Alien Essence Absolue
“At the height of her radiance, the statuesque solar goddess embodies sensuality more than ever before. In her magnetic aura, intense emotions burst forth and open the door to new imaginary worlds.”

Thierry Mugler’s second major feminine Alien has managed to become almost as popular and iconic as its sister fragrance Angel, which is no mean feat when you consider exactly how popular the latter is. Since its release in 2005 Mugler has released a plethora of Alien Editions, each of which has seemed better than the last, and it would be fair to say that the very latest edition ‘Alien Essence Absolue’ is the best yet, and they know it too hailing Essence Absolue as “The Supreme Perfume”.

What I love about the Thierry Mugler brand is that they are not afraid to experiment, not only with their flagship launches but also with their flankers. They may not always work (see Ice*Men) but they are always interesting and it’s great to see a brand really give a damn about the quality and artistry of all their fragrances. Personally, I didn’t think that Mugler could top the salted-caramel-goodness of Alien Le Goût de Parfum (released last year), but by jove they’ve gone and proved me wrong.

Alien Essence Absolue is the latest interpretation of Alien and serves as an oriental twist on the original. Created by Dominique Ropion (one of favourite perfumers FYI), who worked on the original as well as creating the Eau de Toilette, Eau Luminescente and Sunessence versions, Essence Absolue is a more intense interpretation that focuses on warm, resinous notes and intense flowers. Mugler describes it as “an intense amber, floral, vanilla perfume […] a magnetic fragrance that illuminates the skin in a halo of light” – well if “magnetic” partly explains why my nose is currently stuck to my wrist then I’m all for it.

Arabian Nights
One Thousand and One Nights

Well, it looks like Nigel really came through on the old birthday front (thank you all for your kind wishes btw) deciding much against his better judgement to generously give me a big ole bottle of L’Artisan Parfumeur’s Al Oudh as his gift. Al Oudh has been sat on my wish list for quite some time now (which makes me wonder why I haven’t reviewed it already) and out of the slew of ouds available I believe that it is one of the few thatt brings something new to the party.

Al Oudh now joins my three other L’Artisans (Vanille Absolument/Havana Vanille, Traversée du Bosphore and Nuit de Tuberéuse) all of which, Al Oudh included, just so happen to be Bertrand Duchafour creations, thus proving that I really do have a “thing” for le Duchafour, and who can blame me? The dude is clearly a genius and with Al Oudh his skill of turning common accords entirely on their head is in full swing.

Bertrand Duchaufour created Al Oudh for L’Artisan Parfumeur in 2009. It’s billed as an exotic, spicy and woody oud with accents of rose and dried fruits. L’Artisan describe it as “the elixir of sensuality itself”, which is a very fluffy way of saying that it is in fact sex on a stick, or sex in a bottle to be more accurate. Al Oudh may not be what you’re expecting from an oud but that is exactly what makes it so captivating.

Mito
Mito – “The myth of a timeless eternity.”

Vero Profumo’s first three fragrances; Rubj, Kiki and Onda are unusual, not only in their style and composition but also in the fact that they are each five star fragrances that can easily be considered as modern masterpieces. They each also have strong personalities, multi-faceted in themselves, but incredibly diverse in character as an entire entity – a collection to be envied.

With her initial collection Swiss indie perfumer Vero Kern proved that she has a natural talent for perfumery as well as a clear and fascinating artistic vision that translates effortlessly into her creations. For her line’s fifth anniversary year Vero Kern is introducing a brand new fragrance, one that doesn’t break cohesion of the line but also brings an entirely new approach to Vero Profumo.

Mito (Italian for “Myth”), will be the latest fragrance from Vero Profumo to join her Eau de Parfum collection. Taking inspiration from Italy, specifically the Villa d’Este in Tivoli, smelling Mito is like opening a time capsule, unleashing a single moment where as time has stopped in the garden of Villa d’Este, allowing Vero Kern to paint an olfactory oil-painting of the trees, mosses, flowers, stones, sculptures and water that inhabit such a beautiful space.

Lys Soleia - An olfactory snapshot of summer air
Lys Soleia – An olfactory snapshot of summer air

Good lily fragrances are hard to find and I can only think of two that are really worth considering, both of which are at the far end of the price spectrum; there’s Frederic Malle’s Lys Méditerranée (über pricey) and Donna Karan’s Gold (cheap as chips). But now there’s a new kid on the block, a lily created by Guerlain meaning that it’s a high quality piece of fragrant art that you’re going to love.

