Going Rogue With Rihanna
Going Rogue With Rihanna

Well, if last week was an unofficial ‘collections’ week, this week is most definitely ‘celebuscent’ week. So far we’ve gagged for Gaga and been perfumed by Pharrell, and now it’s time for another star to treat us to their fragrant wares. This time it’s Barbadian songstress and provocateur, Rihanna. Now, Ri-Ri is no stranger to the world of celebrity fragrance and has, at this present moment in time, a grand total of 6 fragrances under her belt. She has clearly been very busy.

I’ll be honest and say that, whilst I’m quite familiar with Rihanna’s musical outings, I’m less au fait with her olfactory output. That said, I have heard a lot of good things about Rogue, her feminine fragrance launch from 2013 and seeing as our girl Ri has just launched the masculine counterpart to Rogue, aptly entitled Rogue Man, I thought it would be a good opportunity to give both fragrances a test drive.

Rogue was developed by perfumer Marypierre Julien (Rihanna Rebelle) and is described as being a “flirtatious and sensual oriental”. Rogue Man was penned by perfumer Frank Voekl (Le Labo Ylang 49, Marc Jacobs Daisy Dream and Oscar de la Renta Esprit d’Oscar)  and reportedly “intoxicates men with a choreographed clash of fragrance notes that are both masculine and ultra-sexy”. So how do these two rebellious perfumes fair as celebuscents? Well, let’s put them to the test!

Pharrell Williams X Comme des Garçons
Pharrell Williams X Comme des Garçons

“Fragrance is paint for the nose. People who make fragrances, the air is their canvas.”

– Pharrell Williams

Is there any one person on the planet bigger than Pharrell Williams right now? I think not. He’s either produced, sang or guested on some of the biggest songs of the last few years, not to mention the fact that he’s a fashion icon with a penchant for Vivienne Westwood Buffalo hats from the ’80s and socks with no shoes. In short, Pharrell is a bit of a dude and it was only a matter of time before he branched out from music and fashion, into the world of fragrance.

Thankfully for us (us being the perfume lovers of the world), Pharrell has teamed up with the fragrance arm of unconventional fashion house Comme des Garçons to create his very first perfume. Comme des Garçons are well known for high quality fragrances that approach the art of olfaction with a distinct, and unique viewpoint, celebrating woods, incense and spices in a varied series of artistic olfactory entries. So, it would be correct to say that Mr. Williams made a sensible choice and is in very safe hands.

Pharrell’s debut fragrance is named G I R L, after his 2014 album of the same name, from which it also takes inspiration. G I R L was created by perfumers Antoine Lie (Etat Libre d’Orange’s Sécrétions Magnifiques, Rossy de Palma and Tom of Finland) and Christian Astugeville, and is described as being “a woody scent of high quality and complex construction”. Much like Lady Gaga’s Eau de Gaga, which I reviewed earlier this week, G I R L is a most atypical celebrity fragrance that tries to defy the clichéd conventions of a tired and overexposed genre.

Gagging for Gaga
Gagging for Gaga

If there is any pop icon that has suffered badly from over exposure, it’s Lady Gaga. Bursting onto the scene, in a haze of wild couture, progressive synths and disco sticks, she has quickly gone from the wild child hailed as the new Madonna, to a spectacular fall from pop grace (let’s not talk about ARTPOP…) straight into the arms of a lacklustre jazz album. Now, I’m positive that Gaga will get back on her feet soon enough, after all she is a talented songwriter, singer and musician, not to mention a pop visionary that pushes the boundaries and champions the underdog. I have every faith in her continued success, she just needs to take some time out and reevaluate.

Anyway, on to perfume. As you will be aware, Lady Gaga released her first perfume, Fame in 2012. The fragrance launched with about as much fanfare as the singer’s career did, if not more, and it sold like hot cakes, despite the fact that, in my humble opinion it was all style over substance. A visual masterpiece but an olfactory dud, to say the least. This autumn, Gaga has launched her second fragrance, Eau de Gaga and it would be safe to say that the entire mood of the scent, and its launch has shifted somewhat. Gone are the lavish launch parties and ridiculously over the top tv campaigns, and in with a more paired back approach to vision and smell.

Eau de Gaga is billed as a unisex fragrance that has been created for “the adventurous woman and the man who loves her”, and that’s it, there appears to be absolutely no gimmicks associated with the scent – no special black liquid that sprays clear, no alleged semen note, nothing. So Eau de Gaga is just a unisex fragrance from a fresh-faced Lady Gaga who appears to be comfortable in her own skin, despite the failures or successes of her current standing as pop’s new darling.

Chantal & Alexandra Roos
Chantal & Alexandra Roos – The Founders of Dear Rose

“The music, the perfume… the mother, the daughter.”

We seem to be having an unofficial ‘collections week’ here on The Candy Perfume Boy (I’m thinking next week will be the unofficial ‘celebuscent week’, FYI). So far we’ve taken a stroll down to the docks to take a look at Penhaligon’s new merchant-inspired Trade Routes collection, as well as a gander back in time to review Lalique’s personal Noir Premier collection. Now it’s time for something entirely new from a start up brand with one of the perfume industry’s most experienced names behind it.

