The super new limited edition Eau Fraiche editions of Le Mâle & Classique by Jean Paul Gaultier. Reviewed on Escentual. Clicky here to read.
It’s hard to think of a ‘his ‘n’ hers’ perfume duo more iconic than Jean Paul Gaultier’s flagship masculine and feminine fragrances, Le Mâle and Classique. Together they capture the cheeky, sexually-charged and contemporary spirit of fashion’s naughties designed. They changed the way we think about perfume presentation and have managed to remain undated, despite their ever-so-90s aesthetic. Today our fragrant power couple have gone under the knife with olfactory surgeons Daphne Bugey (Classique Essence de Parfum) and Quentin Bisch (Le Mâle Essence de Parfum) to be fitted with an entirely new look, and smell. Click here to check out my full review of the Jean Paul Gaultier Essence de Parfums over at Escentual.
What do you get when to you take Jean Paul Gaultier’s Le Mâle to the gym and tell him to avoid manscaping for a few weeks? Well, you get Ultra Mâle, that’s what. Ultra Mâle is the latest incarnation of Gaultier’s beautifully buffed sailor boy, and this time our beloved seafarer has gone rogue. Launched to celebrate the 20th anniversary of Le Mâle, and created by the perfumer Francis Kurkdjian (the same dude behind the original) Ultra Mâle brings the (timeless) barbershop fougére bang up to date and places it in a more oriental setting, and a thoroughly rugged one at that. To read my full review on Escentual, simply click here!
In this new series, I put together a quarterly overview of five of my favourite fragrant subjects that have been piquing my interest over the last three months. These items can be individual perfumes, brands or houses, genres or even themes that have been taking my fancy. They can even include other books, bottles and other blogs that have been keeping me entertained. There are no rules. Well, there are three rules with this series; 1) the subjects must be linked to fragrance somehow (a rule that I’m allowed to bend); and 2) the hitlist is to be published towards the end of each quarter; and 3) the list must include my favourite things, as if I were a fragrant sort-of Oprah.
So, now we’re heading towards the end of March what’s topping my hitlist for quarter one of 2015?
Two of my favourite things in the world have finally joined forces – perfume and pirates. Can you tell that this makes me happy?! The man to link these two excellent forces is none other than the cheekiest chap in fashion, Jean Paul Gaultier, who is just about to launch limited pirate editions of his flagship feminine and masculine fragrances, Classique (Jacques Cavallier; 1993) and Le Mâle (Francis Kurkdjian; 1995).
These two rum-swigging classics certainly know how to dress, rocking tattered striped garb marked with the must have centrepiece for any self-respecting pirate – the skull and cross bones. The scents remain the same masterpieces as ever, a glamorous and sensual floral oriental for Classique and a steroid-fuelled fougére for Le Mâle, with the swashbuckling bottles making for a must-have collector’s item.
So, if you’re looking for a little bit of an adventure on the high seas, then look no further than the fashionable shores of Island Gaultier.
“The intrepid couple. The legendary couple sets out on an exciting treasure hunt, which will take them to the far reaches of the open seas. Determined to face any sort of danger, the pirates raise the black glad and set sail.”
In a continuation of my bite size fragrance family guides on Escentual, my column this week takes a look at the dapper, debonair and definitely manly world of the fern-esque Fougère. Despite my love for all things feminine, floral and ridiculously over-the-top I do happen to quite like a good Fougère, whether it be something as abstract as Guerlain’s Jicky or a scent as handsome as Jean Paul Gaultier’s Fleur du Mâle. In my world the Fougère is the best kind of masculine.
This Guide to Fougère takes a whistle stop tour of the genre, taking a look at three key examples; one classic, one modern and one contemporary. Amongst these interpretations one will find something elegant, something rebellious and something altogether more brooding. If you fancy reading the piece (and topping up on your Fougère fix) please click here to head on over to Escentual. Don’t forget to let me know what your favourite Fougères are whilst you’re there!
Despite coming to the Maison Francis Kurkdjian party a little later than mostI can safely say that I am pretty much hooked. Like many I have admired perfumer Francis Kurkdjian from afar, appreciating and enjoying his mainstream creations for designer brands such as Jean Paul Gaultier, Christian Dior and Elie Saab, but it is his Maison with its ‘scented lifestyle’ approach that truly cements M. Kurkdjian as a true talent.
Kurkdjian says of his line: “The range is like creating a wardrobe. You go from casual to evening to couture. And in my vision, what’s missing is a daily ready-to-wear perfume”  and with his latest feminine and masculine duo ‘Amyris’ Kurkdjian has filled this void with two suitably pret-a-porter perfumes for the everyday guy and gal on the go.
“Its head is in Jamaica, and its heart in Florence. The Amyris duo evolves somewhere between the flamboyance of the sun and the vibration of the earth.” 
Both Amyris scents are centred around notes of Jamaican Amyris (the Jamaican tree which exudes elemi) and Iris from Florence. Each feels like an extension of Kurkdjian’s designer work taken to a niche level of quality where “instant hit” style of mainstream fragrances is traded for the slow burning love of niche perfumery.
It would be hard to argue that Jean Paul Gaultier’s Le Mâle released in 1995, isn’t one of the most popular modern masculines on the market today. As far as scents go it’s a pretty hard metrosexual beast to escape and perhaps suffers from a bad case of over exposure (I love it but don’t often wear it due to it’s popularity – stupid I know), you literally cannot move for it in gay bars, straight clubs and on the streets.
Due to its success Le Mâle, with it’s barbershop accord of lavender, mint and vanilla, has seen many incarnations over the years, with many summer editions, a huge floral version (the fantastic Fleur du Mâle) and a more mature grapefruit and vetiver rich ‘Terrible’ fragrance. In continuation of the fragrance’s evolving nature 2013 sees the release of a brand new Mâle, ‘Le Beau Mâle and this particular dude is as cool as a cucumber.
Created by Francis Kurkdjian, the perfumer responsible for penning the original Le Mâle and all of it’s subsequent editions, Le Beau Mâle is simply described as “the freshness that makes men hot” (if the scent doesn’t make you hot the above ad image certainly will – my oh my) and is an ice cool rendition of the sweet fougère made popular by Le Mâle: “the sensual sailor with a soft heart.”
This time the soft heart of that handsome sailor has turned cold, nay glacial and bitter. Yes he’s a ‘beau mâle’ but his beauty lies within his sharp, angular lines that say you can look but don’t you dare think to touch…
If like me, you’re fed up with the constant wave of flankers (please see my review of the two new CK One flankers) then I hope you will take this post as some kind of remedy, a tonic if you will. I could spend hours and hours moaning about how I hate flankers and name and shame some of the worst, that would be very easy, and not entirely true. What I would like to do instead is just make a few personal recommendations of what I think are some of the best.
What is a Flanker?
Most of you reading this blog will be familiar with flankers but for those who aren’t; a flanker is essentially a fragrance released using the same (or similar) name as another fragrance by the same house, think of it as a sort of sequel, so for example; Live Jazz is a flanker to the original Jazz by Yves Saint Laurent. The actual juice can be very similar, slightly similar or completely unrelated to the original fragrance.
Flankers are a cheap way of marketing a new fragrance without having to spend a huge amount of money on new concepts, bottle moulds and advertising. They are also a great way of marketing a ‘new’ product to consumers who are already fans of the original fragrance.
Not all flankers are bad, some brands use the opportunity to create a new interpretation of an established fragrance and these tend to be the flankers that work best, they bring something new and interesting to the table.