Shalimar Souffle de Parfum - The Latest Incarnation of Guerlain's 1925 Classic
Shalimar Souffle de Parfum – The Latest Incarnation of Guerlain’s 1925 Classic

“The sickness of making flankers every five minutes is very upsetting, but if I don’t want to get kicked out for not doing my job, I have to do it”

– Thierry Wasser ¹

Thierry Wasser, in-house perfumer at Guerlain, recently likened the penchant brands have for creating numerous flankers to a “sickness” and when looking at the numerous incarnatons of the house’s flagship fragrance, Shalimar, it’s easy to see why.  In the last five years we’ve seen seven, that’s right, seven new Shalimar flankers ranging from the sublime Parfum Initial and Ode à la Vanille to the less interesting Parfum Initial L’Eau, and on occasions the brand has stretched the Shalimar association pretty thin.

With their latest flanker, Shalimar Souffle de Parfum, the link has become so emaciated it may have finally snapped. Sniffing the flanker, it’s pretty difficult to pick out exactly how the two fragrances are alike. Shalimar is a grand dame of the oriental world, showcasing bubbling bergamot, smoky-sweet vanilla powder and tons of heavy resins. Souffle de Parfum on the other hand is, well, the complete opposite of that. It may not be worthy of the Shalimar name, but does that mean that it’s a bad fragrance?

Guerlain describe Souffle de Parfum as a “gently perfumed caress” ² and a “breath of extreme sensuality” ², with the ‘Souffle’ here referring to the French word for breath, as opposed to anything culinary-related. It has been designed to celebrate the lighter facets of Shalimar, specifically focus on the shining citrus that famously graces the Oriental Queen’s top notes, and the plush vanilla that sits at her core. In that respect, Souffle de Parfum succeeds, merging these two themes together to create something that may, or may not be Shalimar, depending on how one looks at it.

New from Chloé: Chloé Love Story
New from Chloé: Love Story

“A night in Paris. Sparkling lights and music. A crowd. And her.”

– Chloe Love Story

Here we are with the first review of a 2015 fragrance launch. That didn’t take long, now did it? Well technically, this one was available in some countries at the back end of last year, but it is only reaching the UK this month, but let’s not split hairs, shall we. The perfume we will be looking at today is Love Story by Chloé, the latest offering from a brand that I haven’t featured on the blog before (much to my surprise, actually). Let’s rectify that right now.

In perfumista terms, Chloé is best known for their eponymous signature scent launched in 1975 under the direction of Karl Lagerfeld. Chloé was, and is, a gigantic white floral chocked to the brim with syrup and powder – fearful (but beautiful) stuff for sure. It would be fair to say that the house’s output since hasn’t been as bold, but is still very pretty however, more so in the modern style of perfumery. I remember being particularly impressed with Love, Chloe (a very subtle powder scent) and I’d definitely put this new one, Love Story on that list as well.

For Love Story, Chloé has envisaged a feminine fairytale starring actress, Clémence Posey (Harry Potter and the Goblet of Fire), directed by Mélanie Laurent (as seen in Inglourious Basterds), snapped by Inez Van Lamsweerde and scented by perfumer, Anne Flipo (MyQueen, Chloé Fleur de Narcisse and Manifesto). Housed within a padlock shaped bottle, a sign of love seen on the bridges of the city of lights, Chloé’s Love Story is a contemporary spring floral full of life and romance – an Eau de Parfum dripping with dazzling prettiness.

“Love Story is a modern story of seduction. Her. And him. Their paths cross, a few mumbled words, a beautiful moment.”

– Chloe Love Story

Selling Sex - Etat Libre d'Orange's Putain des Palaces
Selling Sex – Etat Libre d’Orange’s Putain des Palaces

When I started The Candy Perfume Boy, I didn’t really have much of a plan, I simply wanted to talk about perfume. Since my first post way back in July 2011, the way I write and the subjects I write about have evolved. Nowadays I tend to focus more on reviewing new launches, with ancillary series such as Desert Island Sniffs, The Candy Perfume Boy’s Guide to… and the Scent a Celebrity Series as supporting materials. Series have come and gone (due mainly to my short attention span) but this year I’d like to spend a bit more time looking back, as well as forward, by reviewing some scents that aren’t brand spanking new.

So to start, I want to look at a fragrance that has always been on my mind, but never in my collection, well up until recently, that is. Those of you who have read this blog for a while will know that I’m quite partial to the intriguing olfactory output from rebellious perfume punks, Etat Libre d’Orange. I own about seven or eight of their 32 fragrances, with the latest addition to my collection being the tricksy Putain des Palaces – a perfume I’ve always liked but have been reluctant to buy, for no reason other than the fact that I’m indecisive.

