Hypnotic Poison Eau de Parfum (2014)

I adore Dior’s Hypnotic Poison something rotten. Out of the entire Poison series it is the most unusual and approaches the idea of a deadly/venomous perfume in a surprisingly un-vampish way. What makes this interpretation of Dior’s Poison theme so interesting is that it wants to cuddle just as much as it wants to coil it’s evil little fingers around your heart. It is nothing short of a modern marvel of perfumery.

For my Escentual column this week, I am reviewing the newly launched Eau de Parfum concentration of my old faithful Hypnotic Poison. This version promises to be more ‘delicious’ than the original and its bottle made from molten lava (well, molten lava-esque glass) suggests something much deeper and darker than the original. Does it deliver on these promises? Well, you’ll have to click here to find out…

Dark Lady
Dark Lady

I have a turbulent relationship with the house of CREED. They are definitely on the pricey side for what they are and their quality can be a bit hit or miss, but it would be unfair to say that none of their scents are worth seeking out. In fact, I can name at least four that are sniff worthy (Virgin Island Water, Silver Mountain Water, Millesime Imperial and Green Irish Tweed) so, as much as they may not be my favourite of brands, I’m still very much willing to give them the time of day, but have always approached them with a wary step.

One particular CREED perfume that sticks out for me is Love in Black – a scent that I like to call ‘Dark Lady’ as it presents an intriguing, feminine and unexpected representation of the colour black. It’s also a perfume that really does take awhile to ‘get’ due to its striking take on violet and iris – two ingredients often used to represent beauty, but in this perfume are added to give the impression of something beautifully unconventional.

Love in Black was launched in 2008 and was inspired by former US first lady Jacqueline Kennedy Onassis (or Jackie O as she was more commonly known) and is a far cry from the clean blooms of its sister scent Love in White. CREED describe the fragrance as a “lush floral oriental”, but in my mind it is more of a black swan of a scent (funnily enough the brand uses this imagery) that plays on the contrasting facets of a modern and powerful woman.

Byredo Black Saffron
Black Saffron by Byredo

Anyone who has been within an inch of this blog or my Twitter feed will know that my latest obsession is Byredo’s 1996. Never before has a perfume so quickly made its merry little way up to the very top of my wish list, leaving me drooling and lusting after it so badly that my long-suffering partner had no choice but to gift me a bottle for Christmas. For his sanity you understand?

So yes, I was very pleased with my bottle of 1996 and even more so when I found a little sample of a Byredo scent I’ve not smelled accompanying it – Black Saffron. Launched in 2012, this supposedly dark take on saffron, where the golden spice is merged with violet and leather to create something entirely unexpected, is a rather interesting scent indeed. Byredo describe the inspirations behind it as follows:

“Saffron is holy to all Hindus, is the colour of Buddhist robes and has become a symbol for India. It has always been a part of Byredo’s founders upbringing in both smell, taste and colour. Black Saffron is a fragrance inspired by this very idea of sublime unity.”

White Musk Smoky Rose
White Musk Smoky Rose

When it comes to decent fragrance at an equally decent price, one really cannot go wrong with The Body Shop. Admittedly their perfume output isn’t anywhere near as artistic or exciting as that found within the stores of their rival Lush (Gorilla Perfume really is very good), but it cannot be denied that, for the most part, The Body Shop creates things that smell nice and won’t require anybody to sell any kidneys on eBay to fund – and in this world of hyper-luxe niche brands, that’s pretty refreshing.

Perhaps the most enjoyable and iconic perfume The Body Shop has to offer is White Musk. Originally launched in 1981, White Musk has been a cheap staple for those who want a good everyday scent without breaking the bank or demanding too much attention. I’m a big fan of the White Musk Oil, which is great for those days where one just wants something lovely and incognito, but the scent in all of its many incarnations is a worthy take on ephemeral musk.

