“You’ve got to know the rules to break them. That’s what I’m here for, to demolish the rules but to keep the tradition”.
– Lee ‘Alexander’ McQueen ¹
Whether one is a follower of fashion or not, it cannot be denied that the work of the late, great Alexander McQueen is art. McQueen paired exceptional tailoring (forged after an apprenticeship on Saville Row) with violence, romance and often alien beauty to create pieces that shook, and more importantly, challenged the world of fashion. Whether it be his early collection, ‘Highland Rape’, which had a name as controversial as its clothing, or the 3D printed and H.R. Ginger inspired ‘Alien’ footwear from ‘Plato’s Atlantis’, McQueen demonstrated that he was a fashion renegade – always courting controversy, but never losing sight of beauty.
This weekend I visited the Savage Beauty exhibition at the V&A in London. Running until 02 August 2015, the exhibit is a tremendous showcase of McQueen’s work, spanning his illustrious career from his MA Graduate Collection (‘Jack the Ripper Stalks his Victims, 1992) to his final, and incomplete collection (Autumn/Winter 2010). The whole thing is impeccably staged, with each room transformed to capturing the theme of each body of work. Perhaps the most captivating part of the exhibit is the ‘Cabinet of Curiosities’ – a room that spans two storeys and is filled with a dazzling array of pieces, from accessories such as bags, shoes and head pieces (many of which are collaborations with milliner, Philip Treacy), to gowns and metal spines. There’s simply so much to look at and the whole thing serves as a true testament to the talent, nay, the genius of one of the world’s greatest fashion designers.
Leaving the exhibition I felt incredibly inspired. It was fascinating to literally walk through the evolution of McQueen’s aesthetic, encountering the divine and the macabre along the way. There will never be another talent like his and to celebrate this stunning exhibition and body of work, I thought I would pick out some of my favourite McQueen pieces from his greatest collections, and ‘scent them’ with some perfumes that embody the spirit of these remarkable pieces of fashion. Here you’ll find some deeply intriguing clothing and scents, all of which are tailored to perfection and challenge one’s perceptions. They are works of fashion and olfactory art.
Oooh, I do love a good scarf and now that winter is finally bedding in, it’s the perfect opportunity to step out of the house wrapped within the warm confines of many a piece of neckwear. In fact, leaving the homestead isn’t particularly necessary (nor much fun in the cold) and I have been known to float around the house, scarf wrapped around neck, simply enjoying the fabulous warmth (and aesthetic) that it brings. I am, if anything, a bit of a poser, after all.
Scarves go incredibly well with fragrance and one of my favourite things to do is sniff a well worn scarf and try to identify the many perfumes that are imbued so deeply within the fibres. The truth is that, scarves may be a fashion item, but they also make wearing fragrance more pleasurable, due to the simple fact that they retain odour, as well as almost amplifying a fragrance so that it can be smelled at numerous intervals throughout the entire today.
In this piece, I’ve picked out some of my favourite scarves and paired them with matching fragrances. These pairings identify the synergies between the textures, colours and signatures of fragrances, and neckwear, but also take a look at some fragrances that simply smell great when lavishly sprayed on any old scarf. So, if you’re looking for a nice winter warmer of a fragrance to pair with your very best winter scarf, then read on, dear reader, read on.
I’ve always done everything to excess. My mother often tells me that as a kid, I had no off switch when it come to noise and food. Not much has changed since my formative years except for the fact that perfume has now become the outlet for my excessive personality (although I still have time for noise and food), meaning that over the period of time for which I’ve been interested in the subject, I’ve amassed quite a collection of scents.
Having lots of perfume is a good thing, after all, variety is the spice of life, as they say. But it can also be suffocating at times and the sheer thought of there being so much fragrance not being used in my house can be quite unsettliung. It’s a strange balance to strike – one wants variety, but at the same time it can pay to have a more selective approach to what perfumes one wears.
If anyone asks me whether I have a top five perfumes (or a top ten/twenty-five etc), my stock answer is always a definite; “oh, there’s no way I could only pick five”. But the truth is that this has changed over the last year or so and I do feel that I can now quite easily pick out some of my all-time favourites from the many bottles that sit neatly in boxes under my bed or are scattered untidily around the house.
So, to challenge myself, I have put together a list of my top five fragrances – five perfumes that I simply could not live without and if I had to hand over my collection (begrudgingly, of curse), these would be the ones that would stay. They are the non-negotiables and range from the ‘old faithfuls’ to more recent loves. But whether they are new additions or trusty friends, these are the five perfumes that I simply could not do without, right now… (they are subject to change, of course).
The Candy Perfume Boy’s Guide to series is an olfactory exploration of individual notes and ingredients that looks at the essential perfumes one must try as part of their fragrant journey. Each episode focuses on a particular note and lists the reference perfumes (i.e. the ‘must sniffs’) within that particular genre.
So far in the series we’ve explored the worlds of; Tuberose, Lavender, Oud, Orange Blossom and Chocolate. Up until now the ‘Guide to’ series has been relatively sporadic but moving forward, the intention is to schedule instalments for the beginning of each quarter – therefore suggestions on which note/genre to explore next are most welcome.
This episode takes a look at the humble violet – a genre that doesn’t quite get the exposure that it deserves. It’s a note that is more likely to be associated with the stiff upper lip of Victorian Britain than the contemporary world of modern perfumery but a number of perfume houses are making solid efforts to change this perception and are making pretty fantastic perfumes along the way.
