Santal Massoïa

I am a great admirer of Jean-Claude Ellena, I find his ‘minimalist’ style of perfumery intriguing, and I think he has done some great scents for Hermès’ (there is a ‘but’ coming) but I have to admit that I struggle slightly with the Hermessence Collection. I know that this confession may serve as some form of perfume heresy but I can’t help it. It’s not that I actively dislike the collection at all, I just find the ‘barely there’ approach frustrating and I’ve only come across one or two that I really like. That said, any new Jean-Claude Ellena fragrance is worth a sniff and I can appreciate his style (and talent) without being madly in love with it.

The Hermessence Collection, which Hermès describes as “A collection of olfactory poems, with sobriety and intensity, which freely explore new facets of emotion.” [1] is a line of fragrant watercolours, of which Santal Massoïa is the latest addition. Like others in the collection, Santal Massoïa is a light, transparent interpretation of one of perfumery’s most glorious ingredients – sandalwood.

Kokorico

I’m not entirely sure why, but ever since the news of Kokorico started hitting the Blogosphere I have been absolutely desperate to try it. Perhaps it’s the fact that Jean Paul Gaultier, despite being somewhat over-exposed, is a solid line of well-made fragrances or, perhaps it’s the fact that I’m a sucker for a quirky bottle, and Kokorico’s bottle is definitely full of quirk. Whatever the reason, I was very glad when esteemed perfume blogger Persolaise gifted me a sample of Kokorico to try.

Kokorico (isn’t the name fun to say?!) is the latest masculine release by Jean Paul Gaultier and it has big shoes to fill. Following in the footsteps of such a colossal bestseller as Gaultier’s Le Mâle is no mean feat, and after the discontinuation of Gaultier’s second masculine release Fleur du Mâle, the pressure is on for the brand to have a success.

This latest addition to the Jean Paul Gaultier line is composed by the olfactory dream team of Annick Menardo (Lolita Lempicka, Hypnotic Poison and Bvlgari Black) and Olivier Cresp (Angel, Kenzo Amour and Juniper Sling)  and is described as “a powerful and explosive aphrodisiac, emphasising woody and cocoa notes” [2] and the name ‘Kokorico’ comes from the french name for the rooster’s cry, their version of ‘Cock-a-Doodle-Doo’. Everything about the marketing of this fragrance; the bright red ‘graffiti’, the pushed up feathers and the confident strutting of Jon Kortajarena in the tv/print ad screams cockiness and masculine confidence, I’m just not entirely sure the fragrance is on board with the idea.

Tubéreuse Trilogy

Finally after lots of hard work, late nights and multiple cups of tea (Lavender Earl Grey if you’re interested) the dreaded University assignments have been completed and I can spend some time on the writing that I enjoy!
 
Thankfully the kindness of fellow perfumistas will always get you through any situation and thanks to the lovely Ines of All I am – a redhead, who after reading my Guide to Tuberose, insisted that I tried a number of other tuberoses, I have had the opportunity to distract myself from my work with perfume. My ability to procrastinate is rather impressive, in fact it is so impressive I had to include it within the title of this post.
 
Anyway, on to Histoires de Parfums! Included in my sample care package of tuberoses (and a few other goodies) was all three fragrances in the Histoires de Parfums Tubéreuse Trilogy. Now, as you all know I’m a sucker for tuberose so the idea of a trilogy was rather exciting to me, so imagine my surprise when, upon trying all three I discovered that none of the scents were particularly tuberose-centric at all. That’s right, these three tuberoses aren’t really tuberoses, a fact that would be disappointing to me if they weren’t so good, tuberose or no tuberose.
 

Golden Sunset

Oud is the latest addition to Mona di Orio’s Les Nombres d’Or collection, which focuses on creating perfumes centred around a single note in an intelligent and creative way. The fragrances within the collection are; Oud, Vanille, Tubereuse, Vetyver, Musc, Ambre and Cuir. The names may lead you to think that these fragrances are typical, single note scents, but that is far from the truth, each one is very much a composition with an interesting take on the eponymous note.

Les Nombres d’Or

“Seven sensational yet easy, relaxed fragrances from the Mistress of Perfumery.

Inspired by the ancient aesthetic theory of the Golden Ratio, Mona has created a suite of eaux de parfumss which have all her signature notes of glamour, mystery and romance but which are constructed with with the ultimate luxury of classic simplicity.” [1]

Oud in particular has received a lot of positive hype in the perfume blogosphere since it’s release earlier this year. Enthusiastic reviews from the likes of Olfactoria’s Travels and Eyeliner on a Cat, bloggers who’s opinion I hold in high esteem, had raised my hopes for this scent and I couldn’t wait to make my merry little way across to Les Senteurs in London to try it.

Lady Gaga

“My general impression of Le Feu d’Issey is that it’s an ‘everything but the kitchen sink’ scent, in the sense that there is just so much going on, in fact, I would go as far as saying that the kitchen sink has probably been thrown in as well.”

