Fashion Fougère – CHANEL BOY Perfume Review

The New Boy in Town

The New Boy in Town

If last year’s Misia was anything to go by, perfumer Olivier Polge is definitely finding his feet at CHANEL, having taken over the position of perfumer-in-residence from his father, Jacques Polge, the man behind the likes of Antaeus, Coco, Coco Mademoiselle, Égoïste – need I go on? Big boots to fill, most certainly, but M. Polge Jnr certainly has a fair few hits under his own belt, scents such as Dior Homme, which, lets face it is already a modern classic, so perhaps those shoes aren’t quite so big after all?

For his second outing in CHANEL’s niche line, ‘Les Exclusifs’, Olivier Polge pays homage to Arthur Capel, Gabrielle Chanel’s patron and lover. ‘Boy’, as he was called, lends his name to the fragrance, which is a feminine take on the typically masculine fougère inspired by Chanel’s clothing, couture that borrowed heavily from the codes of menswear and tailoring. BOY the fragrance has been created to capture Capel’s “irresistible elegance” and “virile strength” and is a gender-bending scent that borrows from the olfactory codes of men and women. As CHANEL describe it, BOY is the “mark of a man on the skin of a woman”.

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Hey, Pretty Boy – Bottega Veneta Pour Homme Essence Aromatique Perfume Review


Hey, Pretty Boy!

Sometimes I look at the present state of masculine perfumes in the mainstream and I let out a big sigh of despair. Many are reminiscent of Lynx-soaked (or Axe-soaked if you are a US reader) school changing rooms, often capturing the same fresh and sporty nature that has been done to death, and is as far from the high end as physically possible. The perfume loving men of the world, or just the perfume wearing gents of this good, green Earth deserve better than that, even if they don’t know it just yet!

Of course I am tarring everybody with the same brush here and for every two or three naff mainstream masculines there is one tremendous one, but these greats certainly aren’t in the majority. With this in mind, it’s always refreshing when a designer brand offers up a masculine fragrance that is elevated above the hoi polloi, and offers something unique, high quality and dare I say, beautiful. I mention all of this because Bottega Veneta’s latest masculine offering, Pour Homme Essence Aromatique is one such fragrance: a scent from the mainstream but leagues above it.

Created by perfumer, Amandine Marie (Mugler’s Angel Eau de Toilette), Essence Aromatique is technically a flanker to Bottega Veneta Pour Homme from 2013, joining their Essence Aromatique Pour Femme as a counterpart. It’s a strange hybrid of a fragrance, somewhere between a classic cologne and a modern fougère, playing with bracing freshness and supple softness to create something that is well, strikingly pretty for a masculine fragrance. Bottega Veneta state that Essence Aromatique PH exudes a “relaxed masculine elegance” describing it as an “unexpected take on a classic cologne”. That pretty much sums it up for me, but let’s take a closer look!

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Perfume as Art – Maison Francis Kurkdjian féminin & masculin Pluriel Perfume Review


“Mirror Image” – féminin Pluriel & masculin Pluriel by Maison Francis Kurkdjian

“Perfume is not art.”

– Francis Kurkdjian

At the recent launch event for Maison Francis Kurkdjian’s latest duo of fragrances there was a lot of discussion around art and its relation to the world of perfume. Kurkdjian, who is ever a frank and fascinating speaker, asserted that perfume is not art because it is created to please consumers and where art is given a value by the market, perfume prices are set by their creators. This isn’t to say that Kurkdjian is belittling perfume by any means, in fact it seems that he takes a purely practical view of the subject, comparing his collection to an olfactory wardrobe, containing a plethora of pieces ranging from the everyday staple of the white T-Shirt (Aqua Universalis) to the more occasionally worn leather trousers (Absolue Pour le Soir).

Also at the event, Art Curator, Karine Giannamore spoke at length about what constitutes a masterpiece, piecing together simplicity, hard work, innovation and emotion, as the key ingredients that create a timeless work of art. Giannamore states that a masterpiece “has to be new [and] has to be original” but also must be “cemented in tradition”. This collision of the innovative and the traditional is exactly what Francis Kurkdjian has played with for his two new fragrances – féminin Pluriel and masculin Pluriel.

“What makes a work of art? A masterpiece? A Timeless work of art? Something so good or beautiful that it cannot be affected by changes in society or fashion.”

– Karine Giannamore

The Pluriel (Plural) duo has been created as a mirror image – two fragrances that perfectly capture the essence of femininity and masculinity, or as the brand puts it; “the eternal feminine and masculine.” With each fragrance, Kurkdjian takes a traditional theme and adds a contemporary twist to create a pair of perfumes that feel thoroughly modern and very much in keeping with his clear and radiant style. For féminin Pluriel and masculin Pluriel, Kurkdjian has crafted two new pieces for his olfactory wardrobe – two fragrant garments that are as modern, chic, timeless and elegant as anything a couturier could construct.