This new brand is Dear Rose and it is the brain child of mother and daughter duo, Chantal and Alexandra Roos. Now, if you’re not familiar with the name Chantal Roos, you will be intrigued to know that she has been involved with the development of some of the industry’s greatest perfumes, namely; Yves Saint Laurent’s Kouros, Paris, Opium and Jazz; Jean Paul Gaultier’s Le Mâle; and Issey Miyake’s L’Eau d’Issey. An impressive CV for sure. Her daughter, Alexandra is also creative force however, where Chantal excels in olfaction, Alexandra succeeds in music and the synergy between these two mediums is what forms the basis of the Dear Rose brand.

Dear Rose currently consists of five brand new perfumes inspired by women, roses and music. Each fragrance was created by perfumer Fabrice Pellegrin (the man behind Thierry Mugler’s positively unique Womanity, amongst many others) and plays on the idea of roses and music together to create a varied collection that showcases the incredibly diverse nature of one of perfumery’s most iconic materials. So how does fragrance fair when music meets rose?

Sculptural Olfaction
Sculptural Olfaction – Noir Premier by Lalique

Lalique is a name that is inextricably linked with quality, artistry and beauty. Their glassware is unrivalled, pairing sculptures from nature with more abstract visions to create a brand that is contemporary yet traditional. I’ve always seen their perfumes as hidden gems. In fact, the house of Lalique is probably better known for the flacons they have created for other fragrance companies, rather than their own perfumes. But Lalique’s fragrance collection is executed with a finesse and a paired-back simplicity that is refreshing in the fog-horn world of perfumery, where everyone is trying to shout each other down.  Fragrances like Amethyst Éclat and Hommage à l’homme Voyageur, both flankers to other Lalique pillar fragrances, demonstrate familiar themes in unfamiliar guises, opting for long-lasting quality rather than ephemeral showmanship.

This year, the house of Lalique is taking their knack for artistry and spinning it into a brand new collection of six exclusive fragrances. Of course, anybody who’s anybody is doing an ‘exclusive collection’ of sorts nowadays, and one cannot blame Lalique for joining the fray (there’s a bundle of money in it). But how do their offerings compare with the likes of Guerlain, Chanel and Dior et al, who have walked this path so successfully before them?  Well, the answer to that question is complex and entirely depends on one’s tastes, and also one’s patience for high-end luxury fragrances, what I will say however, is that Lalique have created these six fragrances with the exact same attention to detail, and precision that they have famously applied to just about everything their hands, or noses have touched, and for that, they should be commended.

The collection is entitled ‘Noir Premier’ and consists of six fragrances (one of which is exclusive to London department store, Harrods) that celebrate Lalique’s “history and milestones” in fragrant form. The names and inspirations of each fragrance come from the brand’s rich heritage and history, honouring the creators, styles and individual pieces that have made Lalique a world renowned name in the fields of glass and crystal. Each fragrance is housed within an exceptionally crafted bottle that harks back to the “very first black perfume bottle designed by René Lalique in 1911: the Quatre Aigles bottle” and forms the Roman numeral “I”. For the brand, Noir Premier is a personal collection steeped in history and for that reason, each of the six fragrances within this series, serves as a poignant landmark on the rich timeline of the house of Lalique.

1 Million by Paco Rabanne
1 Million by Paco Rabanne

You really cannot deny the success of Paco Rabanne’s 1 Million. In fact, all one needs to do is enter into a crowded area to see just how prevalent this stuff is, and it seems that it has become a staple for many young men. Who can blame them really? The world of mainstream masculines is a barren wasteland, and 1 Million shines as an example of a familiar theme that has been executed rather well – right from the bottle to the juice, it’s a cohesive affair.

Escentual are having a bit of a 1 Million takeover this week and I’ve contributed a review of the masculine fragrance in the family. So, if you’re in the mood for some gold, some excess and a bit of a cocksure attitude then all you need to do is click here to head on over to Escentual to read my review. Don’t forget to leave a comment (even here or there) if you’re a fan of the fragrance (for me it sits in the nice, but not for me category, FYI).

Caron Parfum Sacré - My Winter Warmer
Caron Parfum Sacré – The Scent of Cold Winter Nights

I am in full-on winter mode, and just as well really, seeing as the temperature dials have been twisted firmly towards the blue and the season of frost has started. As you may have noticed from Monday’s post, I’m rocking as many scarves as I can, but I’ve also got myself a snazzy new coat and the heated seats in my car have never seen so much use. In short: it’s officially winter.

At this time of year, I tend to pull out much warmer and heavier perfumes, as I’m sure many of you also do. One of my absolute favorites is Caron’s Parfum Sacré, a most beautiful floral incense that sits somewhere smack bang in the middle of France and Oman. Parfum Sacré is the olfactory equivalent of a hot water bottle, or a purring feline on the lap. It’s simply divine and for that reason, I’ve dedicated this week’s Escentual column to it. Click here to read about one of my favourite winter fragrances.

