Diesel fragrances have always rated as ‘Not bad but Not Great’ on my scale of perfume awesomeness (which runs from Viktor & Rolf Antidote to Guerlain Shalimar BTW). They’ve always been competently put together, pleasant enough fragrances that smell utterly mainstream. This isn’t a bad thing in itself, after all there is nothing wrong with decent smelling mainstream fragrances, but as perfumistas we expect more, don’t we?
Loverdose is the latest feminine release for the Italian brand and it follows Fuel For Life as the second feminine launch since the Diesel fragrance line was completely revamped.
Loverdose is described as follows:
“Loverdose is the sexy & addictive new fragrance from Diesel. It represents a woman who is sexy, playful and irresistible. She receives an overdose of love from those around her, but she wants more. She desires pleasure, adrenaline & passion.” 
I have to admit that I’m a bit of a newbie when it comes to By Kilian, I have pretty much dismissed the line up until now, predominately due to the high prices (a rookie perfumista error, I know) but my financial restraints prevent me from considering über expensive fragrances, so I don’t try them just in case I fall in love, which is pretty much always the case.
But thanks to some excellent reviews by my Evil Scent Twin, Birgit from Olfactoria’s Travels I have found myself officially intrigued. I wanted to see what all of the fuss is about so I managed to blag a few samples from the By Kilian counter in Harvey Nichols.
Seeing as I’m such a latecomer to the By Kilian party, it seems fitting that I should start at the end, with the last fragrance in the L’Oeuvre Noire (The Black Masterpiece) collection, Sweet Redemption (The End).
I’m not a gin drinker, actually scrap that. I wasn’t a gin drinker, but on Tuesday I was coerced (there really wasn’t much coercing going on) into drinking a number of gin cocktails at the bloggers launch for Penhaligon’s new fragrance Juniper Sling. This experience has taught me three things; firstly, Penhaligon’s know how to throw a party, secondly, their gin cocktails are unrivalled and thirdly, gin and fragrance go very well together.
Juniper Sling was created by master perfumer Olivier Cresp (the man that brought Angel into the world) and it is described by Penhaligon’s as “a playful, chilled and mysterious homage to the Bright Young Things of London’s roaring twenties.” Now this may give you the impression that Juniper Sling may be slightly old-fashioned, but this is absolutely not the case, Penhaligon’s have created a modern twist on a classic theme, just look at the bottle with it’s metal bow, a purely modern take on their usual flacon.
Those of you who read my review of the original Bang on Wednesday will know that I found it to be a thoroughly well executed masculine fragrance for the mass market, so you can imagine that I was quite looking forward to Bang’s first flanker; Bang Bang.
The name is amusing, ‘Bang Bang’, I thought; ‘Double the Bang? This must be a more intense version of Bang’, are you with me? Well you may be, but Marc Jacobs isn’t, Bang Bang is described as a ‘refreshing and dynamic’ version of the original.
If the thought of a ‘refreshing and dynamic’ masculine sends you into a dull-perfume induced coma then I promise to wake you at the end of this review.
This Friday I will be reviewing Marc Jacob’s latest fragrance Bang Bang, so for the sake of continuity I thought it would make sense to review the original Bang fragrance, which in my opinion is the better of the two, but we shall get to that on Friday!
Bang is Marc Jacob’s second masculine release after the eponymous Marc Jacobs for Men (the less said about that the better). It was released in 2010 to a lot of fan fair and positive criticism from the perfume blogosphere. Bang was a big launch for Jacobs, the fragrance was accompanied by a rather aggressive marketing campaign, which showed Mr Jacobs in all of his, ahem, glory.
Sometimes I just want to smell like a hooker. I accept that this may be somewhat of a sensational overstatement, but what I really mean is that when it comes to perfume, despite loving the classics, the symphonic florals and the exotic orientals, what I really love is the trashy, brash and over the top.
Sometimes it’s great to wear something that is loud, proud and ultra girly, I also find that these ultra-trashy scents work really well on a man, I have no fear of smelling ‘cheap’.
If you want cheap and trashy you cannot go wrong with Rush by Gucci.
Elie Saab Le Parfum is the first perfume to be released by Lebanese fashion designer Elie Saab. It was composed by Francis Kurkdjian (Jean Paul Gaultier Le Male, Narciso Rodriguez For Her and Juliette Has a Gun Lady Vengeance etc) and is billed as a Woody Floral.
Ellie Saab Le Parfum is described as an ‘ode to light’.
From the Press Release:
“Composed as an ode to light, ELIE SAAB Le Parfum celebrates the splendor and the brilliance of radiant femininity with a floral solar woody theme. The permanent exchange between flowers and wood is what gives the fragrance such captivating resonance.”
N°19 Poudré is the latest fragrance release from Chanel and is the first flanker to the original N°19 fragrance which was released in 1971.
As the name suggests N°19 Poudré is intended as a softer, more powdery version of the original and is an attempt by the brand to rejuvenate and modernise the image of the N°19 line.
Chanel describes N°19 Poudré as:
“A Floral-Powdery-Green fragrance that reveals a new powdery-musky facet.
The voluptuous scent of a bouquet of Iris blends with the freshness of a breeze of Vetiver roots: an enveloping, powdery fullness softened by White Musk notes.
N°19 POUDRÉ: within the smoothest, silkiest whisper lies the boldness of a legendary accord.” 
OK, I may not be ‘woman’ but Womanity most certainly is, she is all woman and she definitely knows how to roar.
Womanity was released in 2010 and is the latest feminine fragrance by renegade fashion house Thierry Mugler. It is the house’s first major feminine release (i.e. not a flanker) since Alien in 2005. The fragrances is described as a woody oriental and is based around a juxtaposition of sweet and savoury notes
To coincide with the release of Womanity, Mugler also created a social network site womanity.com which, just like the fragrance, celebrates ‘the invisible bond between women’. I have to admit that I find the concept more than a little bit tedious…
Ahh the 80’s, a time of excess where everything was big; the clothes, the music, the hair and of course the perfume.
The perfume in the 80’s was loud, proud and would announce it’s arrival a long time before you entered a room, and stay a long time after you left. There were big bouquets of aldehydic florals and massive oriental spice bombs. I shouldn’t forget the HUGE jammy roses and the loud syrupy tuberoses either.
These fragrances, affectionately known as ‘Perfumes with Shoulder Pads’ by the #fumechat Tweeters are representative of the era, and whilst they may not be entirely popular today I have a real soft spot for them.