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New Escentual Post: A Guide to Fougère


A Guide to Fougère

A Guide to Fougère

In a continuation of my bite size fragrance family guides on Escentual, my column this week takes a look at the dapper, debonair and definitely manly world of the fern-esque Fougère. Despite my love for all things feminine, floral and ridiculously over-the-top I do happen to quite like a good Fougère, whether it be something as abstract as Guerlain’s Jicky or a scent as handsome as Jean Paul Gaultier’s Fleur du Mâle. In my world the Fougère is the best kind of masculine.

This Guide to Fougère takes a whistle stop tour of the genre, taking a look at three key examples; one classic, one modern and one contemporary. Amongst these interpretations one will find something elegant, something rebellious and something altogether more brooding. If you fancy reading the piece (and topping up on your Fougère fix) please click here to head on over to Escentual. Don’t forget to let me know what your favourite Fougères are whilst you’re there!

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Le ‘Cool’ Mâle – Jean Paul Gaultier Le Beau Mâle Perfume Review

Le Beau Mâle

Burt Reynolds on Bear Skin Rug 2013 – Very ‘Beau’ Indeed

It would be hard to argue that Jean Paul Gaultier’s Le Mâle released in 1995, isn’t one of the most popular modern masculines on the market today. As far as scents go it’s a pretty hard metrosexual beast to escape and perhaps suffers from a bad case of over exposure (I love it but don’t often wear it due to it’s popularity – stupid I know), you literally cannot move for it in gay bars, straight clubs and on the streets.

Due to its success Le Mâle, with it’s barbershop accord of lavender, mint and vanilla, has seen many incarnations over the years, with many summer editions, a huge floral version (the fantastic Fleur du Mâle) and a more mature grapefruit and vetiver rich ‘Terrible’ fragrance. In continuation of the fragrance’s evolving nature 2013 sees the release of a brand new Mâle, ‘Le Beau Mâle and this particular dude is as cool as a cucumber.

Created by Francis Kurkdjian, the perfumer responsible for penning the original Le Mâle and all of it’s subsequent editions, Le Beau Mâle is simply described as “the freshness that makes men hot” (if the scent doesn’t make you hot the above ad image certainly will – my oh my) and is an ice cool rendition of the sweet fougère made popular by Le Mâle: “the sensual sailor with a soft heart.”

This time the soft heart of that handsome sailor has turned cold, nay glacial and bitter. Yes he’s a ‘beau mâle’ but his beauty lies within his sharp, angular lines that say you can look but don’t you dare think to touch…

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The Candy Perfume Boy’s Movember Barbershop Quartet

Loving the Stripes...

The Candy Perfume Boy’s Movember Barbershop Quartet

Movember Madness has struck me this month and as well as attempting to cultivate a handsome portion of facial hair upon my top lip things have been a bit more man-focused on The Candy Perfume Boy. Sometimes one must remember that it’s important not to forget the boys and this month I am honouring my fellow Mobros in true Candy Perfume Boy style.

Those of you who read The Candy Perfume Boy regularly will know that I wear a mixture of feminine and masculine scents, with the ratio skewed much more to the former rather than the latter. That’s not to say I don’t like masculine fragrances at all, quite the opposite in fact, it just so happens that my favourite style of fragrances (earth shattering florals) tend to lurk on the feminine side of the perfume shelves.

When I wear a masculine fragrance I tend to go for something classic with a modern twist. I often find myself drawn to the floral-sweet yet dandified style of fragrances that can be classified as barbershop. For me there’s just something attractive about smelling well-groomed and well-oiled.

In this post I would like to showcase my top four barbershop scents, presented in the form of my Movember Barbershop Quartet. So without further adieu I present you The Lead, The Tenor, The Bass and The Baritone.

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From The Candy Perfume Boy Archives: The Scent of The Modern Gent – Penhaligon’s Sartorial Perfume Review


A Scent for The Modern Gent (Mo Not Included)

“Sartorial – sar-tor-ial adj. [attrib] of or relating to tailoring, clothes, or style of dress: sartorial elegance”

[Seeing as I’ve gone a bit mad for Movember I thought I would share a review of one of my favourite modern masculines from The Candy Perfume Boy Archives. Sartorial is a scent that not only evokes the smell of a tailor’s workroom, but also conjures up the image of a well groomed, modern gent with an incredibly stylish mo. Enjoy.]

I chose not to write a post on my fragrant new years resolutions simply because I have only made three. They are; to keep producing interesting and informative content for The Candy Perfume Boy, to review more fragrances from as many brands as possible and finally, to review more masculine fragrances.

Those who read this blog on a regular basis will know that I wear a lot of feminine fragrances and my reviews reflect this. I don’t have anything against masculines at all, they just tend not to be within my bracket of taste, whereas as feminine and niche ‘unisex’ (or sexless) fragrances tend to be right up my street. So, in the interest of balance I will ensure that I review more masculine fragrances and I will start with one of my recent favourites.

Sartorial (2010) is the latest masculine release from the über-British perfume house Penhaligon’s and is inspired by the workroom of a Saville Row Tailor. Created by perfumer Bertrand Duchaufour (who is also responsible for other Penhaligon’s fragrances such as Amaranthine and their Anthology Series) Sartorial is described as “a contemporary interpretation of a classic Fougère” [1]

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