In continuation of the White Musk narrative, The Body Shop has launched White Musk Smoky Rose – a perfume that is meant to be a more sultry and seductive take on the 1981 classic suitable for evening wear. The perfume was created by Sophie Labbé of IFF and is billed as “a darkly seductive, floriental evening scent”. So is this TBS’s ‘Noir Musk’ (a truly dark perfume) or is it just another White Musk flanker? The answer is neither.

The Final Review of 2013
The Final Review of 2013: Tauer Phi Une Rose de Kandahar, Vero Profumo Voile d’Extraits, Hiram Green Moon Bloom and Puredistance BLACK

I am plagued by a constant lack of organisation in my life and it’s always at this time of year that I cannot help but feel I am running out of time. In a little over a week, 2013 will be a distant memory on the horizon and everyone and everything will be fully focused on what 2014 will bring.

But it isn’t time to give up on 2013 just yet, after all It has been a busy year for perfume tmwith way over 1,000 new launches to sniff and throughout the year I’ve been seeking out the good, the bad and the downright ugly to help you know what to bother with and what to ignore. On the 27th December I’ll be holding my annual perfume awards (‘The Candies’) but before we start the celebrations I wanted to share with you four reviews of perfumes that (for the most part) deserve not to be ignored this year.

Here you’ll find new scents from the likes of Tauer Perfumes, Vero Profumo and Puredistance – venerable houses that constantly push the boundaries of the perfume industry, as well as Hiram Green, a newcomer. So for the very final review of the year let’s take one last look at some new fragrances that have helped make 2013 one heck of an interesting year for perfumery.

What's it All About, Anyway?
What’s it All About, Anyway?

I don’t understand Juliette Has a Gun. They started out as a rebellious niche brand boasting a number of intriguing fragrances evoking the spirit of fierce women with daring characters (scents such as Calamity J and Lady Vengeance) – all at designer prices. But with the brand’s most recent launches it seems that Juliette has lost her nerve and decided to throw away the pistol that made her so spunky and dangerous.

This decline in boldness can be seen in the increasing lack of ingenuity in scents such as Mad Madame (a collage of just about every scent in the line) and Not a Perfume (at least they got the name right with this one), both of which felt very safe and not in keeping with the punky spirit of the brand. An over reliance on ambroxan has also ensured that these new offerings are all very similar in both odour and style.

The brand’s latest fragrance ‘Anyway‘ runs very much along the same lines as its recent stable mates and presents an airy, relaxed style of perfume that tries its absolute best not to offend or make an impression. The brand proclaim it to be a “simple and original formula” boasting “only fifteen ingredients” – a fragrance that has been designed to be a signature scent and anything but “anonymous”.

Erotique and FleurTeese by Dita Von Tees
Erotique and FleurTeese by Dita Von Tees

Celebrity fragrances (or ‘celebuscents’ as I like to call them) are so often the scorn of the perfume industry. Mainly because most are simply extra vehicles for our dear ‘celebrities’, a term which must be used loosely for a lot of the stars releasing perfumes these days, to make extra cash. After all, what’s easier than putting your name on a bottle of something you’ve had little involvement in creating?

But not all celebrities are in it for a quick buck and over the years we’ve seen a number of good celebuscents join the foray. Etat Libre d’Orange’s collaborations with the weird and wonderful Tilda Swinton and Rossy de Palma are notable examples, Madonna’s Truth or Dare was nicely done and even Britney Spears’ Fantasy has a degree of merit to it (I dare you to disagree that it is the perfect fruity floral cupcake scent). And then of course there is Dita Von Teese – the antidote to the world of naff celebrity scents and Dr. C. Perfume Boy is prescribing two big doses today.

