Neroli Portofino Acqua
Neroli Portfino Acqua – A Tropical Sensation

TOM FORD’s Neroli Portofino is pretty much legend at this point. Arriving as part of the initial crop of Private Blends in 2007, it has since been repackaged (in a glorious azure blue bottle, I must add) and has spawned its very own line of body products and flankers, scents such as; Costa Azzura, Mandarino di Amalfi and Fleur de Portofino. Neroli Portofino’s success is easy to understand – it is one of the best, if not the best neroli cologne on the market and it does what many fragrances of this ilk fail to do: it presents luxurious, globetrotting cologne nuances in a highly present and long lasting format, all with TOM FORD’s inimitable signature. What’s not to love?

This summer, MR FORD is expanding the Neroli Portofino lineup to include two additional fragrances. The first is Neroli Portofino Acqua, a lighter, more affordable and more widely distributed the fragrance that could be considered as the ‘Eau de Toilette’ version of the scent that we shall be putting to the test today. The second is Neroli Portofino Forte, which is the inverse of Acqua, serving as a more intense, exclusive and expensive take on TOM FORD’s standard bearer cologne, but we’ll get to that later in the week. The brand describes Neroli Portofino Acqua as follows:

“Vibrant. Sparkling. Transportive. Neroli Portofino Acqua is an invitation into the seductive atmosphere of the Italian Riviera from a new perspective afloat in the coastline’s idyllic azure waters, with endless skies overhead and steep, verdant hillsides just within view. A fresher expression of Neroli Portofino’s clear and sparkling facets, it is an irresistibly light way to wear the fragrance’s citrus-and-amber signature.”

– TOM FORD

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NARCISO Eau de Parfum Poudrée

I was a massive, MASSIVE fan of Narciso Rodriguez’s NARCISO, which launched way back in 2014. NARCISO was an expansive and abstract gardenia carried on a hurricane of musk, and it was beautiful, speaking in flesh tones of white, pink and grey. For 2016, NARCISO has been reimagined with a very on-trend injection of powder, mixing things up completely to create NARCISO Eau de Parfum Poudrée. What do I think of this new powdery wonder? Well, click here to head on over to Escentual to find out!

L'Eau Intense by Carven
L’Eau Intense by Carven

Every time I look at one of those masculine Carven bottles I smile. They really are the most handsome flacons housing mainstream masculine fragrances on the market today and the scents themselves, Carven Pour Homme and Vétiver, are a delight to sniff. Carven’s fragrances don’t follow trends, they do their own thing, whether that be the revival of a classic or an entirely new take on a well-versed ingredient. They may not be cutting edge, but they are not sheep either.

This year, Carven added a brand new masculine fragrance to their line up: ‘L’Eau Intense’, this time in a white bottle evocative of a masculine fashion staple. The scent was composed by Francis Kurkdjian (he who needs no introduction nowadays) and Jérôme Di Marino. It’s described as an “oxymoron” because it is “as refreshing as mint leaf-infused water, yet brimming with intensely spicy and woody notes”. So how does this olfactory oxymoron stand up to the sniff test? Let’s see…

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The Rare Teas Collection by Jo Malone London

As I sit and write this review I am sipping on a hot cup of Earl Grey. Why? Well, for a start I am British so it comes with the territory and secondly, I also like a brew when writing to help get those creative juices flowing, but the main reason is because we are hear to talk about tea, tea and more tea! So in keeping with our subject matter I am drinking my favourite beverage. It’s a hard life, isn’t it?

Jo Malone London also seems to be inspired by the world of tea because they’ve recently launched the ‘Rare Teas Collection’ – a series of fragrances that infuse “straight from the leaf into refined fragrances” teas that are “too precious to drink”. This is a different collection for Jo Malone London because, for the first time, it sees the fragrances packaged in an entirely new bottle, specifically a whopping 175ml column topped by a sumptuous round pebble. The teas this collection celebrates are “revered” and “refined”, and their presentation is most certainly in keeping with these themes.

Oolong Tea, the fragrance I was sent to review, focuses on a fermented version of the tea called ‘Fu Lian Oolong’ sourced just outside of Shanghai, China. Created by perfumer Serge Majoullier (the nose responsible for the entire collection), Oolong Tea is described as a “woody interpretation of tea, with a smoky inflection”, positioning the fragrances as something warmer, richer and a little bit darker than the usually ethereal and green takes on the note one is so used to seeing in modern perfumer. Colour me intrigued as I take another sip of Earl Grey.

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Aqua Allegoria Pera Granita

It’s spring, which means that it’s Aqua Allegoria season! I always enjoy Guerlain’s mini-line of simplistic, nature inspired fragrant ditties because they are easy breezy wears that are such fun in the summer. They showcase fruits and flowers in an intelligent and high quality manner but with a sense of style and fun. This year, the mainstream AA is Pera Granita – a sweet little daydream that feels more like a scoop of ice cold pear sorbet than it does a fragrance. Click here to head on over to Escentual to read my review in full.

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Hey, Pretty Boy!

Sometimes I look at the present state of masculine perfumes in the mainstream and I let out a big sigh of despair. Many are reminiscent of Lynx-soaked (or Axe-soaked if you are a US reader) school changing rooms, often capturing the same fresh and sporty nature that has been done to death, and is as far from the high end as physically possible. The perfume loving men of the world, or just the perfume wearing gents of this good, green Earth deserve better than that, even if they don’t know it just yet!

Of course I am tarring everybody with the same brush here and for every two or three naff mainstream masculines there is one tremendous one, but these greats certainly aren’t in the majority. With this in mind, it’s always refreshing when a designer brand offers up a masculine fragrance that is elevated above the hoi polloi, and offers something unique, high quality and dare I say, beautiful. I mention all of this because Bottega Veneta’s latest masculine offering, Pour Homme Essence Aromatique is one such fragrance: a scent from the mainstream but leagues above it.

