Tilda & Rossy

The Etat Libre d’Orange Muses

Celebrity fragrances, or ‘celebuscents’ as they are so often called, are the scorn of many a perfumista. The majority are cheap, thoughtless compositions with the sole intent of making a quick buck for a celebrity desperate to cash in on the latest trend. As you can imagine, most of the time the celebrity has very little input in the development of their fragrance, preferring simply to be ‘the face’ rather than ‘the brains’.

There are of course exceptions, and some celebrities do insist on being more involved by playing the role of creative director. Celebrities such as Sarah Jessica Parker and J Lo are widely reported to have been directly involved with the creation of their early fragrances and this involvement shows in the final product. But these celebrities are few and far between.

One brand in particular has taken the idea of the celebuscent to a new level by choosing to partner with unusual celebrities who take on the role of muse and work with the perfumer to create their fragrance. This brand is Etat Libre d’Orange, those funny French olfactory freedom fighters whose compositions feel like a breath of fresh air within the industry.

For their celebuscents Etat Libre d’Orange chose two unexpected, subversive celebrities; Oscar Winning British Actress & Androgynous Style Icon Tilda Swinton and Pedro Almodóvar’s Picasso-esque Muse Rossy de Palma. Two strong, unique women for a strong and unique brand.

Amber Oud

Perfume fate seemed to happen last week. As I was planning The Candy Perfume Boy’s Guide to Oud, the postman bought me two oud-ie goodies – the first being my new bottle of Tom Ford’s Oud Wood and the second being a sample of By Kilian’s latest perfume ‘Amber Oud’. So it seems like last week was fated to be the week of the oud, and in keeping with that theme it only seems fitting to give Amber Oud a whirl.

Firstly, By Kilian has to be commended for their PR practices. Last year they offered members of The Kilian Club on their Facebook Page a complete set of samples from the L’Oeuvre Noire collection and now they have been kind enough to send everyone a sample of their latest fragrance ‘Amber Oud’, with the sole intent of introducing it to Kilian fans. Now, that’s good PR!

Amber Oud is inspired by greek mythology and is the latest addition to By Kilian’s Arabian Nights collection. It was created by Calice Becker and joins Incense Oud, Pure Oud and Rose Oud to become the fourth pillar within Kilian’s oud-quartet. Kilian says that Amber Oud “is borned in Heliades tears” [1] and with this new fragrance his objectivewas to deconstruct/reconstruct the traditional “Amber” by taking the animalistic qualities of a dark “Oud” and adding richness through an overdose of “Vanilla” from Madagascar and “Benzoin” from Laos.” [2]

McQueen

“Puredistance M is a masculine that straddles the gender line”

After trying and loving the ethereal Puredistance I and the warm-bosomed Antonia, I thought that the dreaded rule of three’s (as in that a collection of three perfume’s cannot contain three good fragrances) would kick in and I would end up hating Puredistance M, but as usual when it comes to drawing quick conclusions, I was wrong.

I was wrong because Puredistance M is a pretty damn good fragrance and whilst it may not be in the style of perfumes that I would wear, I cannot deny that it is impeccably well made and puts the majority of masculine fragrances on the market to shame. In terms of quality, artistry and just how damn good it smells, Puredistance M is in a class of its own. Oh, and it’s an Extrait too, with a rather decent 25% concentration, which is somewhat of a rarity within the masculine genre.

Puredistance M is currently the only masculine in the line and it takes its inspiration from the classiest and most debonaire of motor vehicles – the Aston Martin, namely the Aston Martin that belongs to a certain James Bond. M was created by Professor of Perfume Roja Dove and is described as “a leather chypre of classic proportions…with an unexpected oriental twist. Sumptuous and complex, noble and sophisticated” [1] Puredistance M is a fragrance that is neither shaken, nor stirred, and just like 007 it is as smooth as can be.

Pierre Guillaume

Pierre Guillaume – Not just a pretty face!

What a busy boy Pierre Guillame is. Not only is he the man and the exceptionally talented nose behind the über exciting brand Parfumerie Générale, he is also responsible for brands such as Phaedon and Hutième Art. He creates for all three brands whilst managing to look effortlessly handsome. It makes you hate him just a little bit, doesn’t it?

Ok, I’m just being silly, I don’t really hate Pierre Guillaume, in fact it’s quite the opposite, I have great respect for him and his fragrant vision. He has managed to craft himself a distinct style and has very much found his own little niche in the market. With Parfumerie Générale and Huitième Art, Guillaume tinkers with the most ancient and noble of ingredients, interpreting each one in new and surprising ways.

Huitième Art is one Pierre Guillaume’s many projects and is a collection of 9 perfumes “showcasing an all-new ‘plant capture’, an original plant-inspired accord or natural organic ingredient” and with “an emphasis on originality and sophistication”. Each perfume is housed in one of the most fascinating flacons I have ever come across, a part-modern, part-natural ceramic cyclops intended to represent the eye looking to the future, which just so happens to be the exact same direction that M. Guillaume’s nose is pointed.

A*Men

“There’s nothing that I enjoy more than a trip to Planet Mugler”

It’s no secret that I am pretty much THE Thierry Mugler Fan Boy and there’s nothing that I enjoy more than a trip to Planet Mugler, but would you believe there was a time, many Mugler moons ago, when I really didn’t like the Thierry Mugler perfumes? I don’t think I have ever been more appalled by two perfumes in my entire life than when I tried both Angel and A*Men for the very first time. To call them an ‘assault on the senses’ would be a dramatic understatement. But as you know, tastes change and I kept coming back to them. There was just something alluring about this ‘assault’ that I couldn’t quite put my finger on, and it wasn’t long before I ended up buying my first bottles of Angel and A*men. That’s when my Muglerian-obsession started.

