion. Most are unisex so are suitable regardless of whether you’re a guy or a girl and can be paired with a suit, tux or fancy dress to ensure that you’re looking good and smelling fine.
Thanks to people like Frederic Malle, perfumers are becoming much prominent figures within the industry. We now celebrate the creative and technical minds behind the perfumes we smell, putting their names on the bottles and turning some of them into God-like rockstars of the business (I’m looking at you Bertrand).
For my Escentual column this week I am continuing my Escentual A-Z of Fragrance with ‘N is for Nose’ – a look at some of my favourite perfumers. In this piece I talk about some of their most noteworthy work, ranging from the masterfully symphonic compositions of Dominique Ropion to the edgy work of Yann Vasnier. Click here to head on over to Escentual and read the piece. Oh, and don’t forget to tell me about your favourite perfumers whilst you’re there!
Can you believe that 2013 is coming to a close already? I certainly can’t! It only feels like yesterday that I was sat at my laptop, tapping away at the first reviews of the year and looking forward to the exciting new smells that next 365 days would bring. It has, all-in-all, been a very good year, with lots of interesting new perfumes launched, and on a more personal note too, as this year I took on the exciting role of Fragrance Expert for Escentual.com.
The perfumes have come thick and fast over the year, and once again the industry has seen an increase in the overall number of perfumes launched. Over the year we’ve seen our fair share of masterpieces, duds, flankers and celebrity money makers in, and as with any other year it has been a roller coaster ride of an experience sifting through just a tiny portion of what has been released.
In this post – my annual perfume awards (‘The Candies’) – I’m taking a look at my fragrant highlights of the year and those perfumes that have impressed, moved and surprised me. I’m also highlighting the specific scents that have failed to meet the mark this year and are disappointing enough to warrant naming and shaming. So sit back, don your red carpet gown (or suit), pop the champagne and enjoy The Candies 2013.