Ma Griffe
Ma Griffe by Carven

When Carven released their first perfume – the aptly named ‘Ma Griffe‘ (‘My Signature’) – in 1946 the brand dropped hundreds of parachutes over the skies of Paris, each of which carried a special piece of cargo – a sample of Madame Carven’s signature perfume. In a genius stroke of early PR, this stunt ensured that the scent of Ma Griffe was simply unavoidable:

“The lingering scent of Ma Griffe floated everywhere: at the Opera, at charity balls, at the most fashionable sports events from Deauville to  Monte Carlo…”

Flash forward to 2013, following the resurrection of the fashion arm of Carven and the launch of the brand’s modern signature fragrance ‘Le Parfum‘, it is time for the relaunch of Ma Griffe. This time Carven has opted for a much more muted launch, almost silently slipping the classic fragrance back on the market in the hope that it will once again float weightlessly around city streets.

Following the earlier review of Le Parfum one was intrigued to discover the world of Ma Griffe, purely as an exercise to see how the house has changed from 1946 to 2013. The truth is that the differences between the Carven perfume of days gone by and the Carven perfume of today serve as a microcosm for how the world of perfumery has evolved over the last 70 years.

Not having spent time with Ma Griffe before its 2013 re-release has allowed one to approach it from an entirely objective point of view, reviewing it not as a long gone piece of the past but as an old school signature presented amongst the modern trends of perfumery as they are today. To say the process was an eyeopener would be an understatement…

Fashion, Fumes & Furs
Fashion, Fumes & Furs

It came down to yours truly to pick the theme for this edition of the group blog post between myself, Olfactoria’s Travels, Persolaise, Fragrant Moments and Eyeliner on a Cat. For me this task was simple, I knew straight away that I wanted to talk about the relationship between fragrance and fashion, and more importantly I wanted to see just what my fragrant brothers and sisters would make of the correlation.

For years the worlds of perfume and couture have collided to create a wealth of classics and a whole heap of dreck. Houses like Chanel, Yves Saint Laurent, Tom Ford and Dior are as famous for their perfumes as they are for their fashions, with the former serving as an accessible way for one to own just a small piece of one’s favourite luxury brand.

One’s favourite fashion trend is most definitely animal print. There is just something so wonderfully wild about such bold, beastly prints and furs (all faux of course) in fashion and when one wishes to make a statement there is no greater choice than a measured dose of shocking animal print.

This post takes a look at one’s pick of the best ‘Animal Print Perfumes’ – those fragrances that perfectly capture the spirit of the boldest of prints. Whether it be the spots of the royal leopard, the stripes of the elegant zebra or the scales of the deadly black mamba, this post celebrates the collision of fashion and fragrance in the most utterly outrageous of styles.

[Please head on over to Persolaise, Olfactoria’s Travels, Fragrant Moments and Eyeliner on a Cat to read their takes on fashion and fragrance]

Narciso Rodriguez Musc for Her
Narciso Rodriguez Musc For Her

When it comes to wearing perfume one would consider oneself as a traditionalist, preferring the tried and tested method of spraying (usually copiously) over dabbing or rolling. Concentrations too are a very non-experimental area for this perfume blogger who most definitely prefers Eau de Parfum to anything else.

Perfume oils are not something one would usually even try let alone wear, mainly due to the fact that they are designed to wear close to skin and for a lover of nuclear sillage that simply is not cricket. But one must try everything at least once and thanks to Escentual.com there may just be a musk oil that cuts the mustard – Musc for Her by Narciso Rodriguez. (Slightly NSFW pic below the jump)

“Dress your skin in a new form of Narciso Rodriguez elegance. The Narciso Rodriguez For Her Musc Oil is a precious way to wear the iconic For Her fragrance.

Back and even more luxurious than before, the Musc oil is inspired by the mysterious depths of Egyptian Musk, a scent that Narciso himself wears like a lucky charm. Truly sensuous, the fragrance holds itself close to the skin and invites others to come closer.

The Narciso Rodriguez For Her Musc Oil is to be worn alone for personal pleasure, or with the eau de parfum to elevate its musky notes to another level of seduction.”