A*Men, or Angel Men as it is often referred to, was Thierry Mugler’s first, and currently the brand’s only, masculine fragrance. Released in 1996, it was created to be a masculine interpretation of the already-quite-masculine Angel, released four years previously. With A*Men, Mugler was inspired by the comic book superheroes of his childhood, and in particular his favourite hero ‘The Silver Surfer’.

Since its release A*Men has become somewhat of a cult fragrance, and has spawned a number of pretty decent flankers including; A*Men Pure Coffee, A*Men Pure Malt, A*Men Pure Havane, A*Men Le Goüt du Parfum and A*Men Pure Shot (to be reviewed tomorrow). Does A*Men deserve cult status? Absolutely! There is nothing else quite like it around, and love it or hate it, you cannot deny just how innovative and unique it is.

Thierry Wasser

Guerlain is one of my favourite perfume houses, heck it may be most people’s favourite perfume house, and they’ve certainly had their up’s and down’s over the years. But despite many blips, discontinuations and the odd controversy, things definitely seem to be looking up over at Maison Guerlain. One of the smartest moves they have made in recent times is snatch-up the very talented Thierry Wasser for their in-house perfumer.

Since joining Guerlain, M. Wasser has created; two new major feminines, one major masculine, a new cologne and several flankers, limited editions and exclusives. He has tinkered with Guerlain’s heritage whilst adding his own contemporary stamp for the future.

February sees the release of two new flankers signed by M. Wasser; Shalimar Parfum Initial L’Eau and Homme L’Eau Boisée, and as with everything he has done since he started with Guerlain (OK maybe not everything) they are top notch. ‘L’Eau’ very much seems to be the fashion at Guerlain at the moment, but to write these two new editions of as simply lighter, watered down versions of the originals would be a grave mistake.

Festival of Colours

Neela Vermeire is a new Parisian based Niche line that explores the history of India through three vibrant and colourful fragrances. Each fragrance has been created by the very talented Bertrand Duchaufour and is representative of a particular period in India’s history, they are as follows:

Trayee
Vedic Period

Mohur
Moghul British Raj

Bombay Bling!
Modern India

With her first three fragrances, Neela Vermeire offers a festival of colour, fragrances that showcase exotic ingredients and smell as vibrant, lively and diverse as the country that inspires them.

“This diversity has inspired Neela Vermeire to create and dedicate the first trio of fragrances to India – her native country – while living and working in Paris, her adopted city and perfume capital of the world. Neela’s education in social sciences and training in law, may not have any direct connection to perfumes but her formative years in India have had a great and lasting impact on her “olfactory development.” [1]

Mugler

“This may be death by chocolate but what a way to go…”

Thierry Mugler’s latest collection of limited editions ‘Le Goût du Parfum’ (The Taste of Fragrance) has proved to be one of the best collection of flankers ever released, Mugler has taken the signature of four of his perfumes (Angel, Alien, A*Men and Womanity) and has added a taste enhancer that either adds or amplifies a gourmand facet, this is where haute cuisine meets haute perfumery.

For more on the series please click here.

Angel is Thierry Mugler’s flagship fragrance, she is already infamous for being the first gourmand oriental and one of the first perfumes to use a chocolate note. For Angel Le Goût du Parfum, Mugler has used a taste enhancer of pure cocoa powder (what else?) to emphasise the chocolate notes, the end result promises to be “more gourmand than gourmand” [1] – and it is!

Angel Le Goût du Parfum is a worthy addition to the Angel lineage and whilst it doesn’t replace the original, it does fill a particular void in my collection – a true chocolate fragrance.

Anglomania
“Anglomania is quite a blowsy scent, a fact that is only emphasised by the quite, erm, ‘breasty’ advertising image.”

Vivienne Westwood is the epitome of British eccentricity. A self-taught designer, mother of punk and general, all round odd ball, Westwood put British fashion on the map and her mixture of shabby chic and unusual tailoring has proved to be timeless.

Dame Viv has released five fragrances (not including flankers); Boudoir, Libertine *, Anglomania *, Let it Rock * and Naughty Alice, three of which have since been discontinued. If I’m being perfectly honest the fragrances from the line have been a mixed bag, Boudoir is a great, slightly filthy chypre, Libertine is a pretty decent floral citrus (it used to be a favourite of mine until my tastes developed), Let it Rock was a dreadful oriental and don’t get me started on Naughty Alice…..Anglomania is the best and most interesting of the bunch.

Anglomania is named after Westwood’s recurring collection of the same name and the scent is intended to evoke “Asian intensity with British heritage” [1]. It was released in 2004 and was created by the great Domique Ropion (Carnal Flower, Alien, Geranium Pour Monsieur to name but a few), it does exactly what it says on the tin.

Animalistic

As Autumn and Winter draw in, it becomes time for us Perfumistas to have a wardrobe reshuffle. We put away our lighter, airier perfumes and drag out our rich orientals, warm woody florals, mouthwatering gourmands and our musks. In autumn and winter we look for those fragrances that bring us comfort when it’s cold and those that match the colours and festivities of the cooler seasons.

Muscs Koublaï Khän (Serge Lutens) and Musc Ravageur (Editions de Parfums Frederic Malle) are two of the most popular musk fragrances on the market, in fact they have reached cult status amongst Perfumistas and love them or hate them, nobody can deny that they are both formidable characters.

Despite the fact that they are both so popular and are both musk fragrances, Muscs Koublaï Khän and Musc Ravageur are two very different fragrances, in fact the similarity stops with the ‘Musc’ in both of their names. In this review I’m going to put pitch these two ‘Titans’ head to head to see which will be the victor and earn the accolade of ‘King of Musks’.