Go Coco Go

Coco Chanel on The Warpath

I love Chanel, I mean how can you not, it’s Chanel! I love so many of their perfumes but so far I have found no love for Les Exclusifs de Chanel. This is partly due to the fact that I haven’t spent much time investigating them, but each time I dive in and test them my general impression is that they’re nice and obviously very high quality but they don’t draw me in, and I’m yet to find the one for me.

The somewhat awkwardly named Jersey was released last year and is the latest addition to the Les Exclusifs line and it takes it’s awkward name from the fabric that Chanel “daringly appropriated from menswear by Coco Chanel for women’s fashions.” [1] That may be so, but I can’t get over just how dreadful the name is, it doesn’t befit the style and class that I expect from Chanel, but then again they did name one of the other Les Exclusifs ‘Beige’, so perhaps they don’t have a 100% brilliant track record when it comes to names.

Chanel describes Jersey as being “As light and liberating as the modern fabric for which it was named…An inspired composition, Jersey is evocative of a meadow lush with lavender – an essence previously worn only by men. A tender trail of Vanilla and Musk brings femininity to the forefront, and a rare, sophisticated new scent is born.” [2] I would describe it as ‘a granny lavender on the warpath’.

Fragile

“Perfume is the first garment we wear on our skin.”
Jean Paul Gaultier

Fragile, the Eau de Parfum, was Jean Paul Gaultier’s second feminine fragrance, it was released in 1999 and followed the phenomenally successful Classique. Created by Francis Kurkdjian, Fragile couldn’t be more of a stark contrast to the warm, powdery oriental tones of Classique.

Where Classique is evocative of Gaultier’s loud, abrasive style of couture, Fragile plays on classic French perfumery. There is nothing ‘boudoir’ about it, it is incredibly enigmatic and feels almost unsuitable for everyday wear. Fragile is a perfume of the night.

Like a lot of the other fragrances in the Gone, But Not Forgotten Series, Fragile was a big love for me early on in my perfume journey. It was also my first tuberose, and whilst it may not be the best example of nature’s rawest and most carnal of flowers, it is lovely and it did kick-start my love for the flower.

Savage Beauty

To put it simply; Antonia is liquid emotion.

Have you ever known that you would love a fragrance before you even tried it? I have on quite a few occasions, the most recent of which was with the second feminine fragrance from ultra-luxe niche line Puredistance. A perfume wonderfully named ‘Antonia’. I had already fallen head-over-heels for the beautifully arresting Puredistance I, and everything about Antonia; the reviews, the description and the very brief sniff I’d had in Harrods, led me to believe that Antonia was a perfume that I would love.

I’ve also been really impressed with the Puredistance line and their ethos. I find it refreshing that they seem to focus all of their attention on the perfumes, there are no gimmicks and they manage to offer exclusivity without snobbery. It’s also very clear that they have a passion for quality, which really translates into their three offerings, all of which are incredibly different, but share an impeccable attention to detail and fit together like three contrasting compositions.

Antonia, or ‘La Dame Verte’ as I call her, is the second feminine in the line and is a Parfum Extrait with a not-to-be-scoffed-at 25% concentration. Antonia is described by Puredistance as “a green floral with a great lushness and warmth of heart, but at the same time pillowy and as gentle as can be” [1]. Like the first feminine in the line ‘Puredistance I’, Antonia was created by Annie Buzantian in New York and shares her name with the mother of Puredistance founder Jan Ewoud Vos.

Beautiful

“The fragrance of a thousand flowers”

Launched in 1985 and created by Sophia Grojsman, Beautiful is described by Estée Lauder as “the fragrance of a thousand flowers” [1], and it is an exceptional example of a big floral bouquet, something that the Lauder brand seems to specialise in. I would classify Beautiful as a floral chypre, it’s a wonderful blend of heady florals and rich, mossy base notes.