The Spirit of the Ballet. Bottled.
The Scent of The Ballet, Bottled

“Editor’s Note: Iris Prima, the latest perfume from Penhaligon’s launches today therefore I thought it prudent to share again with you my review from June. Tell me, what do you think the ballet smells like?”

Perfumers and brands can take their inspiration from a wide variety of mediums when creating a perfume: music, nature, people, memories, places and food; just to name a small few. As perfume lovers we welcome a wealth of muses – after all it’s always interesting to see perfumes based on new and exciting things rather than the usual set of notes and themes.

Penhaligon’s is a brand that seems to have a far reaching nose, in the sense that they like to seek out unusual inspirations and over the years have created a number of perfumes inspired by weird and wonderful things. Take their wonderful Sartorial for example, a fragrance that accurately captures the scent of a Saville Row tailor’s workroom or the equally-wonderful Juniper Sling, a perfect olfactory tribute to the quintessentially English drink of Gin.

For their latest offering, the brand has teamed up with English National Ballet to create a fragrance that captures the spirit of the ballet – a perfume that they describe as being “a work of olfactory choreography”. Having had exclusive access to dancers Nathan Young and Lauretta Summerscales, in addition to behind the scenes visits, perfumer Alberto Morillas has created a beautiful ode to the most graceful of dances.

Les Liqueurs de Parfums
Les Liqueurs de Parfums by Thierry Mugler

I make no bones about the fact that Thierry Mugler is one of my all-time favourite perfume brands. Their signature perfumes – Angel, Alien, Womanity, Cologne and A*Men – all have a very special place in my collection and are so befitting of the style of perfume I love, they almost feel as if they were created for me – although I am entirely aware that they were not.

Once a year Mugler treats us all to a special collection of fragrances – four unique takes on their existing signature fragrances. The familiar accords of these perfumes are twisted and remixed to include an ‘enhancer’ that presents them in an entirely new light. Over the last few years the likes of Angel et al have been reshaped by leather and gourmet ingredients to name just a few.

This year’s collection – ‘Les Liqueurs de Parfums‘ – sees the famous Mugler fragrances imbued with equally well-known liqueurs and is a sidestep for the brand, having already released alcohol-inspired versions of Angel, Alien and A*Men in 2009. The difference with this collection, however is that the wooden casks each fragrance has been aged in were warmed up and toasted to add a brand new facet to these boozy ‘fumes.

Hedonist
Hedonism or Over Indulgence?

When preparing a review of a fragrance I usually wear it on five or six separate occasions, whilst each time jotting my thoughts down in my perfume book. There is a method to my madness it seems and this process allows me to piece together the many intricacies (or lack thereof in some cases) that make up a perfume.

Most follow this trajectory, allowing me to form a strong opinion at the end of my trials. This however, is not the case for all perfumes that I sample and there is a small category of ‘undefinables’ that seem almost tricky to fathom out. These slippery fishes can either cause great interest or mass frustration, depending on how things pan out and perhaps one of the most severe cases of perfume miffed-ness comes from Viktoria Minya’s Hedonist.

Viktoria Minya is an “award winning Hungarian perfumer” and her first perfume ‘Hedonist’ is described as a “powerful and provocative perfume for a woman who dares to be true to her desires”. With a name like ‘Hedonist’ one expects an indulgent, sensory explosion – a feast of odours for one to dine on like a true glutton. But is this hedonist perhaps a tad too over indulgent?

Dries Van Notes par Frederic Malle
Dries van Noten par Frédéric Malle

Dries van Noten is a belgian fashion designer described aptly by the New York Times as “one of fashion’s most cerebral designers”. Frédéric Malle is a fragrant curator who collects perfumers, allows them to take centre stage and gives them the creative freedom they need to shine.

Although both men come from different worlds they share a thirst for innovation and appreciation of beauty in all forms so it is no surprise that these two creative forces would collide. Their collaborative efforts have seen the birth of a truly new fragrance, one that positively shows that when done right there is nothing better than when perfume meets fashion.

The fragrance they have created with perfume Bruno Jovanovic is the first in Malle’s new line of fragrances; ‘by Frédéric Malle’. Intended as an “olfactory portrait of the world of Dries van Noten”, the fragrance captures the essence of erudite fashion in a high-art manner whilst feeling distinctly ready-to-wear.