Created by perfumer, Amandine Marie (Mugler’s Angel Eau de Toilette), Essence Aromatique is technically a flanker to Bottega Veneta Pour Homme from 2013, joining their Essence Aromatique Pour Femme as a counterpart. It’s a strange hybrid of a fragrance, somewhere between a classic cologne and a modern fougère, playing with bracing freshness and supple softness to create something that is well, strikingly pretty for a masculine fragrance. Bottega Veneta state that Essence Aromatique PH exudes a “relaxed masculine elegance” describing it as an “unexpected take on a classic cologne”. That pretty much sums it up for me, but let’s take a closer look!

Let's Catch the Oriental Express to Mugler Town
Let’s Catch the Oriental Express to Mugler Town

In the 1920s, the legendary Spanish painter Pablo Picasso was driven to move away from cubism and paint in the style of the classics, just to prove that he could. Having always been at the forefront of modern perfumery, the equally iconic house of Mugler have decided to make a similar move with their latest collection of fragrances: Les Exceptions. Mugler create bold, extra-terrestrial fragrances that are far removed from the tropes of modern perfumery. They do not follow genres or olfactory families, they create them, having famously crafted the oriental gourmand genre with Angel, the solar woody genre with Alien and the, err, well, whatever genre you could classify that weirdo, Womanity as – bioluminescent fruit, perhaps? In fragrance Mugler are the leaders, not the followers.

Poison Girl
Poison Girl

It can’t be easy being a Poison flanker in 2016, I mean, talk about some heavy shoes to fill. We all know that Poison (Edouard Flechier; 1985) and even Hypnotic Poison (Annick Menardo; 1998) are two of mainstream perfumery’s greatest feminine fragrances, so to bear the Poison name comes with a certain amount of expectation and baggage. Poison Girl, the latest in the series, makes a very sensible choice and opts to be completely on trend following the La Petite Robe Noire school of fruity gourmand thinking. It is essentially a Poison for 2016 and I’m sure that, if the original were made today, it would smell something like this. Click here to check out my full review over at Escentual.com.

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Innocent

The legendary house of Mugler does not create fragrances, they birth legends and raise celestial beings. As a couturier, Thierry Mugler crafted clothing that released the inner goddess or demon of the Mugler woman, turning them into vast Glamazons and Dominatrixes. His fragrances are no different: they are the strength, the passion, the beauty and the force of women, with each one, Angel, Alien and Womanity, possessing a bold character that celebrates the unending beauty of fascinating and strong women.

These three idiosyncratic icons, Angel, Alien and Womanity, cast large, Amazonian shadows that dim the lights of most things around them, so I’d like to shed a little light on a Mugler that doesn’t always get the attention that it deserves. I’m referring to Innocent, which is currently exclusive to Mugler online and some travel retail locations (let’s say thanks to the brand for still making it rather than discontinuing it, as many would). Innocent shines brightly in its own way and it deserves a little attention every now and then because it celebrates all that is Mugler but approaches this spirit from an entirely more dressed down place.

Innocent was launched in 1998 as ‘Angel Innocent‘ and was created by perfumers Laurent Bruyère and Dominique Ropion. As Luca Turin says in Perfumes : The A-Z Guide, it was the first “authorised clone” of Angel, working as a less confrontational and challenging version of Mugler’s flagship fragrance for those people that couldn’t quite handle all of Angel’s angular volumes. Essentially, the fragrance takes the DNA of Angel, retaining its fruity and gourmand facets in a lighter way, but dialling right down on the butch patchouli that makes Angel so, well, Angel! The result is a delightfully bright and cheerful version of Angel that definitely feels like her spawn, but is different enough to craft its own niche. Just as Mugler describes, Innocent is a mischievous and flirtatious take on a legend.

Gruhme No.14: Sporty, Smart and Effortlessly Versatile
Gruhme No.14: Sporty, Smart and Effortlessly Versatile

I have a test for masculine fragrances to identify whether they meet the mark or not. I call it ‘The Nigel Test’. Nigel, as you may be aware is my husband and he, in his very discerning way only wears masculine scents, and only ones that he deems to smell rather luxurious. The test always starts the same way. I spray on a scent to test it. The other Mr. Dunckley quickly appears to enquire as to what I am wearing. “It’s so and so”, I say “do you like it”. “It’s ok”, he says. Cut to a few days later and the bottle is missing. Some scented sleuthing will unearth the fact that the crime was committed by Mr. Dunckley in the living room, with 10 sprays to the chest.

I give you this back story because this was exactly the case with Gruhme No.14, which landed on my doorstep recently and was quickly snapped away by Nigel, who wore the heck out of it for a good week. I let him get away with his crimes for two reasons; 1) he puts up with me, so a degree of leniency with light fingered endeavours is only fair; and 2) it gives me the chance to smell a scent on someone else, which usually gives me a good idea of the sillage and signature. So, in short, in the case of Gruhme No.14 (or The People vs Nigel Dunckley), the fragrance receives approval from Messrs Dunckley in unison.

The Gruhme brand is the passion project of corporate lawyer, Rob Hallmark who, after spending a number of years working in law, decided to build his own business of men’s products having not been able to find a “strong male brand” to identify with. Gruhme is the result and they now have two fragrances, the second of which, the aforementioned (and Beauty Shortlist Award Winner for ‘Best Masculine Fragrance’) No.14 is a more highly concentrated version (14% as opposed to 10%) of their debut scent. Gruhme describes No.14 as an “evening variant” of their “sensual and aromatic” flagship fragrance. It’s passed the ‘Nigel Test’, but let’s see how it fairs in the ‘Smell Test’.