Petit Fracas
Fracas With a Kiss

The sheer thought of a Fracas flanker is enough to send most fumenerds in to fits of fear-induced hysterics. Such is always the case when a classic is reinterpreted for the modern generation, just take Shalimar Parfum Initial for example, the blogosphere practically imploded upon hearing the news of a pink-ified Shalimar (more on that one later), so it would not be un-wise to expect the same reaction for the arrival of Petit Fracas.

Yes that’s right, I said “Petit Fracas” as in “Little Fracas”. But fear ye not, the people over at  Fashion Fragrances and Cosmetics Ltd (who own the licence for Piguet Parfums) have taken great care in the re-launch of Piguet’s classics and they have applied the very same amount of care to this reinterpretation of the original.

“Play the game of love with Petit Fracas de Robert Piguet. The scent has an audacious air, inspired by our iconic Fracas. Petit is fresh, youthful and feminine, with a playful innocence. Flirtatious and charming […] elegant and enchanting, but not too serious, Petit Fracas is a chic floral bouquet, perfect for flirty fashionistas or fashionistas at heart.”

Aiming for a younger woman who is not quite ready to step into the 9 inch stilettos of the original, Petit Fracas (created by Aurelien Guichard who has been responsible for all of the Piguet relaunches and new scents) mashes modern tastes with the haute couture style of one of perfumery’s most infamous characters. She’s the wild child of an even wilder parent; living, loving and vying for attention.

The Magnetism of Skin
The Magnetism of Skin

When I think of Jean Paul Gaultier I think of effeminate, yet muscly sailors, cone-bras, corsets and spanking. His fashions, fragrances and even he himself embodies all that is naughty about the french. There is a reason why he has been dubbed the ‘L’Enfant Terrible’ of Parisian fashion

What I don’t imagine when I think of Jean Paul Gaultier is softness, subtlety and warmth, but that’s exactly what I find in GAULTIER². Each of JPG’s fragrances are so bold and popular that it’s a hard job to escape them out there in the real world, but not GAULTIER² – the stealth Gaultier and black sheep of the family. Classique and Le Mâle may get all the attention, but GAULTIER² is the quietly clever one, severely underrated yes, even misunderstood, but it cannot be denied that it is a stroke of genius.

“Him and Her. Her and Him. Mixing the genres is Jean Paul Gaultier’s favourite game. With GAULTIER², he breaks through traditional fragrance barriers with his unisex fragrance. A true olfactory statement.” [1]

GAULTIER² was created by Francis Kurkdjian (we’re all in agreement that the man’s a genius, right?) in 2005 and is a scent for both the boys and the girls. It is described as “the essence of two skins in love. A warm, sensual fragrance that blends the masculine and feminine in a trio of musk, amber and vanilla” [2] and is housed in a bottle of two halves, one for him and one for her, held together by a magnetic force.

I find it interesting that JPG, the king of excess, would go for three simple notes in this fragrance and I’m sure that if we were to look at the formula we would discover that there are more ingredients, but I can’t help be attracted to the idea of three aromas blended together to find the perfect equilibrium. There’s something really quite romantic about that simplicity and the harmony it brings.

A Taste of Guerlain
A Taste of Guerlain

The clocks went back on Sunday meaning that the days are now getting shorter and the harshness of winter darkness is upon us. Some may view this as a bad thing, after all as the days get colder and darker the mood of the population tends to follow suit, but there is one group of people who love the cold, and that is the fumenerds.

That’s right, as a general rule of thumb (please say if you disagree) fumelovers adore the winter because it means that one can dip into ones perfume wardrobe and pick out the heavy orientals, warm lactonic florals, and best of all, the cosy sweet foody fumes. When it comes to this genre of tasty scents the absolute best come from a little Parisian boutique located at No. 68 Champs Elysees: a patisserie disguised as a perfumery.

I don’t know exactly what it is about some of Guerlain’s offerings that makes them so delicious, perhaps it is the fact they aren’t quite gourmand enough to be edible that gives them the edge. They have that certainly je ne sais qoui that means they simply work and it is a simple truth that nobody quite manages to do confectionary quite like Guerlain.

This review focuses on one of my absolute favourite Guerlain confections and perhaps my one of my favourites from the house in general (but you’ll understand if I do not commit myself to that statement); Iris Ganache – a fragrance that I have silently stalked in Selfridge’s and Harrod’s many times, falling in love a little bit more each and every time, until I had to face the facts and bite the bullet on my very own bottle.