Atelier d'Orient
The Atelier d’Orient Collection

There is a song on Jay-Z’s latest album entitled ‘Tom Ford’, and in said song Mr Z raps the line; “I don’t pop molly, I rock Tom Ford.” Well much like our good friend Jay-Z, I too am not one for recreational drug use and also have somewhat of a penchant for the offerings of American fashion designer Tom Ford – who knew we’d have so much in common?

Unfortunately that is where the common ground ends and unlike Jay-Z I do not have the adequate finances to rock any Tom Ford clothing (oh but how I wish I did), however my budget can certainly stretch to the designer’s olfactory offerings and like many others I have found there to be a number of sniff-worthy perfumes residing within the Tom Ford corner of the department store.

Mr Ford is relatively active on the olfactory front with two lines of perfume to choose from – the widely available and reasonably priced ‘Signature Collection’, which contains the likes of Black Orchid, Violet Blonde, Sahara Noir, Grey Vetiver and Noir; and the more exclusive and definitely pricier ‘Private Blends.’ Personally, I have found more love for the perfumes in the Signature Collection (much to the relief of my partner and bank balance), however the Private Blend certainly has more than its fair share of gems, which leads me nicely onto Tom Ford’s latest collection – ‘Atelier d’Orient.’

The Atelier d’Orient Collection is inspired by; “the sublime beauty, enigmatic sensuality and exquisite luxury of Asia” and each of the four fragrances within the collection are reported to contain; “ingredients that have treasured prestige in the Orient.” Speaking of the collection, Tom Ford states that each fragrance captures a distinct mood – “captivating romance, colonial elegance, luxurious exoticism and rich mysterious sensuality” – with each serving as a perfect representation of the bold Tom Ford aesthetic.

Carven Le Parfum
“She simply has the delicacy and grace of a time gone by in a body of today.”

The house of Carven appears to be going through a period of resurrection. In 2009 Guillaume Henry took over as Artistic Director of the house, lifting it out of its long-served period of retirement. Now, following the reinstatement of the brand’s fashion line M. Henry has turned his keen eye to the world of Carven Fragrances with the re-issuing of the brand’s classic scents ‘Ma Griffe’ (1946) and ‘Vétiver’ (1957).

In addition to the revival of Carven’s historical fragrances the brand have launched an entirely new flagship fragrance to capture the spirit of the brand. Simply entitled ‘Carven Le Parfum’, the fragrance sets out to embody the energy of Henry’s designs for Carven and create in perfume, the idea of the ‘Carven Woman’.

Le Parfum, which was created by perfumer Francis Kurkdjian (he of Maison Francis Kurkdjian and Le Mâle fame), is described as; “the concept of a sillage that combines several paradoxes, a fresh and ethereal fragrance that is, at the same time, ultra feminine. A fragrance that is as structured as Guillaume Henry’s line of clothing” and created for the Carven woman, who Kurkdjian says is “beautiful without even thinking about it.”

Millesime 1849
The Latest from Creed: Millesime 1849

When I first started getting in to perfume I, like many others, spent a decent amount of time lurking the Basenotes forums and learning that there is just so much more perfume out there than one would think. During my months of discovery I came across the word ‘niche’ for the very first time and back then my understanding was that ‘niche’ described ‘special’ and ‘artisanal’ perfume – descriptions that may not be applicable today.

My first experience with niche perfume was with CREED, a brand that has many fans and many detractors, and it was a decant of Silver Mountain Water that opened my eyes to the startling fact that perfume could smell unusual. Whatever your opinion is of the CREED dynasty it is hard to deny that they have made a number of rather decent perfumes – Silver Mountain Water being one and Green Irish Tweed, Millesime Imperial and Virgin Island Water being others – and whilst I may have not paid the brand much mind over the last few years I cannot deny that they have a knack for creating classic and elegant perfumes.

CREED’s latest offering is Millesime 1849, a perfume that has been launched to commemorate the birth date of London’s premiere shopping destination Harrods – a place that is as much as tourist attraction as it is a department store. Millesime 1849 aims to capture the spirit of one of London’s most famous addresses and the “imperial epoch which inspires its name, as well as the glorious reign of Victoria”.