There are so many fragrance launches each year it’s difficult to write about them all. Speed Sniffs is a way to bring you to the point reviews fragrances that are quick and easy to digest. After all, sometimes all one needs is a few lines to capture the essence of a scent. Speed Sniffs are perfume reviews without all of the faff.
Oud Wood by TOM FORD is a fragrant tour de force. A cult classic that is one of the brand’s most popular fragrances, Oud Wood may not have started the oud trend, but it certainly cemented it as a prominent part of the olfactory zeitgeist. I find it to be a soft, comforting take on oud with an unusually rubbery texture that makes it stand out from the crowd – and even now I’d say that it’s an absolute must-sniff for anyone exploring the world of oud. Oud Wood is sexy and alluring, smart but casual – a complex perfume with a bold signature. Well, fans of Oud Wood can now rejoice because TOM FORD has just launched Oud Wood Intense, which promises Oud Wood but more!
Tom Ford knows his way around the note of oud. Within his own brand he has a mini-collection of oud fragrances amongst his many Private Blends, each of which takes the style of oud in a very different direction. He’s also the man behind YSL’s M7 which was one of the first mainstream fragrances to promote the use of oud (whether it was the first is up for debate). So it’s safe to say that oud is very much a signature of the Tom Ford brand and it’s a style of fragrance (and I say style instead of note because it’s really more of a genre than a singular ingredient).
The latest addition to Tom Ford’s oud oeuvre is Oud Minérale – a fragrance that intends to approach oud from a much fresher angle. The brand describe it as a scent that merges “rare and precious oud with the fresh exuberance of the ocean”, which may lead one to think that perhaps this is an oud too far. After all, smoky, animalic, middle eastern oud is on the polar opposite end of the fragrance spectrum to anything remotely aquatic. But to think that, whilst justified, would not be correct because Oud Minérale is a clever little composition that manages to find the common ground between these two opposing styles.
TOM FORD has certainly explored the world of his bestselling cologne, Neroli Portofino with undeniable fervour. The range consists of a dazzling array of interpretations, ranging from the original Eau de Parfum to last year’s honeyed Fleur de Portofino, and all that’s in between. This year, TOM FORD is sandwiching the original between two exciting new concentrations, with the lighter Neroli Portofino Acqua to its left and the intense Neroli Portofino Forte on its right. Both take the bold neroli-musk accord of the original and present it as something either more accessible or luxurious, but always interesting.
A week or so ago we took a look at the Acqua, the lighter, less spendy and more accessible take on NP and this week we are throwing caution completely to the wind with Neroli Portofino Forte, which is pretty much the opposite of Acqua in every respect, being stronger, more expensive and less widely distributed. So, how does a more intense take on TOM FORD’s neo-classic cologne fair in the sniff test? Well, there’s only one way to find out: read on.
Neroli Portofino Forte is a bold, exhilarating intensification of the Neroli Portofino Experience. The classic scent is rarified with rich, sublime depth as the amplified concentration of its floral core is lavishly heightened to utmost opulence. With the bold and impassioned introduction of coastal Italian woods and smooth leather in its composition, Neroli Portofino Forte marks an exquisite monument in the Neroli Portofino collection.
TOM FORD’s Neroli Portofino is pretty much legend at this point. Arriving as part of the initial crop of Private Blends in 2007, it has since been repackaged (in a glorious azure blue bottle, I must add) and has spawned its very own line of body products and flankers, scents such as; Costa Azzura, Mandarino di Amalfi and Fleur de Portofino. Neroli Portofino’s success is easy to understand – it is one of the best, if not the best neroli cologne on the market and it does what many fragrances of this ilk fail to do: it presents luxurious, globetrotting cologne nuances in a highly present and long lasting format, all with TOM FORD’s inimitable signature. What’s not to love?