Guerlain’s Aqua Allegoria line was created in 1999 and is intended to be more accessible than the rest of the Guerlain collection thanks to its much lower price point. The Aqua Allegoria fragrances each take inspiration from nature and in true Guerlain-style they showcase some of the best quality ingredients that money, and serious Guerlain-klout can buy. Being the fool that I am, up until two weeks ago I had pretty much ignored the entire Aqua Allegoria line, which is particularly stupid when you think about their attractive price point and good reputation. But that soon changed when I stumbled upon the line’s latest addition “Lys Soleia”.

Lys Soleia is a damn good interpretation of one of nature’s most vocal flowers, the lily, and it manages to perfectly capture the scent of the flower in an addictively gorgeous fragrance. Guerlain describe Lys Soleia as “The spirit of nature. The spirit of lily” [1] but it is so much more than just the spirit, it is an olfactory snapshot of summer air, captured in an instant and saved forever.

Vintage Shocking Ad
Shocking de Schiaparelli

The Gone, But Not Forgotten series focuses the spotlight on those fragrances that, despite being absolutely wonderful, have suffered at the hands of the unfortunate inevitability, and my biggest bug-bear of the industry that is discontinuation. They may be gone, but this series aims to ensure that these gems certainly aren’t forgotten.

When I first had the idea for the series there was one perfume in the back of my mind that would be the ultimate addition, the holy grail of rare, discontinued perfumes that would be nigh on impossible to obtain. That perfume was Shocking by Schiaparelli. Luckily for me I have been able to get my greedy little hands on a 7.5ml bottle of pre-1970s Shocking Parfum, and I am pleased to say that I am as wowed by it as I thought I would be.

Shocking was created by Jean Carles in 1937 and was named after the shade of hot pink that Elsa Schiaparelli created for her collections. Schiaparelli was known for actively embracing the surrealist movement (her famous shoe hat is all the proof you need) and a lot of her creations took inspiration from Dadaism so it stands to reason that her most famous fragrance is bold, beautiful and unconventional.

Italian Alps
Amorosa – Inspired by the mountains and clear turquoise skies of Italy

What exactly is the point of watermelon? It has always seemed to me to be the the most pointless of fruits because it smells and tastes of practically nothing. I’d go as far as saying that it is the worst fruit, along with grapefruit, which is also horrid due to its mouth-screwingly bitter taste. It is my impassioned hatred for watermelon that made Amorosa, the latest fragrance from Ruth Mastenbroek, such a surprise.

Ruth Mastenbroek is a British perfumer, and former President of the British Society of Perfumers, who has created perfumes for a number of niche lines, including Jo Malone, before deciding to go it alone and start her own brand. So far her line consists of two fragrances; RM Eau de Parfum and Amorosa.  Ruth’s philosophy is “to create fragrances that are unique, luxurious and distinctive” [1], and if Amorosa is anything to go by, that is exactly what she does.

Amorosa is inspired by Italy, “its mountains, its clear turquoise skies” [2] and is described as “the seductive scent of a woman in love with life.” [3] It is a fascinating modern chypre that is a unique take on the genre. Not only does it showcase a beautiful watermelon note it does so in an interesting and new way. In an industry where “new” can be an alien concept, this is something absolutely worth celebrating.

Christian Dior Fall 2010
Christian Dior Fall 2010 – Chic and Iconic but not Cheap…

Picture this: You’re tasked with buying a 30ml bottle of perfume. It has to be something that  smells good, isn’t tacky or some horrible celebuscent, and could be classed as a classic due to its unfailing longevity and popularity. Oh and you cannot spend more than £11! That’s doable right?

You may be thinking that you have been set an impossible task, and you would not be blamed for thinking so, after all there are good cheapies on the market but £11 is VERY cheap. But I am very happy to say that you do not have to blow the big bucks to find a decent bottle of perfume, all you need to do is head down to The Body Shop and pick up a bottle of White Musk Perfume Oil.

White Musk is The Body Shop’s flagship fragrance and was released way back in 1981. The Body Shop describe White Musk as “iconic” [1] and I have to agree, it’s one of those fragrances that everybody knows. It is instantly recognisable and has stood the test of time where other, lesser scents have fallen by the wayside. White Musk may sing a simple little ditty but it is its pleasant simplicity that has secured its well-earned status as a perfume icon.