THIS IS NOT A MOSCHINO TOY
THIS IS NOT A MOSCHINO TOY

It’s impossible to look at TOY, the latest fragrance from Italian fashion brand, Moschino and not smile. I mean, the perfume is packaged inside a cuddly little teddy bear, so one’s initial encounter with the fragrance will usually involve the utterance of noises such as “aww” and “squee” and cries of “OH. MY. GOD. IT’S. SO. BLOOMING. CUTE” and “IT’SSOFLUFFYI’MGONNA’DIE”. It is after all, incredibly cute and that gorgeous little face is adorably cheeky, and impossible to resist.

TOY is the brainchild of Moschino’s Creative Director, Jeremy Scott, who has worked with the likes or Rihanna, Katy Perry, Björk, Madonna, Miley Cyrus and Lady Gaga, just to name a small sample of the upper echelon of pop divas that he has collaborated with. The scent is being positioned by the brand as a “revolutionary product launch” that offers “a completely innovative way to package, show and sell fragrance”, posing the question whether this bear is a perfume or a toy. It also serves as a nice nod back to Moschino’s founder, Franco Moschino, who famously used stuffed animals on garments in his 1988 Fall-Winter collection.

Created by perfumer Alexandra Kosinski (Etat Libre d’Orange Cologne), TOY displays woody, floral and citrus notes that are intended to be evocative of the bear’s forest home. Whether TOY is exactly that, a toy, or a perfume, or a teddy bear, or all of the above depends on how you approach it. What cannot be denied however, is that this is an attention-grabbing launch that breathes new life into the world of Moschino parfums, and an incredibly cute one at that.

“From the depths of the wild, stuffed animal kingdom comes TOY, Moschino’s latest fragrance. Conceived by Moschino Creative Director Jeremy Scott, TOY smashes every fragrance preconception to bits, boldly redrawing its form, function and fabulousness.”

– Moschino

An Ice Cream Parlor in a Bottle
New York 1955 – An Ice Cream Parlor in a Bottle

I continue to be incredibly impressed by the output from London-based indie brand, 4160 Tuesdays. Perfumer Sarah McCartney has a natural knack for perfumery, but also the subversive talent of injecting humour and eccentricity into her compositions. The result is exceptionally well-crafted fragrances that have bold and bright characters, that one would really have to be a miserable git not to enjoy.

One of Sarah’s most recent creations is New York 1955, a fragrance that was originally launched under her diffusion ‘Vintage Tuesdays’ line, and now sits within the multi-coloured wardrobe of scent that is 4160 Tuesdays. Evoking the image of pastel-shaded ice cream parlors from the 1950s, this perfume is a beautiful rosy-gourmand that is as delicious as it is colourful.

“One of my favourite vintage 1950s scents was Coty’s Chantilly, named after the French town famous for its whipped cream and intricate lace. It’s a soft strawberry and cream perfume, decorated with crystalised rose. For New York 1955 I transported the desert theme over the Atlantic to a New York milk bar, turned up the volume, piled it with vanilla ice cream and raspberries, loaded it with candy floss, crystalised roses and violets, and smoothed it with soft, huggable musks and ambergris.”

 – Sarah McCartney

Etat Libre d'Orange Cologne - %22A Nice Scent%22
Etat Libre d’Orange Cologne – “A Nice Scent”

Hold the presses! Before I commence with this review, could someone do me a massive favour and take a short trip down to the underworld and check that the river Styx is still in full, bubbling-hot lava flow? I ask simply because it seems that hell has indeed frozen over and that the impossible has finally happened – Etat Libre d’Orange, also known as the world’s most naughty and rebellious perfume brand, have brought us the most unexpected and out of character perfume – a humble eau de cologne.

Now, you may be thinking that lots of brands bring out eau de colognes and that this isn’t particularly noteworthy a launch, so I should stop making a big old fuss. But one should remember that Etat Libre d’Orange are in fact, the very people that, amongst many other things, bottled the erotic cartoons of infamous Finnish illustrator Tom of Finland, and brought us olfactory interpretations of hotel whores and magnificent bodily secretions. They are not ones to shy away from controversy – in fact, they actively court it and shock factor is an old friend that they simply cannot keep away from. Luckily for us lovers of fragrance, their perfumes mainly deliver the olfactory goods and whilst their names are often gimmicky, the scents themselves rarely are.

With their eau de cologne, which is snappily named ‘Cologne’, FYI (no gimmicks here, thank you), they have created, what they like to call “a nice scent”. This could be, and should be viewed as a massive break from tradition for the Orange Free State, who are famously more prone to naughty than nice, and that would be a fair summation. But as the brand explains, they like to break rules, including their own. So it is with an unassuming cologne that this renegade purveyor of perfumes steps away from their usual modus operandi – a risky move that has resulted in a fragrant outing that really is most unusual for such a rebellious brand.

 “You can always expect the unexpected from Etat Libre d’Orange. We break the rules. Sometimes, we even break our own rules. We’ve given you decadent, we’ve given you outrageous, and now we give you nice. We pay allegiance to the concept of a modest cologne. Not an ordinary cologne, not a basic cologne. A proper cologne that achieves the perfection of simplicity.”

– Etat Libre d’Orange