Girl with Flowers

“There’s just something about the glamour and luxury of wearing great big flowers that takes away the grey humdrum of everyday life.”

I’m always keen to see what Amouage is up to, they are a brand with incredible cohesion, yet each release is new, surprising and exciting. Amouage’s creative director Christopher Chong has gone a long way to give the brand an international aesthetic, drawing inspiration from Puccini, Swan Lake and the Silk Road (to name but a few) to create perfumes that transcend culture and location.

This year has been a good year for Amouage releases, March saw the release of the latest edition to the Library Collection with the orgasmically good amber Opus VI, and now, preceding the launch of Amouage’s annual masculine and feminine duo later this year, the house has launched a new feminine perfume exclusive to a small number of high-end department stores. A perfume that has been bestowed with the named ‘Beloved’.

Beloved is an unusual launch for Amouage because it stands alone without a masculine counterpart and it joins Ubar as one of the only fragrances in the line to do so. It has been created to represent the modern woman so it stands to reason that it doesn’t need a man to shine. Amouage says that “Beloved engages the elegance and complexity of the modern woman: strong, empowered, animated, in control.” [1] and to me it feels like a contemporary modern floral with a classic edge.

Last week’s poll focused on the age old debate of spraying vs dabbing. Unsurprisingly, due to the fact that is the most commonly available application method, spraying won the battle with a total of 73.5% of the vote. What I found particularly interesting about the results was the fact that 20% answered that they didn’t care how the perfume was applied and a number of comments stated that it actually depended on the perfume as to whether they sprayed or dabbed, with dabbing being the preferred method of application for pure parfum/extrait and spraying for Eau de Parfum or Eau de Toilette.

The Poll

This week’s poll moves on to a completely different subject, that of perfume genres. Tastes in perfume tend to be fairly eclectic and most fumeheads own a number of bottles from a variety of fragrance families, but most will also have a favourite, and I want to know what yours is. Register your vote and let me know your thoughts in the comments box below!

Philippine

“I love a perfume that makes me smile – Fils de Dieu brings the smiles, and plenty of them”

Despite their often hyper-sexed and occasionally misdirected marketing techniques, Etat Libre d’Orange are one of the most solid niche brands out there. They offer a line of well made, interesting, unusual and affordable fragrances that simply cannot be matched. The Etat Libre d’Orange war cry is “Parfum est mort, vive le parfum” (“perfume is dead, long live perfume”) and they are going a very long way to resurrect the concept of fun into the landscape of modern perfumery, a landscape that can so often become devoid of any delight.

I have said many times before that I am a self-proclaimed Etat Libre d’Orange fanboy, I simply cannot help it, I find their compositions to be filled with humour, occasional, nay regular genius, surprise and wonder. Each one is an essay in pushing the boundaries of perfume, turning familiar genres on their heads and firmly sticking two figures up at the bland, the trite and the cheap.

Fils de Dieu or ‘Fils de Dieu Du Riz et Des Agrumes’ (Son of God of Rice and Citrus Fruits) to use its full name is one of two latest releases from everyone’s favourite French olfactory freedom fighters, the other being Bijou Romantique. It was created by Ralf Schwieger and the concept behind it is interesting to say the least. Also available under the more controversial name of ‘Philippine Houseboy’, Fils de Dieu “is the golden eye that reflects beauty and conflict, rapture and pain. It is an emotional fragrance that requires a sympathetic connection between the server and the served, the giver and the taker, and the willingness to exchange roles.” [1]

Tilda & Rossy

The Etat Libre d’Orange Muses

Celebrity fragrances, or ‘celebuscents’ as they are so often called, are the scorn of many a perfumista. The majority are cheap, thoughtless compositions with the sole intent of making a quick buck for a celebrity desperate to cash in on the latest trend. As you can imagine, most of the time the celebrity has very little input in the development of their fragrance, preferring simply to be ‘the face’ rather than ‘the brains’.

There are of course exceptions, and some celebrities do insist on being more involved by playing the role of creative director. Celebrities such as Sarah Jessica Parker and J Lo are widely reported to have been directly involved with the creation of their early fragrances and this involvement shows in the final product. But these celebrities are few and far between.

One brand in particular has taken the idea of the celebuscent to a new level by choosing to partner with unusual celebrities who take on the role of muse and work with the perfumer to create their fragrance. This brand is Etat Libre d’Orange, those funny French olfactory freedom fighters whose compositions feel like a breath of fresh air within the industry.

For their celebuscents Etat Libre d’Orange chose two unexpected, subversive celebrities; Oscar Winning British Actress & Androgynous Style Icon Tilda Swinton and Pedro Almodóvar’s Picasso-esque Muse Rossy de Palma. Two strong, unique women for a strong and unique brand.

Amber Oud

Perfume fate seemed to happen last week. As I was planning The Candy Perfume Boy’s Guide to Oud, the postman bought me two oud-ie goodies – the first being my new bottle of Tom Ford’s Oud Wood and the second being a sample of By Kilian’s latest perfume ‘Amber Oud’. So it seems like last week was fated to be the week of the oud, and in keeping with that theme it only seems fitting to give Amber Oud a whirl.

Firstly, By Kilian has to be commended for their PR practices. Last year they offered members of The Kilian Club on their Facebook Page a complete set of samples from the L’Oeuvre Noire collection and now they have been kind enough to send everyone a sample of their latest fragrance ‘Amber Oud’, with the sole intent of introducing it to Kilian fans. Now, that’s good PR!