Dandelion
The Rapture of Dandelions in Spring

There are so many niche perfume houses out there it’s a struggle for your friendly neighbourhood perfume blogger to keep up. There are niche lines within designer houses, niche lines within niche houses, private collections and exclusives – the mind boggles.

To cope I have to tell myself that I simply cannot sniff everything and there are niche lines that I will ignore completely, purely because my brain cannot handle adding them to the pile of things I need to try stacked somewhere at the back of my mind, behind all the stuff I don’t use anymore; like algebra, the steps to the Macarena and the ability to resist cake.

One niche house that will always receive my attention however is Amouage. I still haven’t managed to try everything in the Amouage stable (I’m taking my time and enjoying it thank you very much) but what I have tried, whether to my tastes or not has been interesting, high quality and worthy of the praise it receives.

The Library Collection is Amouage’s capsule collection of unique fragrance “works”. The collection is described as being “a poetic homage to the art of living” [1] and it offers a break from the house’s tradition of grandiose, opulent fragrances. After falling truly, madly and deeply for the mind-blowing amber of Opus VI I couldn’t wait to poke my nose through the rest of the collection, and on a recent shopping trip that is exactly what I did. It was on that shopping trip that I discovered Opus III…

Epic
“Legends of the Silk Road”

I have said it a number of times before, but things that are true must be said more than once; I am taking my sweet time working my way through Amouage’s back catalogue of scents and most importantly I am enjoying the journey immensely. What strikes me most about the Amouage line is the impressive degree of cohesion demonstrated amongst such an eclectic mix of fragrance styles, each of which is woven together by the silver thread of omani frankincense.

Speaking of journeys, none are more impressive than the ancient journeys of the Silk Road, the subject of which is the inspiration behind Amouage’s 2009 feminine and masculine duo. Creative Director Christopher Chong worked alongside perfumers Cecile Zarokian, Daniel Maurel, Angeline Leporini (for Woman) and Randa Hammami (for Man) to create two perfumes that represent the sheer scale and importance of these cross-continental journeys that no longer exist.

Epic is the moniker given to this type of journey and is bestowed upon both fragrances. Inspired by the legend of travels along the world’s spice and trade routes, and hued in imperial jadeite the name Epic could not be more perfect, and whilst it may lead you to believe that these fragrances are cinematic in their size, one should not be fooled, unlike other Amouage perfumes Epic Woman and Man are essays in soft elegance.

Truth or Dare
Madonna – The Candy Perfume Girl

This post should come with a disclaimer – I am a Madonna fan, or as I put it ‘a royal subject of her Madgesty’. I just can’t help myself – I love her music, I admire her immensely for doing everything a man can do but better (and for getting away with it), for doing a lot with average talent, heck even this blog is named after one of her songs, so yes it is fair to say that I kinda like the Queen of Pop. I am also a HUGE fan of white florals, which may lead you to think that I was destined to adore Madonna’s first perfume ‘Truth or Dare’, I mean after all how could I not be biased when one of my favourite icons releases a perfume that fits very nicely into one of my favourite genres?

The truth is that the release of Truth or Dare was quite nerve-wracking for me. First things first, there have been many rumours about a Madonna perfume over the years and it would be fair to say that she should have done it a long time ago, back when she was more of a leader and less of a follower. Secondly, aside from a few glorious exceptions (Rossy de Palma, Tilda Swinton and Sarah Jessica Parker etc.) celebrity perfumes tend to be naff, thoughtless concoctions created as a quick cash cow for whoever feels the need to put their name to one. But as news of Truth or Dare startled to trickle into the blogosphere my fears were put to rest and I was particularly encouraged by the fact that her perfume would be a Fracas inspired white floral – a genre that she is known to love.

Truth or Dare, Madonna’s first and long-awaited foray into the perfume market is created in conduction with Coty, it is also part of her new lifestyle/fashion brand of the same name and was developed by perfumer Stephen Nilsen (Donna Karan Gold, Hillary Duff With Love). With Truth or Dare Madonna was looking to create something personal that was an expression of herself and her love for perfume, but could also be accessible to others, she wanted “something classical and timeless and yet modern” [1]. It is aimed at women between the ages 25-45, with the main focus being on the 35-45 bracket, a fact that I find baffling seeing as Madonna is currently 53 (at the time of writing). Anyhoo, on to the fragrance…