OK, I may not be ‘woman’ but Womanity most certainly is, she is all woman and she definitely knows how to roar.
Womanity was released in 2010 and is the latest feminine fragrance by renegade fashion house Thierry Mugler. It is the house’s first major feminine release (i.e. not a flanker) since Alien in 2005. The fragrances is described as a woody oriental and is based around a juxtaposition of sweet and savoury notes
To coincide with the release of Womanity, Mugler also created a social network site womanity.com which, just like the fragrance, celebrates ‘the invisible bond between women’. I have to admit that I find the concept more than a little bit tedious…
Ahh the 80’s, a time of excess where everything was big; the clothes, the music, the hair and of course the perfume.
The perfume in the 80’s was loud, proud and would announce it’s arrival a long time before you entered a room, and stay a long time after you left. There were big bouquets of aldehydic florals and massive oriental spice bombs. I shouldn’t forget the HUGE jammy roses and the loud syrupy tuberoses either.
These fragrances, affectionately known as ‘Perfumes with Shoulder Pads’ by the #fumechat Tweeters are representative of the era, and whilst they may not be entirely popular today I have a real soft spot for them.
Le Labo is a line that I’ve not paid much attention to, possibly because I’ve heard mixed things about the fragrances but also because the whole idea seems a little ‘gimmicky’ to me.
For those of you not familiar with the line, the basic idea is that each fragrance takes it’s name from its main component and its number from the number of ingredients used; so we can assume that Rose 31’s main component is rose (duh) and it contains a total of 31 ingredients. All Le Labo Fragrances are mixed to order at the Le Labo counter and the labels are personalised to include details such as the customer’s name and the store it was mixed in.
Rose 31 is marketed as a masculine and seems to be one of the most popular Le Labo fragrances, now that I have my hands on a bottle It seems a good opportunity to see what all of the fuss is about.
A massive thank you to everyone who viewed the special fragrant event for the Instability-in-Stability Loft Project. We had a great discussion about scent memory and it was excellent to have such a fantastic interaction from our viewers.
Above is Part 1 (of 6) of the event for those of you who missed it or for those who would like to watch it again. If you have any comments or thoughts about the event or about scent memory then please leave a comment in the box below the jump.
Apologies for taking so long to get the videos on here but I’ve had some problems with LiveStream and embedding.
Parts 2-6 below the jump…
Today I am guest posting on Get Lippie with a joint-review of the new Pentachords series by Andy […]
There is one thing I love more than perfume and that is food, especially that of the baked/cake variety. It stands to reason then, that one of my favourite perfume types is the gourmand. Food smells in perfume can sometimes be abstract or representative but the best gourmands are those that present food in a completely literal way. Ambre Narguilé is one of these gourmands.
Ambre Narguilé is an unexpected gourmand.
This week my good friend Cara and I will be teaming up to create a special fragrant event as part of her Instability-in-Stability project. During the event we will both be discussing our scented memories as teenagers. Thinking about the subject matter I thought it would be apt to review the first fragrance that I fell in love with, the one that started the obsession; Kingdom by Alexander McQueen.
At the tender age of 16 (it feels so long ago now), I wasn’t really fussed about fragrance, I would wear generic ‘boy’ fragrances such as Hugo Boss and Paul Smith and the fragrances I wore were normally gifted to me by relatives. That was, until Kingdom came along…
In a dark dark loft there was a dark dark box and in the dark dark box there […]
Honour Woman and Honour Man are the latest duo of fragrances from Omani niche house Amouage. Both fragrances are inspired by Giacomo Puccini’s famous Madame Butterfly and are said to ‘unfold the tale of love and betrayal, hope and despair’ and are ‘as rich and commanding as Puccini’s score’. 
Both fragrances were created under the direction of Christopher Chong (if you don’t follow him on Twitter you absolutely should, he can be found @cchonguk), and as usual they are both similar in the grand Amouage style, but at the same time they are both remarkably different.
I am delighted to announce that the winner of the Etat Libre d’Orange samples (Tom of Finland and Archives 69) is….