It’s not often that I experience love at first sniff, but in the case of Oak Wood, my immediate thought upon spraying it on my skin was “oh, I love this” and my secondary thought was “I’m going to wear the heck out of this”. Spoiler alert: I do and I did. But hold up, let’s talk a bit about this fragrance before we go right into the nitty gritty of whether I love it or not (I do, obv.). Sunspel is a luxury British clothing brand that focuses on high quality wardrobe staples and knitwear. Their aesthetic is very neutral and smart (and a little Scandi?). Oak Wood fits in nicely.
Sunspel tasked British perfumer Lyn Harris (formerly of Miller Harris, now of Perfumer H) to create their debut fragrance. The brand had previously created signature sweatshirts for Harris, featuring the names of two of her Perfumer H fragrances (I really want one of those, btw) so it feels like an organic partnership. Harris said she wanted to “create something that represented the beauty of the English countryside” because for her “that’s what really represents the brand, Sunspel”. The name Oak Wood was her working title for the fragrance.
When I review a scent I don’t just think about the words I want to use to describe it, I also consider how I’m going to capture the essence of the scent in the accompanying images. To photograph Oak Wood, I took a long walk with my husband and Pugsley, our pug. We ventured onto the thrift that is a short walk from our house and got lost in the winding paths that led us through the growing saplings that represent a forest in its infancy. We walked past reeds and brush, treading on gravel paths scattered with fiery leaves decaying in the autumn air. I was wearing Oak Wood and it felt so poignant in such a beautiful space. It all just felt right. These photographs represent Oak Wood and the feelings of that day.
It was my Olfiction colleague and Fume Chat co-host, the iconic Nick Gilbert, that introduced me to Maison Crivelli, and I am so glad he did. This is a brand that strikes me as being carefully considered, right from the beautiful, simplistic and luxurious aesthetics, to the intriguing, unexpected fragrances, much in the same way that Frederic Malle fragrances are. But the most intriguing thing about Maison Crivelli is the way they speak about perfume – they talk in impressions and experiences, moving us away from notes to craft a relatable olfactory language that is universal.
The fragrances in the collection are inspired by raw materials and each appears to present a new twist on the notes or ingredients that we are familiar with. It’s almost as if Maison Crivelli is inviting us to rethink our experiences of these materials – we think we know them, but Maison Crivelli shows us that there are still unexpected ways to experience the things we are so familiar with. For me, that’s incredibly exciting and makes Maison Crivelli one of the few new niche brands to watch.
Papyrus Moléculaire is the one of the latest launches from the brand and it takes inspiration from the brand founder, Thibaud Crivelli’s encounter with papyrus powder and women smoking cigarillos. The result is a subversion of the usually spicy and warm material presented as something much fresher, more transparent and powdery. As with all scents in the collection Papyrus Moléculaire is entirely genderless, with Maison Crivelli describing it as “rebellious” and “highly contrasting”.
On Escentual this week I take yet another dive into my fragrance collection. This time it is woody scents that feature (or scents with an intriguing woody facet). Check it out here! Also, let me know what your fave woody scents are!
There’s a simplicity and cleanliness to the Tom Daxon brand that really appeals to me. It feels unfussy and uncomplicated in presentation, with clean, structural lines favoured over anything remotely eye-catching or gimmicky. It’s a brand where the fragrances are allowed to speak for themselves and whilst the presentation may be simple (and elegantly so) the composition of each of the fragrances is anything but. Tom Daxon presents a collection with remarkable range, offering beautiful twists on familiar themes, creating fragrances that really don’t smell like anything else. If you haven’t sniffed anything from Tom Daxon then you absolutely must rectify that fact immediately.
The latest addition to the Tom Daxon collection is Riven Oak, and if you’re in to woods in a big way, then your interest should most definitely be piqued right now. Tom Daxon describes this oak-centric fragrance as “layers of smooth woods” and without giving away too much in advance of this review (because I’d quite like you to read on!), I’d say that’s a pretty spot on description. Riven Oak is no ordinary wood fragrance (see more on wood fragrances here) – it’s a multifaceted essay on the complexity of wood, with an entirely unique signature. Interest still piqued? Good, because it should be.
Now, before you judge me with your smutty little minds, I am of course referring to wood fragrances and not any other form of wood, metaphorical or otherwise. I’m not sure what may have led you to think of anything else – certainly not the somewhat tongue in cheek title of this post, that’s for sure! Anyway, the truth is that I’ve never really got wood before, as in, I’ve never really enjoyed wood fragrances that much (again, minds out of the gutter please, people). They’ve always felt too subtle or too plain for my exuberant tastes, so for the most part I’ve ignored them or passed them off as lovely, but not for me. That however, has changed very recently.