This summer, MR FORD is expanding the Neroli Portofino lineup to include two additional fragrances. The first is Neroli Portofino Acqua, a lighter, more affordable and more widely distributed the fragrance that could be considered as the ‘Eau de Toilette’ version of the scent that we shall be putting to the test today. The second is Neroli Portofino Forte, which is the inverse of Acqua, serving as a more intense, exclusive and expensive take on TOM FORD’s standard bearer cologne, but we’ll get to that later in the week. The brand describes Neroli Portofino Acqua as follows:
“Vibrant. Sparkling. Transportive. Neroli Portofino Acqua is an invitation into the seductive atmosphere of the Italian Riviera from a new perspective afloat in the coastline’s idyllic azure waters, with endless skies overhead and steep, verdant hillsides just within view. A fresher expression of Neroli Portofino’s clear and sparkling facets, it is an irresistibly light way to wear the fragrance’s citrus-and-amber signature.”
Tom Ford’s Neroli Portofino series is a collection within a collection. Housed like a fragrant Matryoshka inside the Private Blend collection, the four colognes that currently comprise the series (Neroli Portofino, Mandarino di Amalfi, Costa Azzura, and now, Fleur de Portofino) tick all of the required boxes; 1) they smell great; 2) they are so much more than straight-up Eau de Colognes; 3) they’re unique; and 4) they have decent longevity and sillage. Don’t be fooled by the (rather beautiful) transparent bottles cast in varying hues of blue and green, because there are some intriguing, and complex juices within.
Fleur de Portofino is the latest addition to the Neroli Portofino collection and it marks a bit of a shift from the world of contemporary Eau de Cologne, to the domain of the floral, where the wistful reigns supreme. The spirit of the collection is well and truly alive here, with lots of aquatic vibrancy and freshness however, flowers take centre stage and the beauty of citrus has been instructed to wait in the wings. The result is a floral that presents a new olfactory take on the mediterranean – one that is teeming with life.
“Vibrant. Carefree. Captivating. Private Blend Fleur de Portofino is inspired by the cascades of white flowers that spill off the the branches of the white acacia beloved shade tree that dots the mediterranean’s gardens and lines its tranquil avenues. Fleur de Portofino creates a crisp and bright floral accord from this bloom, then surrounds it with effervescent citruses and acacia honey. The fragrance creates an effect of sheer floral possession that is incomparably hypnotic and extremely bold.”
Here in the bonny isles of the United Kingdom, the weather is flirting with us. For the last couple of weeks, Mother Nature has been coquettishly winking at us, flashing days of sunlight and pure bliss on to these green and pleasant lands. Of course, we’re in that definite transitionary period between seasons. Spring is here, and Summer is waiting in the wings, but the cold and grey of winter is persistent on some days, meaning that the weather’s dalliance with summer love hasn’t quite taken hold – but soon, it will.
I don’t know about you, but these short flashes of summer and glimpses of warmth, and vitamin-enriched days of halcyon make me reach for the lighter things in my fragrance wardrobe (and there are some hidden amongst my show-stopping sillage bombs, as hard as that may be to believe). At this time one craves bracing citrus, the sweet headiness of flowers and the airiness of musk, all of which lead one to think of one perfume genre in particular, a genre that is one of the industry’s oldest and most classic styles – the humble Eau de Cologne.
Eau de Colognes speak of lighter, fresher and more vibrant signatures. They are lighter, usually boasting a concentration between 2%-5% and utilise fresh citrus notes (mandarin, lemon and bergamot etc.) alongside herbs (rosemary and thyme) and florals (neroli, lavender, jasmine, orange blossom). The Eau de Cologne is ephemeral and designed to be splashed on at multiple times throughout the day in order to re-awaken, revitalise and refresh the sense. In short, they are an olfactory jolt to the system.
To celebrate the changing of the seasons, I’ve collected together six of my favourite Eau de Colognes for your reading pleasure. They range from the classics, which really are light and traditional, to more modern and contemporary twists on the genre, that manage to smell both unique and long-lasting. So brace yourself, folks, for ‘The Eau de Cologne Edit’ – six scents that will get your nose positively aching for summer.
Leather fragrances all fall somewhere on a spectrum that spans from ‘Expensive Handbag’ to ‘Cow Hide’, with a great distance of space between both polar ends. On one side we have the likes of Bottega Veneta Eau de Parfum and Dior’s Cuir Cannage, olfactory interpretations of luxury leather goods, and on the other we have fragrances such as Mona di Orio’s Cuir, which is essentially chorizo in a bottle. Somewhere smack bang in the middle of this spectrum of suede is my favourite kind of leather – the “hell yeah I’m sexy” kind of leather.
