Review

Perfume Review: Jo Malone London Myrrh & Tonka Cologne Intense

New from Jo Malone London: Myrrh & Tonka Cologne Intense
New from Jo Malone London: Myrrh & Tonka Cologne Intense

Jo Malone London are the mixologists of the scent world. They piece together a perfumed pantry’s worth of ingredients to make intriguing compositions that we, the fragrance lovers, can mix-up and combine in any way we see fit. Within their main line, the scents are usually light, easy-to-wear little ditties that manage to be complex and intriguing without being particularly demanding, whilst their Cologne Intense collections offers up richer and more substantial compositions. Personally, I’m a big fan of the brand and I love many of their scents for their effortless wearability and one of their fragrances (Mimosa & Cardamom) is easily in my top ten of all time, so yes, Jo Malone London definitely grabs my attention whenever they launch something new.

The latest scent to come from Jo Malone London’s Cologne Intense collections is Myrrh & Tonka, an oriental composed by Mathilde Bijaoui (Etat Libre d’Orange Like This). The brand rather evocatively describes it as “a nomad song of sand and smoke-threaded twilight” which paints the image of a fragrance that appears within a rich tapestry of colours. Unlike the last Cologne Intense fragrance Orris & Sandalwood, which played with polar opposites (soft vs hard), Myrrh & Tonka celebrates the complimentary relationship between its top billing ingredients. Let’s take a sniff…

“There is an atmosphere of addiction and carnal richness to this fragrance which appeals to both men and women. At the top there is a hint of lavender and a floral note, creating a comforting and voluptuous opening. The big, rich heart and base note of myrrh is sensual. And the tonka brings generosity. It’s captivating and mesmerising.”

– Mathilde Bijaoui, Perfumer

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Perfume Review: Les Exceptions Hot Cologne by MUGLER

Hot Damn! It's Hot Cologne!
Hot Damn! It’s Hot Cologne!

Here we are! The first review of 2017! I’ve spent a lot of time trying to work out what to write for my first post of the year (hence why I’ve been on an extended hiatus – lucky me) and I must admit that I was reluctant to start with a review simply because I wanted to kick off with something a little bit different . That said, a review feels like a good place to kick off the year because it’s a good opportunity to see where we will go scent-wise, so that’s exactly what I’m doing. Luckily for me 2017 has already seen a number of launches so I wasn’t short of something to pick for review number one. Even luckier was the fact that the latest launch from my favourite brand appeared on my doorstep just a few days ago!

My love of all things MUGLER has been documented many times. So many times, in fact, that I’ve probably bored you all to tears by banging on about my adoration for Angel et al. So I will spare you the hyperbole this time and instead will say that I very much appreciated the brand’s launch of their exclusive line Les Exceptions last year. With Les Exceptions, MUGLER took on the classics, creating fragrances based on the major olfactory families, serving each with a MUGLER twist. Every one of the Les Exceptions scents felt decidedly un-MUGLER, in the sense that they weren’t overtly daring or challenging, yet at the same time they really did add something innovative to classic French perfumery. In short, Les Exceptions is a phenomenally good collection and one that MUGLER seem to want to explore further.

The latest scent to launch within Les Exceptions is Hot Cologne which, if you haven’t guessed by the name, plays with the themes found within the classic Eau de Cologne. Now, this is MUGLER we’re talking about here so to expect a typical cologne is to underestimate the nature of the brand. MUGLER already have Cologne (launched in 2001), which is highly odd with its notes of steam and ‘S’ (rumoured to be a sperm accord), so Hot Cologne, the eight instalment in the collection, was never going to be a simple cologne in the manner of say 4711 and instead, this cologne, says MUGLER, “breathes fire and ice…and eau de cologne turns torrid”. Intriguing!

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Shadow & Shimmer – Guerlain Néroli Outrenoir Perfume Review

Néroli Outrenoir
Néroli Outrenoir

When I think of neroli I don’t necessarily think of the colour black, in fact, my mind wanders to shades of white, orange, gold and yellow – hues that are as far from ‘noir’ as they possibly can be. But it is the ingredient neroli and the idea of ‘outrenoir’ or beyond black (a concept created by artist Pierre Soulages) that serves as inspiration for the very latest addition to Guerlain’s L’Art et la Matiére (‘The Art and the Material’) collection: Néroli Outrenoir – neroli beyond black.

