“Angel Eau de Toilette is still a diva but she is Angel before she puts on her drag queen make up and high heels, she is the daytime Angel, just as fabulous and dramatic but less likely to throw a tantrum.”
When I first read the news that the Thierry Mugler brand was releasing an Eau de Toilette version of their infamous flagship fragrance Angel, my first thought was ‘I’m surprised they haven’t done one already.’ Well it’s taken nearly 20 years, but Mugler has finally decided to launch a lighter version of the heavy oriental gourmand.
Along with the launch of the new Eau de Toilette, and it’s fabulous new ‘comet bottle’ Mugler has created a brand new television and print campaign for both versions, starring Eva Mendes. I’m probably not supposed to say this, because I like Naomi Watts as an actress, but she just didn’t suit being the face of Angel, so I’m very glad that the sultry Eva Mendes is now fronting the campaign for my favourite Diva.
Now, Angel fans, I can sense that you are perhaps feeling a little uneasy and even slightly sceptical about this new release, after all why would you want a lighter version of Angel? She’s perfect just as she is. Well if you’re anything like me, you love Angel but on some days she’s just a little bit too much, and you can’t be doing with all of her diva antics all day long, every single day. You’ll be relieved to know that Angel Eau de Toilette is faithful to the original and what Mugler has done is create a more ‘everyday’ version of Angel that can be worn to the office/school/park/(insert everyday place here) without terrifying people
Ahh flankers, there is nothing within the glorious world of perfume more guaranteed to make my eyes roll. Don’t get me wrong, there are some pretty good flankers on the market, take Guerlain’s Shalimar Parfum Initial or Chanel’s No 5 Eau Premiere for example. But on the whole the majority of flankers stink (see Marc Jacobs Bang Bang), they are a cheap way of marketing a new fragrance without having to come up with a new name or bottle and tend to carry no ingenuity whatsoever.
CK One Shock for Him and for Her are the latest in a long line of flankers to Calvin Klein’s iconic Unisex fragrance CK One, originally launched in 1994. With CK One Shock they have released “Two sassy new fragrances that flaunts youth innate sense of provocation”  Calvin Klein has proved to be the king of flankers over the years, the majority of which have been pretty terrible so I did not approach these two with high hopes.
I don’t know about you, but when I wear fragrance I wear it for myself and myself alone. Sure, I love to share my passion with others, that is a huge part of my hobby, but when I wear perfume, I wear it because I enjoy it.
And I wear what I like!
Ever since I bought my first proper perfume (Kingdom by Alexander McQueen) I have loved ‘feminine’ fragrances. Looking through my collection it’s obvious that the ratio of feminine and masculine is weighted considerably towards the feminine. To this day I find myself drawn to the feminine releases much more than masculines. Don’t get me wrong I do enjoy wearing masculine fragrances but they just don’t wow me the way a lot of the feminines do.
I guess that I’m the King/Queen of fragrant gender bending.
Those of you who read my review of the original Bang on Wednesday will know that I found it to be a thoroughly well executed masculine fragrance for the mass market, so you can imagine that I was quite looking forward to Bang’s first flanker; Bang Bang.
The name is amusing, ‘Bang Bang’, I thought; ‘Double the Bang? This must be a more intense version of Bang’, are you with me? Well you may be, but Marc Jacobs isn’t, Bang Bang is described as a ‘refreshing and dynamic’ version of the original.
If the thought of a ‘refreshing and dynamic’ masculine sends you into a dull-perfume induced coma then I promise to wake you at the end of this review.
This Friday I will be reviewing Marc Jacob’s latest fragrance Bang Bang, so for the sake of continuity I thought it would make sense to review the original Bang fragrance, which in my opinion is the better of the two, but we shall get to that on Friday!
Bang is Marc Jacob’s second masculine release after the eponymous Marc Jacobs for Men (the less said about that the better). It was released in 2010 to a lot of fan fair and positive criticism from the perfume blogosphere. Bang was a big launch for Jacobs, the fragrance was accompanied by a rather aggressive marketing campaign, which showed Mr Jacobs in all of his, ahem, glory.
Le Labo is a line that I’ve not paid much attention to, possibly because I’ve heard mixed things about the fragrances but also because the whole idea seems a little ‘gimmicky’ to me.
For those of you not familiar with the line, the basic idea is that each fragrance takes it’s name from its main component and its number from the number of ingredients used; so we can assume that Rose 31’s main component is rose (duh) and it contains a total of 31 ingredients. All Le Labo Fragrances are mixed to order at the Le Labo counter and the labels are personalised to include details such as the customer’s name and the store it was mixed in.
Rose 31 is marketed as a masculine and seems to be one of the most popular Le Labo fragrances, now that I have my hands on a bottle It seems a good opportunity to see what all of the fuss is about.
Honour Woman and Honour Man are the latest duo of fragrances from Omani niche house Amouage. Both fragrances are inspired by Giacomo Puccini’s famous Madame Butterfly and are said to ‘unfold the tale of love and betrayal, hope and despair’ and are ‘as rich and commanding as Puccini’s score’. 
Both fragrances were created under the direction of Christopher Chong (if you don’t follow him on Twitter you absolutely should, he can be found @cchonguk), and as usual they are both similar in the grand Amouage style, but at the same time they are both remarkably different.