Over the last few months I’ve started to find wood fragrances a little bit sexy. I’m attracted to them and they are just the kind of thing I find myself wanting to smell on a man. But it’s actually more than that, they’ve also become the type of thing I want to wear when I’m feeling mighty fine, or when I want to feel mighty fine. So in this post I’m going to showcase some beautiful wood fragrances that are more than just a little bit sexy – in fact, they’re all very sexy in their own individual ways. So, please put on some Barry White and close the curtains because things are going to get a little bit hot and steamy up in here as we investigate seven wood fragrances with some serious bom-chicka-wah-wah factor.
“I’m always crushing on something scented or other. My nose knows no limits. Candy Crush is where I showcase the beautifully scented things I’m crushing on right now so you can hopefully develop a crush too.”
I’m always here for BVLGARI and their fragrant offerings. I feel as if everything they do is very well-crafted with an attention to detail and quality that is often disregarded in the mainstream. For the most part their perfumes are accessible and easygoing, with high quality materials favoured over a unique or challenging signature. Think your typical mainstream fragrance but elevated – that’s BVLGARI. So I crush on BVLGARI quite regularly, but I’m crushing hard right now on their new limited edition: BVLGARI Man in Black Essence.
Personally I’m a ‘poached atop a slice of avocado toast’ kind-of-a-guy, but then again I am a millennial so what else would you expect? It seems that Juliette Has a Gun likes their eggs served with a generous helping of sandalwood and a side of sass, because that’s exactly what the brand’s exciting new fragrance ‘Sunny Side Up‘ offers up. Juliette Has a Gun has always been a cheeky house, but they’ve really outdone themselves with this latest launch, creating a fragrance bottle that gives a birds eye view of a fried egg, sunny side up. Genius.
Positioning Sunny Side Up as a “happy therapy”, Juliette Has a Gun’s nose and founder Romano Ricci has set out to create something that “inspires happy and positive feelings”. The scent and its visuals take on a pop art feel, with the sunny theme of bright yellow running throughout. It plays on the idea of hot days on the beach where the sun is blazing so much it’s possible to fry eggs on the skin and the playfulness of the visuals (where the sun and model’s breasts are replaced with fried eggs) alludes to the care free spirit of this happy little perfume. To create the fragrance, Ricci started with the star material of sandalwood, which he paired with musks, jasmine and a coconut milk to accentuate the sandalwood’s “unctuous tonalities”. Intrigued yet?
As I walked up the Crawford Street in Marylebone, London, towards the new Perfumer H store, I must admit that I had a fair few butterflies in my stomach. I’m a nervous person at the best of times, but I was especially so on this occasion because I was on my way to meet Lyn Harris, the nose that puts the ‘Perfumer’ and the ‘H’ into Perfumer H. Harris’ CV precedes her, having built the hugely successful fragrance house, Miller Harris, from scratch in her early twenties, to the global lifestyle brand that it is today, Harris has a knack for making unfussy perfumes with a spirit of clarity. This spirit is not lost in Perfumer H however, it is presented in an entirely different way.
Stepping across the threshold of Perfumer H, I needn’t have been worried or been nervous at all, as the whole experience was an entirely relaxed affair, from the setup of the shop to the rather insightful chat I had with Harris herself over a cup of hot bergamot tea. As I enter the store, I’m greeted by a dog snoozing calmly on the chair. His name is Pop and he’s a handsome border terrier who, quite rightly, appears rather at home amongst the inviting, yet surprisingly minimal decor of the store. The presence of Pop cements the fact that Perfumer H is not a brand in the typical sense, with a pre-defined personality or ethos. Instead, Perfumer H is an extension of Lyn Harris, and its personality is Lyn as she is today, and it says what she wants to say, all through the medium of olfaction.
Neela Vermeire is a new Parisian based Niche line that explores the history of India through three vibrant and colourful fragrances. Each fragrance has been created by the very talented Bertrand Duchaufour and is representative of a particular period in India’s history, they are as follows:
Trayee Vedic Period
Mohur Moghul British Raj
Bombay Bling! Modern India
With her first three fragrances, Neela Vermeire offers a festival of colour, fragrances that showcase exotic ingredients and smell as vibrant, lively and diverse as the country that inspires them.
“This diversity has inspired Neela Vermeire to create and dedicate the first trio of fragrances to India – her native country – while living and working in Paris, her adopted city and perfume capital of the world. Neela’s education in social sciences and training in law, may not have any direct connection to perfumes but her formative years in India have had a great and lasting impact on her “olfactory development.”