The Scent of You on My Skin
The scent of you on my skin, is salty.
It attracts me – magnetises me to you.
A whisper, a trail.
The scent of you on my skin, marks me.
It colours me with invisible ink – a tattoo in vibrant colours.
A pattern of you, an imprint.
The scent of you on my skin, is violets in warm earth.
They bloom in shades of purple – statues rising from the ground.
A flower, a totem.
L’Artisan Parfumeur has been at the forefront of niche perfumery for forty years and in those four decades they have not only reshaped the landscape of perfumery, they have created a vast number of iconic and beautiful fragrances. Today, the brand continues to offer intriguing olfactory editions mixing accessibility with a strangeness that features heavily in the DNA of the brand.
The two latest launches from L’Artisan Parfumeur are Mont de Narcisse and Mandarina Corsica. They sit in ‘Les Paysages’ a collection of fragrances inspired by different regions of the brand’s native France. Here the subjects are the rustic Auvergne and the hot Corsican vistas, with two fragrances that celebrate the physical, botanical and olfactory landscapes of France.
The colour white is achromatic – it has no hue. But white is not the absence of colour, it is the abundance of it. White is what the eye sees when the three primary colours are viewed simultaneously. So despite our connotations of purity, of perfect white snow and blankness, the colour white is actually representative of something multifaceted, chaotic and brilliant. For Map of the Heart, the subversive Australian niche brand, the colour white represents love.
White Heart v.7 is Map of the Heart’s latest fragrance. It follow’s last year’s Pink Heart v.6 and is billed as ‘The Heart of Love’. It’s actually a very tricky perfume to define one that seems to enjoy jumping across many fragrance families and presenting florals, woods, spices, and aldehydes in a jumbled composition that holds interest due to its contrasting and confusing nature. I bet that description has caught your interest…
Christine Nagel has fully taken the reigns of perfumery at Hermès and she is seeing in a new dawn that is at once, respectful of the house signature that Jean-Claude Ellena spent years forging, but also entirely her own. Nagel brings a bit more body to Hermès’ once pastel and watercolored approach to perfumery, evoking luxury with more vivid colours and richer textures. She has brought a playfulness (see Twilly d’Hermès) and has even subverted the very essence of Hermès’ Hermessence collection by giving it an oriental twist – all to make her own stamp. Now it’s time for Nagel to bring us a new twist on the brand’s signature masculine: Terre d’Hermès.
Terre d’Hermès is perhaps Ellena’s most iconic creation for Hermès – it’s also a big seller and easily one of the greatest modern masculines on the market. With that in mind it’s easy to see it as hollowed ground in a way – something not to be touched and tinkered with. But touching and tinkering is what the perfume industry does best and Terre d’Hermès has been reinterpreted by Ellena on two occasions (the Parfum and Eau Très Fraîche) and now it’s Nagel’s turn with Terre d’Hermès Eau Intense Vétiver. In her version, Nagel presents a rebalanced interpretation where “the initial woody and mineral balance of Terre becomes woody and vegetal.”
The concept behind Carat, Cartier’s latest feminine launch, is really beautiful. Cartier’s perfumer Mathilde Laurent was inspired by the light of diamonds, specifically how a beam of brilliant light hits the precious stone and is refracted into a full spectrum of colour. With this inspiration she chose to create a floral rainbow – a composition of seven flowers, each of which has been chosen to represent each colour of the rainbow. Isn’t that beautiful? So beautiful, in fact, that I’m not going to say anything more about the fragrance before I jump into the review, simply because nothing could sum it up better.