Kirsten 1996
Kirsten 1996 by Inez van Lamsweerde an Vinoodh Matadin

Inez van Lamsweerde and Vinoodh Matadin – more widely known simply as ‘Inez and Vinoodh’ – are world-famous fashion and art photographer, renowned for snapping pictures for the likes of Björk, Lady Gaga, Vivienne Westwood and Vogue, just to name a very small few. They are highly respected for their versatile approach to photography and are, in their own way, quasi-celebrities within the art world.

Not content simply as a twosome, Inez and Vinoodh collaborated with popular niche brand Byredo to create a “private edition” fragrance to serve as a Christmas gift for beloved friends and clients. Rumour has it that the fragrance was so well received that they simply had no choice to release it for the hoi polloi to enjoy – thus the wide release of Byredo’s latest fragrance, ‘1996’.

Inspired by the photo ‘Kirsten 1996’ (see above), 1996 is described by Byredo founder Ben Gorham as “an olfactory snapshot not only of the image but of our emotional response to it” and it stands as a unique offering where an image is used to be evocative of a perfume rather than the other way round. The scent intends to create “a visual language, for perfume and, like all great collaborations, shared sentience” (make of that what you will).

Do You Dare Enter the Fun House?
Do You Dare Enter the Funhouse?

L’Artisan Parfumeur has an excellent track record for creating interesting and wearable fragrances of exceptionally high quality at a (relatively) affordable price. They are arguably one of the first ‘niche’ houses and whilst they may have had more than the occasional creative lull over the years they now very much seem to be on track, partly thanks to venerable perfumer Bertrand Duchaufour.

Duchaufour has created a number of the brand’s most recent and intriguing scents, including; Al Oudh, Nuit de Tubéreuse, Traversée du Bosphore, Séville à L’Aube and Vanille Absolument (quite an impressive list, huh?). It stands to reason then that L’Artisan would wheel Duchaufour out for their latest trio of fragrances – an imprint line they are dubbing ‘Explosions d’Èmotions’.

‘Explosions d’Èmotions’ has been created to translate “the extraordinary emotional power of fragrance” and as a series it contains three perfumes that cover a range of emotions from the intimate and sexual to the giddying and frankly downright maniacal. This olfactory funhouse is an odd mix with all three fragrances – Déliria, Amour Nocturne and Skin on Skin – taking one on a journey of wild experiences from pleasure to fear and sex to err, bread making…

4160 Tuesdays
4160 Tuesdays – Telling Olfactory Stories

When spending a significant portion of one’s time reviewing new launches from both mainstream and ‘niche’ (a word that seems to mean less and less nowadays) houses, it’s not too difficult to find oneself craving something entirely new – perfumes that, unlike many, quietly assert themselves as genuinely fresh and interesting. Is it too much to ask for a breath of fresh every now and then?

4160 Tuesdays is a brand that feels different and approaches things from an entirely new angle. With a touch of British eccentricity, each of the 4160 Tuesdays perfumes tells a story – a series of olfactory novellas if you will – and believe me when I say that these are stories well worth listening to.

Created by writer, perfumer and ex-Lush employee (where she worked as head writer for 14 years) Sarah McCartney, the 4160 Tuesdays’ ethos is simple: “If we live to until we’re 80, we have 4160 Tuesdays. That’s all. Let’s not waste them“. Let’s spend that time making and appreciating the most beautiful things we can.

Two of the most enjoyable stories told by 4160 Tuesdays are Urara’s Tokyo Cafe (a scent made for a charity event held at the aforementioned cafe) and Sunshine and Pancakes (“the ideal 1970s British holiday at the seaside”). So, if you’re all sitting comfortably I shall begin to tell you about two captivating stories…

Positano
The Beautiful Positano

Eau d’Italie really have it made as a brand. I mean, creating fragrances inspired by their native Italy, specifically the phenomenally gorgeous coastal town of Positano (where they own and run the famous Le Sirenuse hotel), really gives them a lot of beauty to work with. Besides, the Italian way of life is incredibly attractive, one can’t help but want to own a part of that, even if it just an olfactory representation.

For their tenth perfume – ‘Acqua Decima’ (Tenth Water), Eau d’Italie have roped in the talents of perfumer Alberto Morillas (Mugler Cologne, Penhaligon’s Iris Prima and Salvador Dalí Parfum de Toilette) to create a perfume that celebrates “the spirit of Italy itself”. The result is a perfume that, as Eau d’Italie puts it; “reflects the sunniest feelings we have inside” but also perfectly captures a way of life in a bottle.