It came down to yours truly to pick the theme for this edition of the group blog post between myself, Olfactoria’s Travels, Persolaise, Fragrant Moments and Eyeliner on a Cat. For me this task was simple, I knew straight away that I wanted to talk about the relationship between fragrance and fashion, and more importantly I wanted to see just what my fragrant brothers and sisters would make of the correlation.
For years the worlds of perfume and couture have collided to create a wealth of classics and a whole heap of dreck. Houses like Chanel, Yves Saint Laurent, Tom Ford and Dior are as famous for their perfumes as they are for their fashions, with the former serving as an accessible way for one to own just a small piece of one’s favourite luxury brand.
One’s favourite fashion trend is most definitely animal print. There is just something so wonderfully wild about such bold, beastly prints and furs (all faux of course) in fashion and when one wishes to make a statement there is no greater choice than a measured dose of shocking animal print.
This post takes a look at one’s pick of the best ‘Animal Print Perfumes’ – those fragrances that perfectly capture the spirit of the boldest of prints. Whether it be the spots of the royal leopard, the stripes of the elegant zebra or the scales of the deadly black mamba, this post celebrates the collision of fashion and fragrance in the most utterly outrageous of styles.
I’m back, finally! After a month of painful wrestling with my dissertation and other nasty bits of uni work I can finally turn my attention back to my first love – perfume. The last month has been both stressful and refreshing – stressful for obvious reasons and refreshing because it felt like a good time to take a blogging break so that now, when all the work has been handed in, I can come back with a fresh mind and renewed enthusiasm.
Despite the absence of blogging during my uni-fest I have managed to stay (relatively) sane. This can be attributed to three things; the constant support of Nigel (my partner), a metric ton of Maltesers and a constant supply of episodes of my new all-time favourite TV programme – RuPaul’s Drag Race. That’s right squirrel friends, all one needs to get oneself through a tough time is a parade of drag queens…
If you haven’t had the pleasure of watching RuPaul’s Drag Race then; a) watch it now (go on) and; b) simply picture the model-filled runway of America’s Next Top Model crossed with the home-made fashions of Project Runway with a generous dollop of drag queen fabulous-ness on top. Now can you see why it is perhaps the absolute greatest thing on earth?
I love RuPaul’s Drag Race so much that I thought I would pay my own scented tribute to the queens that make it so darn sickening (that’s sickening in the good sense of the word FYI) to watch. So without further ado I present to you the latest instalment in the Scent a Celebrity Series, an episode containing perfumes and queens who display the ultimate levels of Charisma, Uniqueness, Nerve and Talent – gentleman, start your engines, and may the best woman, smell!
Alexander McQueen’s perfume line was both infamous and short lived. Perhaps better known for the erotically charged skank-bomb Kingdom than its other offerings, McQueen’s perfumes were nowhere near as successful as they were artistic or ultimately as they deserved to be.
Following in the same vein as his fashion output McQueen’s first perfume Kingdom was a renegade scent created to shock, however the second and final perfume from the brand – MyQueen – was something entirely different, opting to reference the subtle intricacies of the designer’s sculptural tailoring rather than courting the realms of controversy.
Created in 2005 by perfumers Anne Flipo (Ananas Fizz, La Chasse aux Papillons & Donna Karan Woman) and Dominique Ropion (Carnal Flower, Alien & Portrait of a Lady) MyQueen was created to represent the McQueen woman – “a vision of the woman of his (McQueen’s) dreams” – with the kaleidoscopic bottle representing not only the many facets of this woman but also McQueen’s love for antique glass.
The Postcards From My Collection Series (if it can be called a series) is where I get to showcase, through the medium of amateur, shoddily taken photographs, the residents of my perfume collection. I feel that I have got to a point now in my fumehead journey that I have built a solid collection that meets most (most) of my perfume needs. There is always room for expansion of course….
So, over the next few weeks we shall be delving into my collection and picking out my favourite pieces. Nigel is quite happy that I’m doing this because he is under the impression that I may do some tidying/dusting on the way. I don’t quite know how to break it to him that I may just avoid the tidying and that my interests lie purely with the perfume, but we’ll cross that bridge when we come to it.
This week’s edition looks at the most precious perfumes in my collection and includes my big bottles of treasured things and my little, tiny bottles of just-as-treasured-if-not-more things. They range from the über pricey long agonised buy to the much appreciated christmas present with a ton of sentimental value. Simply put: a varied, but wonderful bunch.
I don’t know about you, but when I wear fragrance I wear it for myself and myself alone. Sure, I love to share my passion with others, that is a huge part of my hobby, but when I wear perfume, I wear it because I enjoy it.
And I wear what I like!
Ever since I bought my first proper perfume (Kingdom by Alexander McQueen) I have loved ‘feminine’ fragrances. Looking through my collection it’s obvious that the ratio of feminine and masculine is weighted considerably towards the feminine. To this day I find myself drawn to the feminine releases much more than masculines. Don’t get me wrong I do enjoy wearing masculine fragrances but they just don’t wow me the way a lot of the feminines do.
I guess that I’m the King/Queen of fragrant gender bending.
This week my good friend Cara and I will be teaming up to create a special fragrant event as part of her Instability-in-Stability project. During the event we will both be discussing our scented memories as teenagers. Thinking about the subject matter I thought it would be apt to review the first fragrance that I fell in love with, the one that started the obsession; Kingdom by Alexander McQueen.
At the tender age of 16 (it feels so long ago now), I wasn’t really fussed about fragrance, I would wear generic ‘boy’ fragrances such as Hugo Boss and Paul Smith and the fragrances I wore were normally gifted to me by relatives. That was, until Kingdom came along…