Mad Scientist
The Crazy Cartoon World of Smell Bent

Smell Bent is the slightly warped brainchild of LA based perfume-lover (and very handsome perfumer) Brent Leonesio. Offering fragrances that “delight your nose and your funny bone” Smell Bent lets you into a cartoon world of chaos, naughty frolics and damn good smells, all for a more-than-reasonable price. As they put it on the Smell Bent Website:

“We think that perfume should be fun and shouldn’t cost an arm and a leg. We know life can be hard, but it shouldn’t have to smell bad.”

Brent Leonesio

I reckon that I have perused the Smell Bent website, chuckling away at the names, cartoons and descriptions of each scent, about a million times, yet it was only recently that I decided to put in a sample order. Perhaps there was a bit too much choice for my little brain to handle and if I’m being honest I think that might be the case, I wanted to order just about everything but I couldn’t (apparently we’re supposed to be buying a house or something, I don’t know, ask Nigel) and that made me sad.

It was actually Freddie of Smellythoughts fame that convinced me to bite the bullet and I’m ever so glad he did because the six Smell Bents I ordered, each of which is like a fun little ditty, have surpassed my expectations considerably. So without further ado I present to you Part 1 of my Smell Bent Speedy Sniffs (with Part 2 to follow next week), I hope that you enjoy reading about these characters as much as I did smelling them. They may be low in price but they certainly aren’t short on quality or fun!

La Petite Robe Noire
These Boots are Made For Walkin’

Guerlain’s ode to the Little Black Dress, ‘La Petite Robe Noire’, has a confusing history. First it was released as a pricey boutique exclusive, then there was the sequel ‘La Petite Robe Noire 2’ (and yes it was about as good as you would expect a sequel to be), the first of five planned additions to Guerlain’s wardrobe. Following all of that Guerlain has now decided to relaunch a new version of La Petite Robe Noire as part of its main collection, and in-house perfumer Thierry Wasser has gone in and tweaked things a little bit.

Now, I don’t mean to be smug (OK maybe just a little) but I have always said that La Petite Robe Noire was wasted as a boutique exclusive, strongly believing that it would be a massive hit if it were unleashed into the world of mainstream perfumery, and from the response it’s getting on the counters I think it may just be as popular as I expected.

Taking inspiration from the most classic and versatile pieces of clothing – the little black dress, La Petite Robe Noire is the perhaps the most fun, free-spirited of Guerlain’s many offerings. It comes billed as “the epitome of couture for the skin” [1] and if you’re wondering what “couture” smells like, the answer is, in true Guerlain style, a big fruity floral gourmand.

Haute Perfumery
Haute Perfumery

To celebrate 20 years of haute perfumery, Thierry Mugler parfums is launching a collection of limited edition fragrances with a leather twist in October. Harking back to the origins of traditional perfumery and the link between perfumers and glove makers, Mugler sets to unleash four luxurious limited editions of its four famous fragrances.

Angel, A*Men, Alien and Womanity have all been given the leather treatment, having been infused with tailor made leather pieces in metal caskets for a period of four weeks. These brand new leather interpretations aim to enhance the original compositions with “intense, innovative carnal notes” and showcase Mugler’s four iconic fragrances through “the prisms of leather.”

“(Les Parfums de Cuir) The Fragrances of Leather is a journey to the heart of Mugler fragrances, with a noble material, for a collection of 4 exceptional creations”

As with all things Mugler, Les Parfums de Cuir promises to be an innovative collection of olfactory twists on four fragrances that have each created the mould for their respective genres. So throw on your leather corsets, suits and boots we’re off on a tour of Planet Mugler, and this time we’re doing it in style.

Spicebomb Ad
You could cut glass with that jawline…

Viktor & Rolf have a chequered perfumed past. Their debut fragrance Flowerbomb is a good concept disappointingly executed, their second feminine Eau Mega is dull and their first masculine Antidote is an abomination. They appear to follow a high-fashion approach to their packaging but have yet to show any substance within their fragrant compositions.

Although I haven’t been particularly overwhelmed with their past offerings I am always intrigued to see what Viktor & Rolf are up to, if not simply for the visual aspect of things but also in the vain hope that maybe, just maybe they will hit the ball out of the park. Their latest fragrance Spicebomb ever-so-nearly achieves that much-needed home run.