When I first thought about the Gone, But Not Forgotten Series there were a few perfumes which I knew absolutely had to be added and some that I thought I would explore after receiving suggestions from my readers. Le Feu d’Issey is one of those fragrances that I knew had to be part of this series, but there was one little snag – I had never smelled it and it’s nigh on impossible to get hold of.

Luckily for me Perfumeland is full of lovely, wonderful and generous people and none are lovelier than the ultra-lovely Birgit of Olfactoria’s Travels who came to my rescue and very kindly donated a sample of Le Feu d’Issey so that I could review it for this series. Thanks B!

Despite being discontinued, Le Feu d’Issey was given a five star rating by Luca Turin in Perfumes The Guide and is also included in Sanchez and Turin’s latest book ‘The Little Book of Perfumes’ as one of the top 100 perfumes of all time. It also has quite the cult following and a reputation for being wonderfully weird. All of these facts have ensured that Le Feu d’Issey has stayed at the top of my ‘Must Test’ list (a list that gets longer and longer by the day) for a good few years, and when I did eventually get to try it I certainly wasn’t disappointed.

Eat Me

“Pure Fumegasm”

I’ve said before that Thierry Mugler is one brand that always thinks intelligently about their flankers and their latest series of limited editions ‘Le Goût du Parfum’ is absolutely no exception to this rule. 

The concept behind Le Goût du Parfum (The Taste of Fragrance) is simple – take the already bold, and mostly gourmand structures of four Thierry Mugler scents (Angel, Alien, Womanity and A*Men) and add a ‘Taste Enhancer’ to each. Le Goût du Parfum creates “a genuine parallel between Haute Cuisine and Haute Parfumerie.” To achieve this parallel Mugler enlisted leading Michelin-starred chef Hélène Darroze to create an “entirely Muglerian Meal” based on these four new limited editions.

WARNING: THIS POST WILL MAKE YOU HUNGRY 

Navigations Through Scent

“A brief history of perfume, told through five distinct fragrances. From lost worlds, along ancient silk and spice routes to a brave new world.” [1]

We’ve seen it many times before, a mainstream house releasing a series of fragrances based around a single concept. Sometimes it works really well (see Guerlain’s L’Art et la Matiére line or Chanel’s Les Exclusifs) and sometimes it fails epically (see Dolce & Gabanna’s Anthology line).

Usually lines launched with multiple fragrances are a bit hit and miss, they tend to have one or two ‘greats’, more than a couple of average ones and a their fair share of clangers. So it is with trepidation that I approach any new ‘collection’.

I am very familiar with Molton Brown’s line of shower gels, hand creams, hand washes and body products (which I think are generally very good btw) but I have to admit that I’m not overly familiar with their stand-alone fragrances, so this collection could go either way for me.

Hurricane Grace

To me, Grace Jones is the Queen/King of androgyny, she tiptoes the line between masculine and feminine so perfectly and either way she is absolutely striking to look at. Like Ms Jones, Nu is androgynous, it is neither wholly masculine, feminine or unisex, it creates its own rules about gender and takes facets from both sexes.

I have no idea which fragrance(s) Ms Jones wears but if I were to pick a perfume just for her, I would pick Nu.

Nu (this review refers to the Eau de Parfum) was released in 2001 and was created by Jacques Cavallier under the art direction of Tom Ford. I mentioned in my review of Gucci Rush that everything Tom Ford did whilst at Gucci, YSL and Lauder was pretty much epic, and I stand by that. With Nu, he and Jacques Cavallier created something unique and way ahead of its time.

Potion

DSquared2 is a brand that is well known for their fashion NOT for their perfumes. I don’t have much experience with the line (I have only tried He Wood and the less said about that the better) but what I do know is that each of their perfumes has an awful clanger of a name, they include; He Wood, She Wood and He Wood Rocky Mountain Wood….

Yes, those truly awful names, and a bad experience with He Wood led me to believe that I wouldn’t like Potion, in fact I was prepared to actively dislike it. So imagine my surprise when a chance encounter with a sample would reveal that this Potion, isn’t half bad at all.

Juniper SlingI’m not a gin drinker, actually scrap that. I wasn’t a gin drinker, but on Tuesday I was coerced (there really wasn’t much coercing going on) into drinking a number of gin cocktails at the bloggers launch for Penhaligon’s new fragrance Juniper Sling. This experience has taught me three things; firstly, Penhaligon’s know how to throw a party, secondly, their gin cocktails are unrivalled and thirdly, gin and fragrance go very well together.

Juniper Sling was created by master perfumer Olivier Cresp (the man that brought Angel into the world) and it is described by Penhaligon’s as “a playful, chilled and mysterious homage to the Bright Young Things of London’s roaring twenties.” Now this may give you the impression that Juniper Sling may be slightly old-fashioned, but this is absolutely not the case, Penhaligon’s have created a modern twist on a classic theme, just look at the bottle with it’s metal bow, a purely modern take on their usual flacon.