Category Archive: Perfume Reviews

Floral Arithmetic – Le Labo Lys 41 and Ylang 49 Perfume Reviews

Ylang 49 and Lys 41
“The Imperfect Twins” – Ylang 49 and Lys 41

Le Labo is one of those brands that I’ve only really had a passing interest in. On the one hand they appear to create, for the most part, good quality scents with more than your usual level of artistry (let’s face it, there are so many niche houses that don’t), whilst on the other they’ve always seemed a tad gimmicky for my tastes.

Maybe I’m just being a grump, but there’s something about their industrial aesthetic, the odd naming system (the name of the most prominent ingredient followed by the number of ingredients) and the ‘blended on the spot’ approach that narks me, almost as if they are trying just a little bit too hard to be ‘hip’. Still, none of that should get in the way of the fact that the majority of their output is solid, wearable and interesting.

This summer the brand has launched two florals – Lys 41 and Ylang 49 – a duo that they are calling “the imperfect twins”. Working with perfumers Frank Voekly (Ylang 49) and Daphné Bugey over the last three years, Le Labo have created “two new floral statements” that are likely to surprise, ensnare and entertain many a perfume-lover.

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Reflected Sunlight – Maison Francis Kurkdjian Aqua Vitae Perfume Review

Aqua Vitae
“The Space Between Us”

There are some niche brands out there that just get it – they know how to offer interesting, well-crafted perfumes that are both easily wearable and suitably intellectually stimulating. Maison Francis Kurkdjian is one of such brand, and having thoroughly explored each and every corner of this ‘maison’ I can honestly say that I’m yet to come across a single dud.

This, of course, is no surprise seeing as the patriarch of the Maison is none other than venerable perfume Francis Kurkdjian. At a recent Perfume Lovers London event Kurkdjian said that it’s the stories behind the scents that make them what they are, musing that Shalimar wouldn’t be Shalimar without its name and that scents cannot me detached from the names they are bestowed. Perhaps this is why his brand is so enjoyable – each scent tells a story.

“It was one afternoon on Formentera, in the Balearic Islands, that the idea of Aqua Vitae came to Francis Kurkdjian. Riding an old motorbike, taking it slowly in view of the extreme heat, the air on his face was deliciously cool. The sun intensified the fragrances of nature around him. Aqua Vitae, the water of life, when life is quite simply beautiful, an extremely sensitive sensuality enveloped with an uncontained freshness.”

His latest perfume – Aqua Vitae – tells the story of “the space between us” and takes its name from the water of vitality. Created to evoke “a magic breath” and “the shiver of pleasure on the back of the neck before something wonderful occurs” Aqua Vitae is a fragrance that casts a beautiful golden light, exuding serenity and peace.

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The Iris Arabesque – Penhaligon’s Iris Prima Perfume Review

The Spirit of the Ballet. Bottled.
“The Spirit of the Ballet. Bottled.”

Perfumers and brands can take their inspiration from a wide variety of mediums when creating a perfume: music, nature, people, memories, places and food; just to name a small few. As perfume lovers we welcome a wealth of muses – after all it’s always interesting to see perfumes based on new and exciting things rather than the usual set of notes and themes.

Penhaligon’s is a brand that seems to have a far reaching nose, in the sense that they like to seek out unusual inspirations and over the years have created a number of perfumes inspired by weird and wonderful things. Take their wonderful Sartorial for example, a fragrance that accurately captures the scent of a Saville Row tailor’s workroom or the equally-wonderful Juniper Sling, a perfect olfactory tribute to the quintessentially English drink of Gin.

For their latest offering, the brand has teamed up with English National Ballet to create a fragrance that captures the spirit of the ballet – a perfume that they describe as being “a work of olfactory choreography”. Having had exclusive access to dancers Nathan Young and Lauretta Summerscales, in addition to behind the scenes visits, perfumer Alberto Morillas has created a beautiful ode to the most graceful of dances.

