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I think it’s been a long time since I’ve fallen for a new Serge Lutens fragrance. Perhaps it was La Religieuse in 2015 or La Fille de Berlin in 2013, I can’t remember, but I know it has been a while! I adore many of his back catalogue greats (especially L’Eau Froide, Tubereuse Criminelle, Sarrasins, Iris Silver Mist, Feminite du Bois, and Fleurs d’Oranger) but many of the new ones have failed to resonate. There have been interesting elements to his fragrances of late, but it seems that he has moved away from the dense orientalism and fleur fatale inspirations of his past, opting for yet more abstraction in fragrances that don’t really make as much of a mark.

Well, I am pleased to say that Lutens’ ‘meh’ streak has come to an end with the latest addition to Collection Noire (the most widely available Lutens collection): Le Participe Passè (The Past Participle). In the usual Lutens way, the perfume is presented with little information other than a riddle that is difficult to decode, with Lutens only telling us this: “past moments that surge into the present have many scents. I have interpreted that which most evokes the past.” Thanks for that, Serge – real helpful! Anyway, this new scent is more than a riddle or a description, it’s something much more than that – Le Participe Passè is quite the spectacle.

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The simple elegance of a decent eau de cologne is one of the greatest things in the whole of perfumery. That tension between citrus, flowers and herbs (and now in modern times, musks) is a sparkling tonic when the mercury rises. In fact, the purity of a good eau de cologne transcends seasons and can be the perfect thing to wear at any time and on any occasion. To put it simply, when eau de colognes are good, they’re very good, and even when they’re bad they’re still pretty good!

One cologne that really struck a chord with me recently was the latest launch from Givenchy: ‘Eau de Givenchy’. Inspired by Hubert de Givenchy’s gardens in the South of France, Eau de Givenchy is a modern reinterpretation of a Givenchy fragrance of the same name that launched in 1980. François Demachy is the man behind this new scent and he has penned a contemporary eau de cologne that presents, as Givenchy puts it, “a moment of freshness suspended in time that feels like it could last forever.” Well, that’s quite the promise – let’s see if Eau de Givenchy delivers…

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I’m always crushing on something scented or other. My nose knows no limits. Candy Crush is where I showcase the beautifully scented things I’m crushing on right now so you can hopefully develop a crush too.

It’s hot. Like real hot. We just went over 60 days without rain, in England. England! It’s been tough because we’re not used to it and we’ve been doing everything we can to keep cool. We’ve snacked on ice lollies, put fans everywhere, drunk gallons of water, and donned vests and shorts, much to no avail. Luckily for us though, L’Occitane have a few products up their sleeves that might just help us thanks to their cooling effect. This week’s Candy Crush takes a dive into the bracing and refreshing Verveine Collection and I tell you, Dear Reader, it’s the place to be!

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Can we get real for a second? Most modern mainstream masculine fragrances are pretty terrible. I’m sorry, but it’s true. Yes, of course there exceptions and some mainstream masculines are absolute masterpieces, but the truth is that most of the time, gents are simply offered more of the same. Things are always fresh and sporty, citrussy and woody. If that’s not the case then we’re talking “noir” and amber. It’s all very uninspired, very safe, and not very exciting.

“But not always” I hear you cry and you’re right. There are one or two mainstream brands out there who do actually give a hoot about what they’re making, balancing innovation with accessibility. Surprisingly, one of these brands is dunhill London, who are quietly making incredibly affable masculine fragrances that are a few steps above the hoi polloi. They’re not weird or challenging – they’re easy to get on with, made with good materials and with unique, intriguing facets. I’m a fan.

dunhill London’s latest is Century. They describe it as “a fresh new signature”, saying that it is “embracing the future” with “a new clarity”. Created by legendary perfumer Carlos Benaïm (Eau de Magnolia and Music for a While), who was also responsible for dunhill London’s remarkable ICON, Century is a transparent masculine fragrance that, like the concave, clear shapes found within its striking flacon, reflects a multi-faceted core – a heart of sandalwood. “Make your mark on the future” says dunhill London, and if they have anything to do with it, the future of mainstream masculine perfumery looks very promising.

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I’m always crushing on something scented or other. My nose knows no limits. Candy Crush is where I showcase the beautifully scented things I’m crushing on right now so you can hopefully develop a crush too.

Oh MUGLER, why do you keep releasing all of these lovely things that I want? New fragrances, candles, shower gels – eesh, it’s just a MUGLER fest this year and of course II am here for it. What’s that you say? Brand new Perfuming Pens for ANGEL, ALIEN and AURA, you say? Each of them under £30 too? Hmm, it’s a tough sell, I’ll be honest. OK FINE I’ll take ten of each, please! Damn you, MUGLER. Damn. You.

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Fragrances tend to fall into two categories for me; those that make an immediate impact (either positively or negative), and those that take a while for me to get. Laconia, the latest scent from super-swish British brand Tom Daxon, fell smack bang into the immediate category. I knew from the first sniff that I liked it and that this wasn’t going to change. Yes, that’s a massive spoiler for this review, but I haven’t told you what it smells like so you will have to read on…