Putain des Palaces was released in 2006 as part of Etat Libre d’Orange’s initial crop of fragrances. Composed by perfumer Nathalie Feisthauer (Hermès’ Eau des Merveilles, Van Clef & Arpels’ Gardénia Pétale & Amouage’s Honour Man) the fragrance, which is roughly translated as “Hotel Whore” (racy, huh?), is described by Etat Libre d’Orange as “the temptress who awaits her prey in the hotel bar, and leads her lucky victim to unimaginable delights…” So yes, Putain des Palaces is a perfume about sex, specifically the transactional variety, and you know what? It does exactly what it sets out to do.

Doe in the Snow
A Real Life Doe in the Snow

“Doe in the Snow was made for a special occasion one January, for a very special customer. It’s inspired by the fruity chypre fragrances of the 1960s and 70s, but with a layer of frost. Citrus fruits, flowers and woods, stirred with an icicle. Imagine a tall, elegant woman, dressed in red and white velvet, but at ground level, she’s wearing her wellington boots so her feet don’t get cold and wet. Graceful, yet practical.”

– Sarah McCartney

It’s descriptions like the one above that affirm my love for London-based indie perfume house, 4160 Tuesdays. Any fragrance that can be described as “graceful, yet practical” and pairs vintage couture with wellington boots is a winner in my book, and its a style of fragrant inspiration that is the DNA of 4160 Tuesdays. The scent in question is Doe in the Snow, an incredibly special fragrance created for the wedding of “purveyor of olfactory adventures”, Odette Toilette.

Seeing as Doe in the Snow is indeed, very special, I thought I would dedicate my final review of the year (where has 2014 gone, people?!) to what is a gorgeous fragrance, and one that perfectly captures the wonderful image Sarah describes in the quote above. Doe in the Snow is further proof that there is a serious amount of magic happening within the London studio of 4160 Tuesdays. Wonderful magic that is enchanting many a nose and keeping the perfume industry an inspired, and interesting place.

Caron Parfum Sacré - My Winter Warmer
Caron Parfum Sacré – The Scent of Cold Winter Nights

I am in full-on winter mode, and just as well really, seeing as the temperature dials have been twisted firmly towards the blue and the season of frost has started. As you may have noticed from Monday’s post, I’m rocking as many scarves as I can, but I’ve also got myself a snazzy new coat and the heated seats in my car have never seen so much use. In short: it’s officially winter.

At this time of year, I tend to pull out much warmer and heavier perfumes, as I’m sure many of you also do. One of my absolute favorites is Caron’s Parfum Sacré, a most beautiful floral incense that sits somewhere smack bang in the middle of France and Oman. Parfum Sacré is the olfactory equivalent of a hot water bottle, or a purring feline on the lap. It’s simply divine and for that reason, I’ve dedicated this week’s Escentual column to it. Click here to read about one of my favourite winter fragrances.

THIS IS NOT A MOSCHINO TOY
THIS IS NOT A MOSCHINO TOY

It’s impossible to look at TOY, the latest fragrance from Italian fashion brand, Moschino and not smile. I mean, the perfume is packaged inside a cuddly little teddy bear, so one’s initial encounter with the fragrance will usually involve the utterance of noises such as “aww” and “squee” and cries of “OH. MY. GOD. IT’S. SO. BLOOMING. CUTE” and “IT’SSOFLUFFYI’MGONNA’DIE”. It is after all, incredibly cute and that gorgeous little face is adorably cheeky, and impossible to resist.

TOY is the brainchild of Moschino’s Creative Director, Jeremy Scott, who has worked with the likes or Rihanna, Katy Perry, Björk, Madonna, Miley Cyrus and Lady Gaga, just to name a small sample of the upper echelon of pop divas that he has collaborated with. The scent is being positioned by the brand as a “revolutionary product launch” that offers “a completely innovative way to package, show and sell fragrance”, posing the question whether this bear is a perfume or a toy. It also serves as a nice nod back to Moschino’s founder, Franco Moschino, who famously used stuffed animals on garments in his 1988 Fall-Winter collection.

Created by perfumer Alexandra Kosinski (Etat Libre d’Orange Cologne), TOY displays woody, floral and citrus notes that are intended to be evocative of the bear’s forest home. Whether TOY is exactly that, a toy, or a perfume, or a teddy bear, or all of the above depends on how you approach it. What cannot be denied however, is that this is an attention-grabbing launch that breathes new life into the world of Moschino parfums, and an incredibly cute one at that.

“From the depths of the wild, stuffed animal kingdom comes TOY, Moschino’s latest fragrance. Conceived by Moschino Creative Director Jeremy Scott, TOY smashes every fragrance preconception to bits, boldly redrawing its form, function and fabulousness.”

