Parfum
Parle Moi de Parfum translates as ‘speak to me about perfume’ and it’s a name that I, as a writer of perfumer, can certainly get on board with. The brand is a family affair – created by Benjamin Almairac who, with his mother and brother, created a retail space in Paris that is also a functioning perfume lab, making perfumes created by his famous perfumer father, Michel Almairac (Gucci Rush, L’Artisan Parfumeur Voleur de Roses and Dior Fahrenheit, to name but a few). Perfumery is in the DNA of the brand it seems!
There are currently ten fragrances in the line, each of which is presented without gimmick. The idea of talking about perfume extends past the lab into the fragrance names, each of which contains a number that represents the number of modifications each formula went through before the final composition was agreed upon. One of the brand’s newest fragrances is Orris Tattoo / 29 – a perfume that centres on an icon of perfumery: the iris root. Parle Moi de Parfum describe the scent as being a “permanent scented reminder, a universal symbol, a unique self-expression like an invisible tattoo that withstands the test of time”, utilising a legendary material as olfactory ink. Colour me intrigued.
The purpose of these olfactory deconstructions (see Iris and Vetiver) is to understand a raw material used in perfumery by dissecting it into its many facets. By experiencing the many nuances, one starts to gain an appreciation for how it is used within a wider composition and how it can be utilised to create interesting and novel effects. Such is the magic of perfumery – where one distinct material can bring so much more to a fragrance than its odour profile, shifting and changing as it tessellates with other notes to create things that are more than the sum of their parts.
Today’s deconstruction is a widely used material: patchouli. I chose patchouli because it’s a material found in so many fragrances, many of which utilise it as a supporting act as opposed to the star that takes top billing. I also picked it because it’s a tricky note to love, due largely to its associations with head shops and hippies, not to mention how abrasive it can be as a smell. But patchouli is so much more than a new age oil, it’s actually a fascinating and multifaceted material that deserves a lot of attention – and today we are going to give it that attention!
If there is one fragrance I’m asked for my opinion of more than any other it’s Aventus by CREED. Seriously, I regularly get emails from readers or DMs on social media from followers asking me what I think about this super popular masculine fragrance. Aventus has achieved cult status amongst fragrance obsessives and casual observers alike. It’s a perfume I find myself talking about a lot – I so often have conversations with men about Aventus, whether they are into perfume or not, because it’s often the first fragrance they mention. But why? What makes Aventus special? Why has it resonated so well? I’m genuinely curious.
Aventus launched in 2010 – the year that the house of CREED celebrated its 250th anniversary. According to the brand, CREED perfumer Olivier Creed was inspired by Napoleon Bonaparte, choosing to use a host of ingredients that had a link to the French military leader. Structurally it is not an unusual fragrance – the top notes are fresh and citrussy (bergamot, blackcurrant, apple and pineapple), whilst the rest is floral, aromatic and warm (jasmine, rose, patchouli, amber etc.)
So, what is all the fuss about?
Madonna turns 60 today – Happy Birthday, HRH Madonna! To celebrate, I thought I would resurrect my much-loved ‘Scent a Celebrity Series’, in which I ‘scent’ (pick fragrances for) some of my favourite celebrities. So let’s jump right back in with none other than the Queen of Pop!
Madonna; no other name is more instantly recognisable and no person is more likely to divide opinion. Arguably the most famous woman on the planet and factually the best selling female recording artist of all time, Madonna is a force that is hard to define; singer, dancer, performer, entertainer, provocateur, feminist, business woman, calculating she-devil – love her or hate her, whatever moniker you throw at her will most likely apply. She has done what many other icons fail to do – achieve longevity and on her 60th birthday, we celebrate her phenomenal four decades in music.
The fascinating thing about Madonna is that her ratio of talent to fame is perhaps slightly off balance. She’s not the greatest singer or dancer in the world, or even the best looking, but she has that je ne sais quoi that makes a person a star – the x factor, as they call it. Some say that she’s just a good business woman and I’m sure she is but that does not make for such longevity. By pushing people’s buttons and having something to say (and saying it well) Madonna has ensured that she is more than a just a star, she’s that rare commodity: an icon.
Speed Sniffs are a way to bring you ‘to-the-point’ fragrance reviews that are quick and easy to digest. They are perfume reviews without the faff.
The MUGLER Eau de Toilettes for ANGEL, ALIEN, and now AURA are almost like diet versions of the originals. The structure is still there but they have been lightened in a sense, making them zero-calorie, palatable options that are a little bit easier to get on with. Now I’m here for the full fat, calorie-laden versions at all times, but sometimes one wants a little bit of lightness and clarity. Every now and then, maybe? OK, OK, once in a blue moon then!
Following the success of AURA, MUGLER’S first feminine pillar since 2010’s WOMANITY (poor, doomed WOMANITY), MUGLER have launched an Eau de Toilette version – a yin to the Eau de Parfums yang. They describe it as “a new aromatic interpretation of colourful, glowing freshness”. Or as I’d put it, if AURA EDP is a lush rainforest filled with stifling, scented air, AURA EDT is a fine mist of rain that breezes through said forest. They are of the same place but they are not of the same weight.
I think it’s been a long time since I’ve fallen for a new Serge Lutens fragrance. Perhaps it was La Religieuse in 2015 or La Fille de Berlin in 2013, I can’t remember, but I know it has been a while! I adore many of his back catalogue greats (especially L’Eau Froide, Tubereuse Criminelle, Sarrasins, Iris Silver Mist, Feminite du Bois, and Fleurs d’Oranger) but many of the new ones have failed to resonate. There have been interesting elements to his fragrances of late, but it seems that he has moved away from the dense orientalism and fleur fatale inspirations of his past, opting for yet more abstraction in fragrances that don’t really make as much of a mark.
Well, I am pleased to say that Lutens’ ‘meh’ streak has come to an end with the latest addition to Collection Noire (the most widely available Lutens collection): Le Participe Passè (The Past Participle). In the usual Lutens way, the perfume is presented with little information other than a riddle that is difficult to decode, with Lutens only telling us this: “past moments that surge into the present have many scents. I have interpreted that which most evokes the past.” Thanks for that, Serge – real helpful! Anyway, this new scent is more than a riddle or a description, it’s something much more than that – Le Participe Passè is quite the spectacle.
The Candy Perfume Boy 