It came down to yours truly to pick the theme for this edition of the group blog post between myself, Olfactoria’s Travels, Persolaise, Fragrant Moments and Eyeliner on a Cat. For me this task was simple, I knew straight away that I wanted to talk about the relationship between fragrance and fashion, and more importantly I wanted to see just what my fragrant brothers and sisters would make of the correlation.
For years the worlds of perfume and couture have collided to create a wealth of classics and a whole heap of dreck. Houses like Chanel, Yves Saint Laurent, Tom Ford and Dior are as famous for their perfumes as they are for their fashions, with the former serving as an accessible way for one to own just a small piece of one’s favourite luxury brand.
One’s favourite fashion trend is most definitely animal print. There is just something so wonderfully wild about such bold, beastly prints and furs (all faux of course) in fashion and when one wishes to make a statement there is no greater choice than a measured dose of shocking animal print.
This post takes a look at one’s pick of the best ‘Animal Print Perfumes’ – those fragrances that perfectly capture the spirit of the boldest of prints. Whether it be the spots of the royal leopard, the stripes of the elegant zebra or the scales of the deadly black mamba, this post celebrates the collision of fashion and fragrance in the most utterly outrageous of styles.
In continuation of my Escentual A-Z of Fragrance, this weeks post for Escentual.com is all about the only ‘D’ that would be acceptable – Dior. Click on the link above to read my guide to the world of Dior and some of my favourite fragrances that the house has to offer.
Also, feel free to leave a comment on the Escentual blog stating which of the Dior fragrances are your favourite, and why!
If you hadn’t guessed already, Monday is my Escentual post day and this week’s feature is a review of the newly relaunched Miss Dior Eau de Toilette. You know the one that used to be Miss Dior Cherie, but is now Miss Dior, not to be confused with the original Miss Dior which is now Miss Dior Original? Got that?
Despite the name-based confusion it is a very nice scent indeed, please click on the image above to see my review!
I can’t believe it but it’s the end of 2012 already, which means that it’s time for us perfume bloggers to put together our lists of the very best and very worst perfumes of the year, honestly, where did the time go?! This year I’m affectionately entitling my awards ‘The Candies’ as a short, punchy alternative to The Candy Perfume Boy Awards. Neat huh?
Across all genres there have been many interesting, exciting and unique perfumes unleashed on to the market along with the usual amount of celebrity dreck, dud flankers and down-right-bizarre niche offerings. All-in-all it’s been a busy year with over 1,300 launches. Impressive but exhausting!
Below you will find my awards for Best Masculine, Best Feminine and Best Unisex Fragrances for both niche and mainstream houses. In addition to this I’ve also included awards for Best Flanker, Best Celebrity Fragrance and Best Ad Campaign. But we’re not just celebrating the very best of perfumery in 2012 here, no sir, we’re also highlighting the very worst with the Sour Candy Award, reserved solely for the naffest perfume of the year.
So I hope you’re wearing your very best frock (or tux for the boys, or frock if you prefer, it’s up to you really) and sipping on some fine Champagne as The Candies 2012 are underway…
You may or may not be aware that I am somewhat partial to the odd floral or two. OK, that’s a severe understatement, I am a floral addict and if you were to examine me under a microscope you’d probably discover that my genetic makeup has been significantly altered by the sheer amount of white flowers that I wear. Maybe I’ll wake up one day and I’ll actually have become a flower? Is that pushing it? Thought so.
When most people think florals they think of summer; of golden sunlight beating down on fields and meadows of fragrant flowers shouting their narcotic odours into the warm summer breeze. But for me florals aren’t exclusive to spring or summer, in fact one of my favourite times of the year to break out my bottles of trapped flowers is the time, for the most part, when they are not blooming in the wild. My favourite time for florals is winter.
Floral fragrances are surprisingly versatile in winter, they can provide warmth and comfort or they can react with the cold stiff air to create a sparkling aura that freezes on the skin. So as the weather appears to be quickly changing and the mercury is heading closer and closer to the 0 mark (well it is here at least) I thought I would share with you some of my favourite florals for my favourite time of year.
I try to be mad at Dior I really do, I mean they have shamelessly reformulated a number of their modern classics (namely Dior Homme, Pure Poison and Hypnotic Poison) and whilst the newer versions still capture the essence of the original, it feels as if a small part of their spirit has been lost forever, like a butterfly who has been touched by human hands, beautiful still but irrevocably damaged.
So yes, I try to be mad at Dior, but I really can’t. “Why’s that?” I hear you ask, well I can sum the reason up in three short french words; La Collection Privée. That’s right, the problem is that the recent few releases from Dior’s La Collection Privée, along with a good few others in the collection (Eau Noire anyone?), are so good that I simply cannot stay mad, just like when Nigel makes me laugh when I’m attempting to be grumpy at him. I may be smiling at you Dior, but I’m still mad, somewhere deep down.
Grand Bal is the latest addition to La Collection Privée and as you have probably guessed from the introductory paragraphs in this post, it is another good’un. Taking inspiration from “Christian Dior’s great ball gowns, whose full skirts and beauty evoked the petals of a flower in full bloom” Grand Bal is a big, beautiful and buxom jasmine that accurately “embodies the intoxication of a summer’s night at the first light of dawn”. I was destined to like this wasn’t I?
I think the only thing more frustrating than the constant slew of oud-based fragrances is the fact that each time one is released I have to mention that we’re all a bit fed up with this oud avalanche that we’ve all been facing over the last few years. So, for this review I refuse to mention the frustration (I am aware that I haven’t succeeded in doing so) and instead say that at least Christian Dior appear to have got this whole oud malarky spot on.
In 2010 Dior, following on from the trend started by Chanel with their Les Exclusifs line, created La Collection Privée, a series of exclusive boutique scents. Part of this private collection was Leather Oud, a fantastically pornographic take on oud. Following Leather Oud’s success Dior, who know a good thing when they see it, have decide to launch a second, Oud Ispahan.
Oud Ispahan, which is named after the Iranian city, follows a more traditional route by pairing oud with its beloved partner rose. If the oud trend is considered boring, then the fact that most of its offerings are blends of oud and rose is even more boring, but fear not, Dior has done a good job with Oud Ispahan. Taking its inspiration from Christian Dior’s “fascination with a fantastical orient” along with the “intoxicating scents” and colours of such a place, Oud Ispahan is a very beautiful perfume indeed.