– Moschino

New from Penhaligon's: Ostara Eau de Toilette
New from Penhaligon’s: Ostara Eau de Toilette (Illustration: Melissa Bailey)

This spring, quintessentially British perfume house, Penhaligon’s will launch ‘Ostara’, the brand’s latest collaboration with venerable perfumer, Bertrand Duchaufour. Charting a fragrant journey of daffodil from “bulb to bud to bloom”, Ostara is described by the brand as a “modern interpretation” of an “incandescent flower”.

“An iconic feature of the British countryside, the daffodil symbolises the optimism and revival of spring. In 1802, the distinguished poet William Wordsworth wrote about a sea of daffodils in his poem, ‘I Wandered Lonely as a Cloud’. Excerpts have been included on the outer packaging of the fragrance to reflect the radiance of the flower.”

Yves Saint Laurent's Rive Gauche - Life on the Left Bank
Yves Saint Laurent’s Rive Gauche – Life on the Left Bank

Consider me behind the times, but I’ve very recently fallen head-over-heels in love with Yves Saint Laurent’s Rive Gauche. Yes, I know it was launched way back in 1971, long before I was in short trousers, and yes, I’m well aware that its current formulation is a pale shadow of its former self, but I love it and I make no apologies. To me, Rive Gauche does the whole aldehydic floral thing in a way that is not over the top, nor is it viciously boardroom bitch-esque – its simply high fashion floralcy in a bottle.

Seeing as I’ve got a bit excited over my new found love, and I’ve also been taking an informal look at some of the classics over on Escentual recently (see Opium & Arpège), I took the time to dedicate my column this week to the glory of Rive Gauche. So, if you’re a fan of the scent, or if you just want to hear what all of the fuss is about (I do like a bit of hyperbole, it must be said), then simply click here to take a stroll down Paris’ wonderful left bank.

The Prettiness of Rose - Acqua di Parma Rosa Nobile
The Prettiness of Rose – Acqua di Parma Rosa Nobile

A few weeks back I reviewed Essence Nº1: Rose, one of the latest fragrances from Elie Saab and by all accounts a beautifully gourmand take on the humble rose. I love rose, in perfume and in pretty much everything else, and I admire the fact that one flower can be used so diversely, due mainly to the man wonderful nuances it displays as a material. It’s a true fact that not all roses are the same, and for every gourmand rose there’s an oriental rose or a photorealistic one, or even a ton of oud-soaked roses, creating a wide range of olfactory signatures that stem from one flower. The humble rose is anything if not impressive in this respect.

If Elie’s Saab new creation celebrates the gourmand facets of the rose, Rosa Nobile, the latest launch from Acqua di Parma, honours the beauty of rose in a simple, yet utterly satisfying manner. Rosa Nobile is an olfactory performance that celebrates the prettiness of rose in a dance of purity and simplicity. It speaks in pastel shades of pink and with a lightness of touch that is almost coy, but most of all, serves as an incredibly beautiful take on the queen of flowers.

“Strolling in the shade of centuries-old trees, among lodges and staircases, a sensuous fragrance drifts – the strong notes of the rose. Its scent forms part of Italy’s noble gardens which, like a queen, it pervades with natural elegance. Acqua di Parma takes their unequalled charm to give life to an Eau de Parfum introducing new touches into the universe of Le Nobili, a collection of women’s fragrances inspired by the most beautiful flowers of exclusive and private Italian gardens, where art and beauty blend in perfect balance. Each one a unique fragrance, selected for its noble femininity, for its fine perfumed essence, and for its quality. Compositions designed by Acqua di Parma using precious ingredients. Each one is unforgettable. Iris, Magnolia, Gelsomino and the new Rosa Nobile.”

– Acqua di Parma

Classique Intense
Classique Intense

I’m still alive! Due to being away for work this week, I haven’t been able to turn my attention to The Candy Perfume Boy. I assure you that normal service will resume next week, with more reviews and news from the perfume world. Whilst I may not have had time to put together a post for the blog this week, I have still written for my weekly Escentual column, and this week’s subject is the fabulous, glamorous and radiant new fragrance from Jean Paul Gaultier – ‘Classique Intense‘.

This new scent, penned by none other than Francis Kurkdjian, isn’t your typical ‘intense’ version that amps up the heavier notes and makes for a thicker and long-lasting experience. No, this is Classique with the glamour dials turned right up – a radiant floral vanilla that is the shows topping starlet to the original’s backstage boudoir. Between all that glitter and gold lies a beautifully composed fragrance that is a worthy addition to the Classique lineup. Read my review here.