“I wanted all of its facets to be expressed: zesty, orangey neroli essence; woody, aromatic petitgrain essence; and orange blossom absolute.”

– Thierry Wasser

Created by Guerlain’s in-house Perfumer, Thierry Wasser, Néroli Outrenoir is described by Guerlain as being a fragrance that “draws on the contrast between the luminescence of neroli and the obscurity of much darker and more mysterious notes”. Coming from a collection that boasts bold compositions such as Spiritueuse Double Vanille (the booziest, biggest and baddest vanilla around) and Rose Barbare (the rose chypre to end all rose chypres), to name just two, it’s fair to say that Néroli Outrenoir has stiff composition, but it has many a trick and a surprise up its pretty little sleeves to allow it to earn its place in the collection.

Before we take a dive into the petitgrain pools of Néroli Outrenoir, it’s important to take a few moments to discuss packaging because the entire L’Art et la Matiére collection has been beautifully repackaged. The fragrances now come in a beautiful leatherette box shaded in a deep purple, but most importantly the bulb atomisers which have always been known to aid evaporation have been niftily remade (again in a beautiful purple shade) with an on-and-off mechanism to prevent fragrance-loss. The packaging is sublime, but how does the scent match-up? All shall be revealed…

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Snuggle Scent – Aquãlis Origin Perfume Review

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Aqualis

I think I may have said it before but I’m going through a rose thing at the moment – this moment being the last two years, in fact. I’ve always appreciated rose, but over the last few years I’ve amassed a collection of rose fragrances ranging from the beautiful simplicity of Acqua di Parma’s Rosa Nobile to the gourmand delicacy of Elie Saab’s Essence Nº1, and all that’s in between. So it’s not too difficult to convince me to sample and fall in love with something chock full of rose. Enter Origin by Aqualis.

Origin is one of four fragrances from new niche brand Aquãlis (the others being Coda, Utopia and Freedom). The brand is the brainchild of Steyn Grobler, a South African native who has spent his career working in the luxury realm, with brands such as Boadicea the Victorious to name just one. For his own fragrance brand, Grobler has created the ‘Evolution’ range which, through olfaction, expresses significant moments in his life. Origin, the stand out in the collection, pays homage to his half-Namibian origin and is described as a “galactic explosion of matter”. Sounds intriguing, huh?

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Tuberose, Cocaine & Mercury- Jusbox Perfumes Use Abuse Perfume Review

Tuberose, Cocaine & Mercury - This is Jusbox Use Abuse
Tuberose, Cocaine & Mercury – This is Jusbox Use Abuse

I get bored of new niche brands, I really do. Yes, there are a lot of wonderful new things popping up on a daily basis but my problem is that so many of them are nothing more than familiar fragrances housed within pretty bottles, with some gimmick or other to set them apart from everything else on the shelves. They often try and offer something new, something exciting, but in more cases than not it’s just the emperor’s new clothes – pretty packaging, yes, but what’s within is nothing more than derivative juices, or in some cases, pretty dreadful smells! So yes, I’m a bit cynical of new niche brands, but not all of them are bad – in fact, some of them are bloody brilliant!

Jusbox Perfumes could fall into the trap of being yet another niche brand with a gimmick if it weren’t for two important factors; 1) the scents are incredibly well made, and are not secondary to their packaging; and 2) the attention to detail the brand has factored in to every element of the product is remarkable, not to mention perfectly in keeping with their overarching concept. It’s the little things that matter here – the weight of the vinyl-capped bottle, the fact that each is sold in a 78ml size, the boxes which contain beautiful CD cased-sized cover art for each scent, the individual print designed for each fragrance, and need I mention the fact that the four scents in the collection have been composed by two industry greats – Dominique Ropion and Antoine Lie? I could go on.

The concept behind Jusbox is the link between music and scent. Their four fragrances are inspired by a particular decade of music, as opposed to a specific genre. For the 1960s we have Beat Café (Dominique Ropion), a tobacco, leather and booze fragrance inspired by Bob Dylan,  for the 1970s there is 24 Hour Dream (Antoine Lie), a hazy vanilla and patchouli scent that feels like a hippy encounter with a mind-altering substance at Woodstock and for the grungey 1990s we’re treated to Micro Love (Dominique Ropion), an aquatic with the feel of hot circuit boards. You may have noticed that I’ve omitted one fragrance from these descriptions and you would be right and that’s because today’s review focuses on my favourite from the collection: Use Abuse.