Amber Oud is inspired by greek mythology and is the latest addition to By Kilian’s Arabian Nights collection. It was created by Calice Becker and joins Incense Oud, Pure Oud and Rose Oud to become the fourth pillar within Kilian’s oud-quartet. Kilian says that Amber Oud “is borned in Heliades tears” [1] and with this new fragrance his objectivewas to deconstruct/reconstruct the traditional “Amber” by taking the animalistic qualities of a dark “Oud” and adding richness through an overdose of “Vanilla” from Madagascar and “Benzoin” from Laos.” [2]

McQueen

“Puredistance M is a masculine that straddles the gender line”

After trying and loving the ethereal Puredistance I and the warm-bosomed Antonia, I thought that the dreaded rule of three’s (as in that a collection of three perfume’s cannot contain three good fragrances) would kick in and I would end up hating Puredistance M, but as usual when it comes to drawing quick conclusions, I was wrong.

I was wrong because Puredistance M is a pretty damn good fragrance and whilst it may not be in the style of perfumes that I would wear, I cannot deny that it is impeccably well made and puts the majority of masculine fragrances on the market to shame. In terms of quality, artistry and just how damn good it smells, Puredistance M is in a class of its own. Oh, and it’s an Extrait too, with a rather decent 25% concentration, which is somewhat of a rarity within the masculine genre.

Puredistance M is currently the only masculine in the line and it takes its inspiration from the classiest and most debonaire of motor vehicles – the Aston Martin, namely the Aston Martin that belongs to a certain James Bond. M was created by Professor of Perfume Roja Dove and is described as “a leather chypre of classic proportions…with an unexpected oriental twist. Sumptuous and complex, noble and sophisticated” [1] Puredistance M is a fragrance that is neither shaken, nor stirred, and just like 007 it is as smooth as can be.

Pierre Guillaume

Pierre Guillaume – Not just a pretty face!

What a busy boy Pierre Guillame is. Not only is he the man and the exceptionally talented nose behind the über exciting brand Parfumerie Générale, he is also responsible for brands such as Phaedon and Hutième Art. He creates for all three brands whilst managing to look effortlessly handsome. It makes you hate him just a little bit, doesn’t it?

Ok, I’m just being silly, I don’t really hate Pierre Guillaume, in fact it’s quite the opposite, I have great respect for him and his fragrant vision. He has managed to craft himself a distinct style and has very much found his own little niche in the market. With Parfumerie Générale and Huitième Art, Guillaume tinkers with the most ancient and noble of ingredients, interpreting each one in new and surprising ways.

Huitième Art is one Pierre Guillaume’s many projects and is a collection of 9 perfumes “showcasing an all-new ‘plant capture’, an original plant-inspired accord or natural organic ingredient” and with “an emphasis on originality and sophistication”. Each perfume is housed in one of the most fascinating flacons I have ever come across, a part-modern, part-natural ceramic cyclops intended to represent the eye looking to the future, which just so happens to be the exact same direction that M. Guillaume’s nose is pointed.

Festival of Colours

Neela Vermeire is a new Parisian based Niche line that explores the history of India through three vibrant and colourful fragrances. Each fragrance has been created by the very talented Bertrand Duchaufour and is representative of a particular period in India’s history, they are as follows:

Trayee
Vedic Period

Mohur
Moghul British Raj

Bombay Bling!
Modern India

With her first three fragrances, Neela Vermeire offers a festival of colour, fragrances that showcase exotic ingredients and smell as vibrant, lively and diverse as the country that inspires them.

“This diversity has inspired Neela Vermeire to create and dedicate the first trio of fragrances to India – her native country – while living and working in Paris, her adopted city and perfume capital of the world. Neela’s education in social sciences and training in law, may not have any direct connection to perfumes but her formative years in India have had a great and lasting impact on her “olfactory development.” [1]

Mugler

“This may be death by chocolate but what a way to go…”

Thierry Mugler’s latest collection of limited editions ‘Le Goût du Parfum’ (The Taste of Fragrance) has proved to be one of the best collection of flankers ever released, Mugler has taken the signature of four of his perfumes (Angel, Alien, A*Men and Womanity) and has added a taste enhancer that either adds or amplifies a gourmand facet, this is where haute cuisine meets haute perfumery.

For more on the series please click here.

Angel is Thierry Mugler’s flagship fragrance, she is already infamous for being the first gourmand oriental and one of the first perfumes to use a chocolate note. For Angel Le Goût du Parfum, Mugler has used a taste enhancer of pure cocoa powder (what else?) to emphasise the chocolate notes, the end result promises to be “more gourmand than gourmand” [1] – and it is!

Angel Le Goût du Parfum is a worthy addition to the Angel lineage and whilst it doesn’t replace the original, it does fill a particular void in my collection – a true chocolate fragrance.

Anglomania
“Anglomania is quite a blowsy scent, a fact that is only emphasised by the quite, erm, ‘breasty’ advertising image.”

Vivienne Westwood is the epitome of British eccentricity. A self-taught designer, mother of punk and general, all round odd ball, Westwood put British fashion on the map and her mixture of shabby chic and unusual tailoring has proved to be timeless.

Dame Viv has released five fragrances (not including flankers); Boudoir, Libertine *, Anglomania *, Let it Rock * and Naughty Alice, three of which have since been discontinued. If I’m being perfectly honest the fragrances from the line have been a mixed bag, Boudoir is a great, slightly filthy chypre, Libertine is a pretty decent floral citrus (it used to be a favourite of mine until my tastes developed), Let it Rock was a dreadful oriental and don’t get me started on Naughty Alice…..Anglomania is the best and most interesting of the bunch.

Anglomania is named after Westwood’s recurring collection of the same name and the scent is intended to evoke “Asian intensity with British heritage” [1]. It was released in 2004 and was created by the great Domique Ropion (Carnal Flower, Alien, Geranium Pour Monsieur to name but a few), it does exactly what it says on the tin.