To me, the ideal sexy leather fragrance is undeniably Tom Ford’s Tuscan Leather. Even the name is evocative of tumbles in the hay under the hot Italian sun – what could be more enticing, right?. Released in 2007 as part of the original crop of Private Blends, Tuscan Leather is not only dashingly handsome, it’s also the perfect scent for this chilly weather we’re having – it’s warm, enveloping and totally sexy. Too sexy, in fact. It’s use has to be restricted in our house because it is, without being distinctly raunchy, completely and utterly delectable. Did I mention that it’s sexy?
Wow, what a whirlwind of a year 2014 was. The perfume industry has, as always, been nothing short of prolific in its output, with new brands popping up all over the place and the same big names releasing perfume upon perfume, and flanker upon flanker. It has, once again been a very busy year, and the hive of activity within the industry has meant that a great number of wonderful new olfactory treats have been unleashed on the noses of perfume lovers and consumers.
For me, this year has been one of great personal significance. In March I won my first Jasmine Award for my Guide to Violet, and shortly after in May, my best buddy and I tied the knot, only a few days before I presented an award at the Fragrance Foundation Awards. Then in August I was promoted at work, and in September my new husband and I headed off to Tokyo for the honeymoon of a lifetime. In short, it has been a fantastic year and one that will always remain truly in my heart as one of the very best.
To celebrate 2014 from a fragrant perspective, I present to you ‘The Candies 2014’. Those of you who have followed The Candies before will know that they are my annual perfume awards, celebrating the very best, and the very worst perfumes of the year (out of the 147 scents I have reviewed in 2014). Under the jump you will find the winners, losers and honourable mentions filed under neat little categories. So please, don your tux or ball down, break open the Bolly and take your seats for The Candies 2014.
[Also, please don’t forget to head on over to my dear perfume pals, Persolaise and Perfume Shrine, who are both joining me in sharing their ‘best of’ lists today.]
The Candy Perfume Boy’s ‘Guide to…‘ series is an award winning fragrant exploration of the individual notes that make up the vast and multi-dimensional spectrum that is the world of perfume. In each episode, we take a detailed look at a particular ingredient, analysing its odour profile and the ‘must sniff’ perfumes that serve as reference examples within the genre.
So far in the series, we’ve taken a gander at the lusciousness of lily, variety of violet and the tenacity of tuberose. We’ve also ogled at oud, chomped on chocolate and orbited the world of orange blossom. All-in-all, it’s been a fun and fragrant exploration of some of perfumery’s most beloved ingredients, but our journey is far from over and we have many more smells to sniff. So buckle up as we take off for our next fragrant expedition – a mission to Planet Vanilla.
In this latest instalment of The Candy Perfume Boy’s Guide to, we’re going to explore all that is vanilla – a note that is as well-known as it is delicious. The use of vanilla in perfume is most certainly plentiful and to serve you, dear reader, I have separated the wheat from the chaff to present you with eight vanilla perfumes that are absolute must sniffs on your fragrant journey. I promise you that they all smell absolutely fabulous!
If there ever was a time for Tom Ford to launch two new colognes, now was it. The relentless heat of summer appears to be continuing, well, relentlessly, and light, citrus-centric and floral colognes really are the genre du jour at this time of year. When the sun beats down indiscriminately in the sky and the muggy air really starts to the take the biscuit, the humble eau de cologne really is the only way forward.
Of course, Tom Ford’s fragrances are generally contemporary and high-fashion twists on traditional themes, therefore any eau de cologne launched by the brand isn’t likely to be conventional. Just take Ford’s Neroli Portofino, for example – a vibrant and clean neroli-based cologne that does the unthinkable – it lasts, and lasts. Tom Ford’s colognes may tip their cap to history, but as with all things he touches, they are exceptionally modern.
Much like last year’s Oud Wood Collection, Tom Ford is capitalising on the phenomenal success of Neroli Portofino to create the Neroli Portofino Collection. This capsule collection within Ford’s series of Private Blend consists of the aforementioned Neroli Portofino and two new colognes as stable mates – Costa Azzurra and Mandarino di Amalfi. One represents the early morning sun over a glimmering ocean, whilst the other is that same ocean scene as the sun dips below the horizon.