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Hothouse Flowers – Byredo Inflorescence Perfume Review

Hothouse Flowers by Steven Klein for Vogue January 2013
Hothouse Flowers by Steven Klein for Vogue January 2013

It surprises me that this is my first review of a Byredo perfume. I haven’t tried everything they have to offer but most of what I have sampled has been well made, if not rather interesting (it’s hard to ignore the genius of the tinsel-esque M/Mink and Solero-esque Pulp). Still, my laziness as a blogger has resulted in the brand not being featured and for that I shall have to give myself a large slap on the wrist.

That was until a sample of the latest Byredo fragrance – ‘Infloresence’ – arrived on my door step. They pretty much had me at the name, but it was the brand’s description of the scent that got me;

“to celebrate the beginning of spring, nature’s perennial and powerful rebirth, Ben Gorham (Founder and Creative Director of Byredo) envisaged a wild garden and a floral scent that would capture the strength and beauty of its blossoms, just as they reach their dramatic peak.”

It didn’t take much more than that to get me salivating! According to my good friend Wikipedia, inflorescence means; “a group or cluster of flowers arranged on a stem that is composed of a main branch or a complicated arrangement of branches” [1], and this is entirely in keeping with the fragrance’s theme of a bouquet of intensely aromatic flowers.

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Fatal Attraction – Amouage Opus VII Perfume Review

Amouage Opus VII
Amouage Opus VII

There should be a club for those that consider themselves as ‘Amouage Addicts’. We could all sit around discussing our adoration for the Omani house, pouring over our favourites and consoling each other over the fact that we’ll never be able to own them all. One matter that definitely would not be up for discussion however, is the idea of giving the house up any time soon. It’s simply not on the table.

We are truly helpless really, what with the annual masculine and feminine pairings. Not to mention special editions such as Beloved and the highly artistic and fascinating Library Collection. The truth is that we are mere lemmings for Amouage and we wouldn’t have it any other way.

This year’s addition to the Library Collection is Opus VII. Created by perfumers Pierre Negrin and Alberto Morillas it “arouses the juxtaposition of harmon with the intensity of reasoning between conflicting ideas and beliefs” [1]. Much like the chaos of the Interlude duo from last year, Opus VII appears to take a slightly more abstract approach with its dark black flacon serving as a small hint for the wild ride that’s unleashed upon the very first spritz.

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Gone, But Not Forgotten Series Part 9: Queen of Violets – MyQueen by Alexander McQueen

MyQueen by Alexander McQueen
MyQueen by Alexander McQueen

Alexander McQueen’s perfume line was both infamous and short lived. Perhaps better known for the erotically charged skank-bomb Kingdom than its other offerings, McQueen’s perfumes were nowhere near as successful as they were artistic or ultimately as they deserved to be.

Following in the same vein as his fashion output McQueen’s first perfume Kingdom was a renegade scent created to shock, however the second and final perfume from the brand – MyQueen – was something entirely different, opting to reference the subtle intricacies of the designer’s sculptural tailoring rather than courting the realms of controversy.

Created in 2005 by perfumers Anne Flipo (Ananas Fizz, La Chasse aux Papillons & Donna Karan Woman) and Dominique Ropion (Carnal Flower, Alien & Portrait of a Lady) MyQueen was created to represent the McQueen woman – “a vision of the woman of his (McQueen’s) dreams” – with the kaleidoscopic bottle representing not only the many facets of this woman but also McQueen’s love for antique glass.

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New Escentual Post: Givenchy Dahlia Noir L’Eau Perfume Review

Givenchy Dahlia Noir L’Eau

This week’s Escentual post is a review of a fragrance that took me wholely by surprise – Dahlia Noir L’Eau by Givenchy. The original Dahlia Noir made next to no impression on me whatsover (very much in line with most Givenchy offerings) and I am, as you know, not a massive fan of anything remotely green – so it is with great surprise that I give a big thumbs up to Dahlia Noir L’Eau!