From Latin America to China via Russia and India and the Gulf
From Latin America to China via Russia and India and the Gulf

If I could change one thing about my life it would be to ensure that I was better travelled than I am. In my head I long to be a great explorer scouring every corner of the earth. I want to walk the Great Wall of China, taste the street food in Mexico, eat lobsters in Maine (it all comes back to food with me), play with the cats at the cat cafe in Tokyo and float around the streets of Florence , but the problem is, I’m a bit of a wimp.

So, as much as I wish I’d visited all of these places, and I do truly hope to one day, I haven’t, in fact up until a few years ago I hadn’t made it further than France. It’s appalling, I know. Luckily for us armchair explorers, with Ormonde Jayne’s latest collection ‘The Four Corners of the Earth’ one can visit the most exotic destinations without even removing one’s pyjamas. So over the last couple of weeks I’ve been to the Gulf, Russia, Latin America and China…

For the Four Corners of the Earth collection Linda Pilkington and perfumer Geza Schoen have taken Ormonde Jayne on a trip round the globe, soaking up the sights, smells and colours of four distinct cultures without diluting the brand one bit, and this is what makes the collection so excellent; the fact that despite the strong influences of their respective homelands, each fragrance still very much follows the Ormonde Jayne signature of refined, elegant fragrances. After all, it’s not just where we go that shapes who we are, it’s where we come from too.

The Magnetism of Skin
The Magnetism of Skin

When I think of Jean Paul Gaultier I think of effeminate, yet muscly sailors, cone-bras, corsets and spanking. His fashions, fragrances and even he himself embodies all that is naughty about the french. There is a reason why he has been dubbed the ‘L’Enfant Terrible’ of Parisian fashion

What I don’t imagine when I think of Jean Paul Gaultier is softness, subtlety and warmth, but that’s exactly what I find in GAULTIER². Each of JPG’s fragrances are so bold and popular that it’s a hard job to escape them out there in the real world, but not GAULTIER² – the stealth Gaultier and black sheep of the family. Classique and Le Mâle may get all the attention, but GAULTIER² is the quietly clever one, severely underrated yes, even misunderstood, but it cannot be denied that it is a stroke of genius.

“Him and Her. Her and Him. Mixing the genres is Jean Paul Gaultier’s favourite game. With GAULTIER², he breaks through traditional fragrance barriers with his unisex fragrance. A true olfactory statement.” [1]

GAULTIER² was created by Francis Kurkdjian (we’re all in agreement that the man’s a genius, right?) in 2005 and is a scent for both the boys and the girls. It is described as “the essence of two skins in love. A warm, sensual fragrance that blends the masculine and feminine in a trio of musk, amber and vanilla” [2] and is housed in a bottle of two halves, one for him and one for her, held together by a magnetic force.

I find it interesting that JPG, the king of excess, would go for three simple notes in this fragrance and I’m sure that if we were to look at the formula we would discover that there are more ingredients, but I can’t help be attracted to the idea of three aromas blended together to find the perfect equilibrium. There’s something really quite romantic about that simplicity and the harmony it brings.

Mad Scientist
The Crazy Cartoon World of Smell Bent

Smell Bent is the slightly warped brainchild of LA based perfume-lover (and very handsome perfumer) Brent Leonesio. Offering fragrances that “delight your nose and your funny bone” Smell Bent lets you into a cartoon world of chaos, naughty frolics and damn good smells, all for a more-than-reasonable price. As they put it on the Smell Bent Website:

“We think that perfume should be fun and shouldn’t cost an arm and a leg. We know life can be hard, but it shouldn’t have to smell bad.”

Brent Leonesio

I reckon that I have perused the Smell Bent website, chuckling away at the names, cartoons and descriptions of each scent, about a million times, yet it was only recently that I decided to put in a sample order. Perhaps there was a bit too much choice for my little brain to handle and if I’m being honest I think that might be the case, I wanted to order just about everything but I couldn’t (apparently we’re supposed to be buying a house or something, I don’t know, ask Nigel) and that made me sad.