Beautiful has always been marketed as Estée Lauder’s bridal perfume and I can see why, it is completely romantic and there is a young innocence to it that conjures up images of beautiful brides draped in white. Despite it’s obvious bridal connotations, it isn’t exclusively bridal, it is wonderful enough to be kept only for special occasions but also works perfectly well as an everyday perfume. Beautiful is one of those perfumes that would make a good signature scent, not that I’d EVER dream of having one of those, I’m too greedy!

I always find it hard to review the classics, it’s difficult to do them justice whilst attempting to showcase them in a new and interesting way. . That said, it is a perfume that I appreciate from an olfactory perspective, and I truly believe that it it is more than a classic, it is a legend. It it so legendary in fact that it is rumoured that Andy Warhol was buried with a bottle.

Bubble Gum

Bubblegum Chic

Tuberose, tuberose, tuberose, the narcotic Queen of the Night. The erotic, sensationalist flower with a reputation for stealing many a heart and corrupting many a virgin. My love of tuberose is pretty well documented (please see The Candy Perfume Boy’s Guide to Tuberose) and I’m pretty much happy to try any fragrance that lists it as a note. I was however, slightly sceptical of Vamp À N.Y., but lots of positive reviews and a sample that was very kindly donated by Ines of All I Am – A Redhead led me to try it.

“This is extreme, never lived before, French couture… addictive, sophisticated and futuristic” [2]

Vamp À N.Y. is part of Honoré des Prés’ ‘We love NY’ collection created by perfumer Olivia Giacobetti. The Honoré des Prés line prides itself on having perfumes that are “100% natural origin – 100% botanical ingredients – 100% engaged.”[1] I don’t know about you but I’m not entirely fussed about whether a perfume is all natural or not, the art of perfumery, in my eyes, requires a large palette of natural and ‘synthetic’ ingredients. But that’s beside the point, Vamp À N.Y., whether it is natural, synthetic or otherwise, is a very interesting take on my favourite flower.

Alexander McQueen Couture

Magnetic Elegance

Puredistance is an ultra-luxe and ultra-exclusive niche brand based in Vienna. The brainchild of Jan Ewoud Vos, Puredistance is a brand that offers exclusivity without snobbery or pretence, their perfumes are designed to be “elegant, sophisticated, timeless” [1]. The line currently consists of three perfumes; Puredistance I, Antonia and M. Puredistance I was their first perfume release and was created by Annie Buzantian (originally for herself) in New York, it is described as “understated elegance in its purest form” [2].

I’ve had my sample of Puredistance I (generously given to me by Vanessa of Bonkers About Perfume, thank you Vanessa!) for quite a while now, having tried it many times but I have put off writing a review, simply because I struggled to wrap my head around such an interesting perfume.

I’m sure you’d agree with me when I say that possibly the best part of being a ‘Hardcore Fumehead’ is sampling and trying new fragrances. When I sample new stuff I find that my thoughts tend to fall into one of four categories; it’ll either be love at first sniff, or hate at first sniff, it may even be general apathy at first sniff but sometimes I come across a fragrance that provokes a response of ‘hmm, what is this?’, Puredistance I was one of these fragrances.

Lavender Field

There is no sight more pleasing than the sight of rolling fields of lavender.

Lavender is beautiful, whether you like the smell or not you cannot fail to be moved by the sight of purple fields of lavender rolling under the summer sky.

Lavender is a smell that I have learned to love. For many years I couldn’t abide its smell, which to me was reminiscent of old ladies, underwear drawers and cleaning products. These connotations give lavender a bad rep that it absolutely doesn’t deserve for it is one of the most complex and pleasing fragrance ingredients available.

What I have found most interesting on my lavender scented journey is despite the fact that it is such a bold and distinct smell, it is also incredibly versatile and there are a melange of superb perfumes that showcase the note in unique and fascinating ways.