Spicebomb is Viktor & Rolf’s second masculine and follows the absolutely atrocious behemoth-lavender of Antidote. It has been created as a male counterpart to Flowerbomb and is billed as “a cocktail of virility, crafted with refinement” [1] that “finds the perfect balance between strength and elegance, intensity and subtlety.” Where Flowerbomb was all loud and proud with her sickly sweet explosion of flowers and candy floss, Spicebomb is quiet, warm, cosy and handsome.

Philippine

“I love a perfume that makes me smile – Fils de Dieu brings the smiles, and plenty of them”

Despite their often hyper-sexed and occasionally misdirected marketing techniques, Etat Libre d’Orange are one of the most solid niche brands out there. They offer a line of well made, interesting, unusual and affordable fragrances that simply cannot be matched. The Etat Libre d’Orange war cry is “Parfum est mort, vive le parfum” (“perfume is dead, long live perfume”) and they are going a very long way to resurrect the concept of fun into the landscape of modern perfumery, a landscape that can so often become devoid of any delight.

I have said many times before that I am a self-proclaimed Etat Libre d’Orange fanboy, I simply cannot help it, I find their compositions to be filled with humour, occasional, nay regular genius, surprise and wonder. Each one is an essay in pushing the boundaries of perfume, turning familiar genres on their heads and firmly sticking two figures up at the bland, the trite and the cheap.

Fils de Dieu or ‘Fils de Dieu Du Riz et Des Agrumes’ (Son of God of Rice and Citrus Fruits) to use its full name is one of two latest releases from everyone’s favourite French olfactory freedom fighters, the other being Bijou Romantique. It was created by Ralf Schwieger and the concept behind it is interesting to say the least. Also available under the more controversial name of ‘Philippine Houseboy’, Fils de Dieu “is the golden eye that reflects beauty and conflict, rapture and pain. It is an emotional fragrance that requires a sympathetic connection between the server and the served, the giver and the taker, and the willingness to exchange roles.” [1]

Tilda & Rossy

The Etat Libre d’Orange Muses

Celebrity fragrances, or ‘celebuscents’ as they are so often called, are the scorn of many a perfumista. The majority are cheap, thoughtless compositions with the sole intent of making a quick buck for a celebrity desperate to cash in on the latest trend. As you can imagine, most of the time the celebrity has very little input in the development of their fragrance, preferring simply to be ‘the face’ rather than ‘the brains’.

There are of course exceptions, and some celebrities do insist on being more involved by playing the role of creative director. Celebrities such as Sarah Jessica Parker and J Lo are widely reported to have been directly involved with the creation of their early fragrances and this involvement shows in the final product. But these celebrities are few and far between.

One brand in particular has taken the idea of the celebuscent to a new level by choosing to partner with unusual celebrities who take on the role of muse and work with the perfumer to create their fragrance. This brand is Etat Libre d’Orange, those funny French olfactory freedom fighters whose compositions feel like a breath of fresh air within the industry.

For their celebuscents Etat Libre d’Orange chose two unexpected, subversive celebrities; Oscar Winning British Actress & Androgynous Style Icon Tilda Swinton and Pedro Almodóvar’s Picasso-esque Muse Rossy de Palma. Two strong, unique women for a strong and unique brand.

Pierre Guillaume

Pierre Guillaume – Not just a pretty face!

What a busy boy Pierre Guillame is. Not only is he the man and the exceptionally talented nose behind the über exciting brand Parfumerie Générale, he is also responsible for brands such as Phaedon and Hutième Art. He creates for all three brands whilst managing to look effortlessly handsome. It makes you hate him just a little bit, doesn’t it?

Ok, I’m just being silly, I don’t really hate Pierre Guillaume, in fact it’s quite the opposite, I have great respect for him and his fragrant vision. He has managed to craft himself a distinct style and has very much found his own little niche in the market. With Parfumerie Générale and Huitième Art, Guillaume tinkers with the most ancient and noble of ingredients, interpreting each one in new and surprising ways.

Huitième Art is one Pierre Guillaume’s many projects and is a collection of 9 perfumes “showcasing an all-new ‘plant capture’, an original plant-inspired accord or natural organic ingredient” and with “an emphasis on originality and sophistication”. Each perfume is housed in one of the most fascinating flacons I have ever come across, a part-modern, part-natural ceramic cyclops intended to represent the eye looking to the future, which just so happens to be the exact same direction that M. Guillaume’s nose is pointed.