Cast your mind back to 2012 when Italian fashion label Marni launched their first and eponymous fragrance, ‘Marni‘. Created by perfumer Daniela Andrier, the nose behind many of Prada’s most recent offerings, this debut fragrance opted to be a little bit subversive and create something that was both playful and practical, capturing the spirit of the brand whilst remaining relatively commercial. The result is a vibrant, spicy rose scent that stands out amongst the many others of its kind, due to its quality and effervescence.
Now, bring yourself back to the present day and let’s discuss ‘Marni Spice‘ the latest addition to the Marni fragrance collection, which includes the original scent and one other flanker called ‘Marni Rose‘. Much like the Marni Rose that precedes it, this latest edition has been created as a “new interpretation of the original bouquet”, this time showcasing the spicier facets of the Marni signature. The brand describe the fragrance as a “lively and spontaneous dialogue between strength and delicacy”, and that seems fitting to me. Marni Spice displays a different kind of vibrancy to the original, hinting at an exciting kind of androgyny.
“Just like Consuelo Castiglioni, as a designer, plays with classical elements, producing unexpected results through an unprecedented balance of proportions, colours, prints and materials, perfumes play with classic elements in unexpected ways. The starting point is the ingredients: sophisticated and precious. Consuelo Castiglioni follows every aspect of the process, editing each fragrance as she would do with the collection for a fashion show”
There is a song on Jay-Z’s latest album entitled ‘Tom Ford’, and in said song Mr Z raps the line; “I don’t pop molly, I rock Tom Ford.” Well much like our good friend Jay-Z, I too am not one for recreational drug use and also have somewhat of a penchant for the offerings of American fashion designer Tom Ford – who knew we’d have so much in common?
Unfortunately that is where the common ground ends and unlike Jay-Z I do not have the adequate finances to rock any Tom Ford clothing (oh but how I wish I did), however my budget can certainly stretch to the designer’s olfactory offerings and like many others I have found there to be a number of sniff-worthy perfumes residing within the Tom Ford corner of the department store.
Mr Ford is relatively active on the olfactory front with two lines of perfume to choose from – the widely available and reasonably priced ‘Signature Collection’, which contains the likes of Black Orchid, Violet Blonde, Sahara Noir, Grey Vetiver and Noir; and the more exclusive and definitely pricier ‘Private Blends.’ Personally, I have found more love for the perfumes in the Signature Collection (much to the relief of my partner and bank balance), however the Private Blend certainly has more than its fair share of gems, which leads me nicely onto Tom Ford’s latest collection – ‘Atelier d’Orient.’
The Atelier d’Orient Collection is inspired by; “the sublime beauty, enigmatic sensuality and exquisite luxury of Asia” and each of the four fragrances within the collection are reported to contain; “ingredients that have treasured prestige in the Orient.” Speaking of the collection, Tom Ford states that each fragrance captures a distinct mood – “captivating romance, colonial elegance, luxurious exoticism and rich mysterious sensuality” – with each serving as a perfect representation of the bold Tom Ford aesthetic.
Well, it looks like Nigel really came through on the old birthday front (thank you all for your kind wishes btw) deciding much against his better judgement to generously give me a big ole bottle of L’Artisan Parfumeur’s Al Oudh as his gift. Al Oudh has been sat on my wish list for quite some time now (which makes me wonder why I haven’t reviewed it already) and out of the slew of ouds available I believe that it is one of the few thatt brings something new to the party.
Al Oudh now joins my three other L’Artisans (Vanille Absolument/Havana Vanille, Traversée du Bosphore and Nuit de Tuberéuse) all of which, Al Oudh included, just so happen to be Bertrand Duchafour creations, thus proving that I really do have a “thing” for le Duchafour, and who can blame me? The dude is clearly a genius and with Al Oudh his skill of turning common accords entirely on their head is in full swing.
Bertrand Duchaufour created Al Oudh for L’Artisan Parfumeur in 2009. It’s billed as an exotic, spicy and woody oud with accents of rose and dried fruits. L’Artisan describe it as “the elixir of sensuality itself”, which is a very fluffy way of saying that it is in fact sex on a stick, or sex in a bottle to be more accurate. Al Oudh may not be what you’re expecting from an oud but that is exactly what makes it so captivating.
I haven’t entirely worked my way through the entirety of Dior’s La Collection Privée (their ultra-exclusive line limited only to high-end department stores and Dior boutiques) but I know that I’m already in love with it. Out of the five that I have tried so far I would be happy with bottles of three. Not a bad success rate huh?
Two of my latest La Collection Lemmings are courtesy of Birgit of Olfactoria’s Travels, who introduced them to myself, and a number of others at her Evening of Amber back in April. I don’t know whether to curse Birgit or kiss her, the kisses would be for allowing me to explore two wonderful fragrances and the curses would be coming straight from my wallet…
The two Dior Ambers that I am falling for are an interesting pair; one doesn’t have amber in the name but definitely is an amber and the other does have amber in the name but isn’t technically an amber. Trust Dior to throw an olfactory curveball (or two) at me. Whether they are true ambers or not, both Mitzah and Ambre Nuit are truly enjoyable fragrances that will make the most die-hard amber-cynic rethink their stance.
Sampling masculine fragrances can be a royal pain in the bum because for the most part they are dreadful calone-fuelled citrus things that feel thin, bland and made for the lowest common denominator. Of course that’s not to say they are all bad, far from it, there is a whole heap of good masculine scents on the market, it just seems that in terms of new launches, the good ones are becoming harder to find.
Luckily for us boys there are some good, not mind-blowing, but good masculine fragrances on the market that don’t break the bank. Two such fragrances are Roger & Gallet’s duo of masculines ‘L’Homme’ and ‘L’Homme Sport’. Between these two masculines Roger & Gallet have catered for both the stylish older man (L’Homme) and the easygoing younger man (L’Homme Sport) at an affordable price.
L’Homme was introduced in 1979 and is described by Roger & Gallet as “an Eau de Toilette…with an authentic, distinctive chypre character” whilst its 2009 counterpart “plays a second oflactive score and reveals another contemporary facet”. Two fragrances, worlds apart, and both representing the duality of the modern man.
Neela Vermeire is a new Parisian based Niche line that explores the history of India through three vibrant and colourful fragrances. Each fragrance has been created by the very talented Bertrand Duchaufour and is representative of a particular period in India’s history, they are as follows:
Trayee Vedic Period
Mohur Moghul British Raj
Bombay Bling! Modern India
With her first three fragrances, Neela Vermeire offers a festival of colour, fragrances that showcase exotic ingredients and smell as vibrant, lively and diverse as the country that inspires them.
“This diversity has inspired Neela Vermeire to create and dedicate the first trio of fragrances to India – her native country – while living and working in Paris, her adopted city and perfume capital of the world. Neela’s education in social sciences and training in law, may not have any direct connection to perfumes but her formative years in India have had a great and lasting impact on her “olfactory development.”