Dita came to the rescue with her first perfume ‘Dita Von Teese‘ (sometimes referred to as ‘Femme Totale’) in 2012, a perfectly decent floral-patchouli affair that puts most of its contemporaries to shame. We shouldn’t be surprised though, as Dita is known for exuding glamour and style, and her perfumes certainly follow suit. This year sees the launch of Dita’s third and fourth perfumes – FleurTeese and Erotique, both of which show the Queen of Burlesque’s passion for fragrance

Carnivorous Flower by M.Sh on pxleyes.com
Carnivorous Flower by M.Sh on pxleyes.com

I’m on a Serge Lutens kick at the moment, which is funny considering that I was considerably late to the Lutens party and it took me quite some time to ‘get’ the brand’s aesthetic. This is due in part to the fact that much of what Uncle Serge puts out is truly hedonistic and oriental, and can often feel thick and oppressive. This style is attractive to many but for years I failed to see the beauty amongst the spices, resins and balsams.

Unsurprisingly, it was the florals (specifically the incandescent Fleurs d’Oranger) within Lutens’ stable that served as a gateway to understanding perfume’s most highly respected, reclusive and artistic individual. But why the florals? What does Lutens do to nature’s blooms that others don’t? What does he see amongst the petals, the stems and the pollen that many perfumers and creative directors cannot?

The answer is simple – Serge Lutens sees the darker side of flowers and he’s not afraid to present the beautiful amongst the downright terrifying. Within his exclusive collection of fragrances housed inside his Palais Royal shop in Paris (a purple-tinted perfume Mecca), Lutens has three of the most deadly, carnivorous and fatal florals ever to have graced the noses of the human species, they are; the maniacal tuberose – Tubéreuse Criminelle, the viper jasmine – Sarrasins and the ghostly iris – Iris Silver Mist.

Extract of Limes
Extract of Limes

Tis the last day of Movember and so ends a month of mighty moustache cultivation and manly celebrations. More importantly than the mo-growing and showcasing of masculine fragrances however, is the money raised for an important cause that supports the research and awareness of men’s health issues. This month I have raised £207 for Movember and my team – #TeamPenhaligons – have raised a staggering £2,000, with the total continuing to rise. [On that note, should you wish to make a donation, please do so here]

In tribute to my awesome Mo Bros and Mo Sisters in #TeamPenhaligons and as a final nod to the masculine fragrances of Movember, today I’m reviewing one of my favourite masculine scents from Penhaligon’s, the most quintessentially British of perfume brands. That scent is Extract of Limes, and whilst it technically counts as a unisex scent (I’m allowed to cheat a little) I definitely feel that it is one of Penhaligon’s most enjoyable fragrances and is a great scent for dapper and fashionable gents to wear.

Originally launched in 1963 and currently residing within Penhaligon’s Anthology Collection, Extract of Limes is a fusion of mouthwatering citrus and clean floral notes that is both bracing and surprisingly contemporary. Having been resurrected in 2009 by perfumer Mike Parrott, this lime-centric scent is one of the more overlooked scents in the brand’s stable, but it’s also one of the most delectable and is very much worth a sniff for anyone who wants a unique citrus fragrance.

Movember Masculines Part 3 - Dior Homme
Movember Masculines Part 3 – Dior Homme

So Movember comes to an end and as another week of mo-growing passes my column over at Escentual takes a lot at another important masculine fragrance that represents just one facet of the modern man. This week’s scent is Dior Homme, a scent that many readers will be familiar with and whilst it may seem like an obvious choice, due in part to its high critical acclaim, it is most definitely worthy of the spotlight.

Dior Homme represents the sensitive man of today. It’s a highly stylish fragrance that speaks of well-groomed and sharply dressed young chaps, but it is by no means a vapid fashion scent for the masses. The softness of feminine notes makes Homme a truly interesting and comfortable fragrance amongst a sea of dull aquatics and faux-wood affairs. It is simply remarkable. Do click on the image above to read this week’s column.

In addition to this, for the very final week I’ve taken a look at the more contemporary and more than a little bit unusual ‘Fat Electrician’ by Etat Libre d’Orange. This is a John Waters, pencil-thin moustache of a fragrance and is also one of the most intriguing vetivers one can buy. Please click on the image just below the jump to view.