It was actually Freddie of Smellythoughts fame that convinced me to bite the bullet and I’m ever so glad he did because the six Smell Bents I ordered, each of which is like a fun little ditty, have surpassed my expectations considerably. So without further ado I present to you Part 1 of my Smell Bent Speedy Sniffs (with Part 2 to follow next week), I hope that you enjoy reading about these characters as much as I did smelling them. They may be low in price but they certainly aren’t short on quality or fun!

Billie Holiday
Billie Holiday by JaxAble on Deviantart

I don’t know about you but it took me a long time to ‘get’ Serge Lutens. The line that is, not the man himself, I doubt there is anyone on the planet who can profess to ‘get’ Serge Lutens himself, but I digress. Yes, it took me a long time to understand why everybody raved about everything Lutens, there was just something about all of those thick-set, heavy orientals that simply didn’t click with me.

But alongside his dense orientals Lutens has a number of gothic florals (Iris Silver Mist, Tubéreuse Criminelle and Sarrasins etc) that really do speak to me and it wasn’t until I tried these that I felt compelled to convert and pray at the altar of Sergeism. It is this great love of Serge’s florals that made me so excited to try his latest exclusive offering, a perfume that focuses on a highly fragrant, yet elusive flower that yields no oil; the gardenia.

Une Voix Noire (A Black Voice) is the name of Uncle Serge’s essay on gardenia and it takes its inspiration from famous American jazz-singer Billie Holiday, or “Lady Day” as she was sometimes known. For the lady who wore gardenia flowers in her hair, Lutens and his olfactory-partner-in-crime Christopher Sheldrake have created a fragrance that evokes the odours of “jazz, drinks and the night, and, beyond all that, a troubling line of white gardenia-scented smoke.”

Aqua Universalis
Universal Water

Last week, after six weeks of painful but also enjoyable unemployment, I started a brand new, and very exciting job (hence the lack of posts). Now like any sane fume-nerd my initial though on gaining new employment was “what perfume am I going to wear on my first day?!” That’s right, not “will I like the job?” or even “what shall I wear”, it was, as it always is, all about the perfume.

So why not just where whatever I fancy on day one? Well the thing is, when entering a new environment it is important for one to ease people in gently, it does not pay to projectile vomit ones personality in people’s general direction. I have found that it’s always best to go for something relatively low key that is still perfume-y enough to let people know that you mean business, and what do you know a few days before my first day just the thing landed on my doorstep – Aqua Universalis by Maison Francis Kurkdjian.

If you’re not familiar with the idea behind über talented perfumer Francis Kurkdjian’s solo project then you should get to familiarising yourself pretty quick because you’re missing out. The house provides an ‘all for one’ fragrant shopping experience with fragrances for the morning and evening, and wonderful scented things for the body (leather bracelets et al) and the home (candles, incense papers, laundry detergents and scented bubbles). With his ‘Maison’ Kurkdjian is selling a completely scented lifestyle like no other.

Aqua Universalis is Kurkdjian’s take on the much maligned genre of laundry clean fragrances. Made to fulfil the average consumer’s desire to feel clean and shower fresh, a style of fragrance that very often ends up producing cocktails of vile, strong musks and calone that sends fumenerds heading for the hills. Aqua Universalis is not one of these fragrances, it is an intelligent and natural take on ‘clean’ that most importantly still smells like a perfume.

Oud Ispahan
The Romantic Oud

I think the only thing more frustrating than the constant slew of oud-based fragrances is the fact that each time one is released I have to mention that we’re all a bit fed up with this oud avalanche that we’ve all been facing over the last few years. So, for this review I refuse to mention the frustration (I am aware that I haven’t succeeded in doing so) and instead say that at least Christian Dior appear to have got this whole oud malarky spot on.

In 2010 Dior, following on from the trend started by Chanel with their Les Exclusifs line, created La Collection Privée, a series of exclusive boutique scents. Part of this private collection was Leather Oud, a fantastically pornographic take on oud. Following Leather Oud’s success Dior, who know a good thing when they see it, have decide to launch a second, Oud Ispahan.

Oud Ispahan, which is named after the Iranian city, follows a more traditional route by pairing oud with its beloved partner rose. If the oud trend is considered boring, then the fact that most of its offerings are blends of oud and rose is even more boring, but fear not, Dior has done a good job with Oud Ispahan. Taking its inspiration from Christian Dior’s “fascination with a fantastical orient” along with the “intoxicating scents” and colours of such a place, Oud Ispahan is a very beautiful perfume indeed.