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New Escentual Post: Comme des Garçons Blackpepper

Blackpepper
Blackpepper

Extra, extra, read all about it! Legendary Japanese-French fashion brand Comme des Garçons launch awesome new fragrance. Rumour has it that iconic beauty e-tailer Escentual are stocking said fragrance. A representative from Escentual (me) says “OMG IT SMELLS SO GOOD I’M GONNA DIE”. Terror and panic is expected today as people rush to get their noses on this new treat. We at The Candy Perfume Times will be on the scene and will keep you updated.

That’s what I would write if I were an old-timey reporter, anyway. In my review of Blackpepper I say that it is my favourite thing I’ve reviewed for Escentual this year and that’s a stone cold fact. Blackpepper is innovative and fascinating, just like most things from CDG, and it also smells bloody lovely so you owe it to yourself to check it out. Click here to read my review.

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New Escentual Post: Juliette Has a Gun’s Luxury Collection

Juliette Loves a Bit of Luxury
Juliette Loves a Bit of Luxury

Juliette Has a Gun is an excellent example of how a niche brand should operate. The fragrances, for the most part, are interesting and well-composed, not to mention the fact that they are affordable and served with a generous helping of wit! The brand’s Luxury Collection however, is somewhat more serious but what it lacks in humour, it certainly makes up for in quality. The three fragrances in the collection range each present the note of tuberose in an unusual way, ranging from transparent orientalism to ’80s decadence and modern austerity. Click here to head over to Escentual to read my full review of the Luxury Collection.

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New Escentual Post: The Merchant of Venice

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The Prettiest Perfume Collection Around

In terms of presentation, Italian brand The Merchant of Venice have nailed it. Their flacons perfectly celebrate Murano glass with deigns that range from the sublime to the quirky. They are simply beautiful objects but what about the juice inside these gorgeous bottles? Well, across their two collections, The Merchant of Venice offers well-composed and wearable scents that may not rock the boat, but do smell intriguing enough to warrant further sniffing. Click here to read my Escentual review to find out which ones were my favourite!

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Back and Forth – Cartier L’Envol Perfume Review

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L’Envol by Cartier

Usually, I can tell whether I’m going to like a fragrance or not from the first sniff. Sure, things can change with development but usually after one wear I can make a judgement as to whether a scent is for me or whether it’s perhaps best suited to someone else. Of course, when reviewing I wear something at least three times to get a good impression of the nuances, but you catch my drift. Sometimes though, a scent will perplex me and it will take me much longer to decide whether I like it or not. Cartier’s latest masculine fragrance ‘L’Envol‘ was one such scent.

I wouldn’t be dishonest if I said that I have gone back and forth on Cartier’s L’Envol whilst I’ve been testing it over the last month or so. At times, I couldn’t quite understand the positive reviews I was reading and wondered what others were seeing that I was missing. At others, I sensed a deeper sense of intricacy that elevated L’Envol above the many other masculines it shared its shelf space with. So, it would be fair to say that L’Envol is a fragrance that doesn’t reveal itself entirely upon first sniff and that it also makes one think. For that reason, I haven’t given up on it.

L’Envol, which literally translates as ‘the flight’, is inspired by aviation. Cartier’s in-house Perfumer, Mathilde Laurent, was inspired by “the mythical ambrosia of the Gods on Olympus, a mead drink believed to confer immortality”. Laurent says that she wished to create “a light fragrance” one that “conjures up a personal and spiritual journey from within”. I have great admiration for Mathilde Laurent (you can see an interview with her here) because she is able to think about perfume abstractly and cerebrally, and has taken the house of Cartier to entirely new heights. L’Envol is yet another surprise from a body of work that has proved to be entirely fascinating and forward thinking.

Now we cannot talk L’Envol without touching on the presentation. That bottle, you guys! Honestly, I thought Cartier would have a tough job one-upping the marvellous flacon for La Panthère, but somehow they’ve managed it. L’Envol, in the 100ml size, is a detachable tube housed within a glass cloche. There’s no bottom to the glass dome, which leaves the fragrance suspended gracefully in midair. The bottle was designed to ensure that the fragrance never touched the ground, hinting at the fragrance’s aviation-based inspirations. It is nothing short of a work of art, but does the fragrance itself live up to the beauty of the bottle? Let’s find out!

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