Lavender

Lavender is part of the mint family and there are approximately 39 species within its genus. It grows in abundance across the world, mainly in; The Canary Islands, Madeira, North and East Africa, Southern Europe and the Mediterranean, Arabia and India. [1]

The Smell

The smell of lavender is arguably one of the most distinct smells on the planet. It has many facets, it is herbal, sweet – like burned sugar, fresh, green, minty, menthol and floral. Despite its distinctive aroma, lavender is an incredibly versatile material that can be interpreted in a plethora of interesting and surprising ways.

To me, lavender is the smell of summer.

The Actress

Rubj The Actress – A talented diva, unconventional in her beauty and full of moxie.

Vero Profumo is the brainchild of Swiss Aromatologist turned Professional Perfumer, Vero Kern. The three Extraits from Vero Profumo are an absolute joy to behold, each one displays a distinct character; Kiki is the cheeky Parisian, Onda is the stoic, yet fragile Matriarch and Rubj is the Actress.

Unusual beauty appears to be a reoccurring theme amongst the three Extraits and none are more beautiful and unusual than Rubj. I see Rubj as an actress, a talented diva, unconventional in her beauty and full of moxie. She is the artist of the three, she appreciates the beauty in all things and whilst she may be hard to handle at times she makes up for it with vivacity and wit.

I think Rubj was always going to be my favourite of the three offerings from this line, I am a sucker for a white floral after all, and Rubj is very different from a lot of the white florals I own, she is much more understated and glamorous. Rubj is proof that amongst a sea of mediocrity within the perfume industry, there are still perfumers and perfumes with the ability to surprise, thrill and move you.

Katy Perry

Kiki – Fun loving free spirit.

Vero Profumo is the brainchild of Swiss Aromatologist turned Professional Perfumer, Vero Kern. The line currently consists of three creations; Kiki, Onda and Rubj, all of which are available as Extraits or Eau de Parfums, with each concentration being a different composition.

Vero Kern describes her line of perfumes as “unconventional combinations of pure, high quality materials” [1] and after lengthy sampling sessions I have found each one to have their very own distinct character. I see them as three different personalities, each of them being unconventional and beautiful in their own way. This week I will explore the personalities of all three Extraits, starting with my happy, fun-loving girl, Kiki.

I am on a lavender kick at the moment so when my Vero Profumo samples arrived I was inevitably drawn to Kiki. To me, Kiki is the most joyful of lavender perfumes, there is a distinct sense of frivolity and a touch of naughtiness to it. Kiki is a flirt at heart, she likes to fall in love with all of the boys but never gives herself away, she is a free, fun-loving spirit that is irresistible in each and every way.

Idylle“I imagined for Idylle a bouquet of fresh and joyous flowers, a symbol of love” Thierry Wasser [1]

In 2009 the eyes of the perfume-world were firmly fixed on the doors of No 68 Champs-Élysées in Paris. The world awaited the brand new feminine fragrance from the world’s most important (and arguably the greatest) perfume house – Guerlain. In the previous year Guerlain (now owned by the fashion-gargantuan Louis Vuitton Moët Hennessy) had appointed Thierry Wasser as their in-house perfumer and he had already started to create exciting fragrances for the house (see Guerlain Homme), but he was yet to conquer the mammoth task of creating a Guerlain feminine.

A new feminine fragrance from Guerlain is always big news and it can’t be easy creating a fragrance for a house that brought Jicky, L’Heure Bleue, Mitsouko and Shalimar into the world, but with Idylle it felt like the pressure was REALLY on. Thierry Wasser had the huge tasking of creating a contemporary and modern fragrance that wouldn’t betray Guerlain’s age old heritage and for that reason Idylle is a relatively important fragrance, it signifies a shift within the house, and this shift is highlighted in the tag-line on the above advertising image, which presents Idylle as “The New Guerlain”.

Guerlain describes Idylle (‘Love Dream’) as “Like a mist of petals on the skin, a fresh floral bouquet warmed by the sensuality of chypre” [2] and if only to emphasise the ideal of ‘The New Guerlain’, Idylle marks a complete break from the house’s tradition of lavish chypres, big florals and Guerlainade-filled orientals.