Please click on the image above to head over to Escentual.com and read the full review. Don’t forget to leave a comment!

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Is Gaudiness the Closest Thing to Godliness? – Versace Eros Perfume Review

Versace Eros
Versace Eros

As a fashion brand I have the greatest respect for Versace (admittedly less-so with Donatella at the helm) – they know how to make gaudy look glamorous and are at their very best when they are being as showy as possible. As a perfume brand Versace is less attractive, again their older stuff is good (I’ll always have a soft spot for Blue Jeans and Versace Woman, and Blonde is pretty awesome) but their newer stuff is very much lacklustre at best.

So it was with mixed expectations that I approached the brand’s latest masculine offering ‘Eros’. On the surface Eros appears to have everything you would want in a Versace fragrance – tacky bottle (it’s positively wonderful in its tackiness), ridiculous, over-the-top advertising (see here) and a Tanorexic muscly adonis fronting the whole thing – but as we all know in the world of fragrance, appearances can be deceiving.

Eros takes its name from Greek mythology, specifically the Greek God of Love. Created by perfumer Aurélien Guichard (Bond No 9 Chinatown and all of the new Robert Piguet fragrances and re-issues) Eros is described by Donatella Versace as being for “a man who is own master and who defends his own ideas and goals. He is a hero.” We know exactly what Donatella’s idea of a hero looks like but what does he smell like?

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Shine Bright Like a Diamond – Les Exclusifs de Chanel 1932 Perfume Review

1932
Chanel 1932 – “A Constellation of Diamonds”

Chanel and I have fallen out recently. “Why?” I hear you ask. Well it’s simple, the venerable house has failed to live up to expectations of late with recent releases such as last year’s Coco Noir (a perfume so yawn-worthy I couldn’t even be bothered to review it) being well-made but painfully safe, proving that this once innovative house prefers to go for the big bucks rather than the big wow.

Still, we have the wonderful boutique-exclusive ‘Les Exclusifs de Chanel’ line to rely on for our wows, right? Not always, 2011’s Jersey was a serious lavender miss-step that proved that there is such a thing as a granny perfume, and an angry one at that.

You may be thinking – “So what, Chanel always produces quality” – and you’d be right but lest we not forget that this is the house that broke ground with N°5 in 1921 with a perfume deliberately designed to smell manufactured and put-together like a piece of couture – with Chanel one not only expects quality but also innovation.

I am, of course a blip that probably isn’t on Chanel’s radar and it will surprise no-one that my dissatisfaction hasn’t stopped them with their schedule of releases (or releasing dreadful adverts staring Brad Pitt). Their first release for 2012 is part of Les Exclusifs de Chanel and has been named after and created to honour the year the brand’s high jewellery line debuted – 1932.

From the Chanel website:

“A constellation of diamonds – In 1932, Mademoiselle Chanel showered Paris with diamond stars and a high jewellery line was born. Jacques Polge chose to evoke this constellation-collection with a precious, white and oh-so feminine flower; jasmine. Worked petal by petal to make every facet shine, it gradually spirals into place, waits to reveal itself on the skin and finishes by divulging its sophisticated and voluptuous side.”

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A Lemming or A Loser? – Badgley Mischka Eau de Parfum Review

Badgley Mischka EDP
Badgley Mischka Eau de Parfum – Lemming or Loser?

Have you ever been convinced that you would love a perfume before even trying it? The scenario is quite straightforward and goes something like this; you notice a particular review or mention of a perfume on a forum and your interest is piqued, you then scour the blogs for reviews, draining the internet of all information on the particular subject. After you have soaked up as much info as possible you eventually track down and try the perfume for the first time and you fall in love. Or do you?

Like many fellow perfume nerds Luca Turin and Sanchez’s ‘Perfumes The Guide’ is a perfume bible that has created many a lemming (i.e. a fragrance love or lust) for equally a many perfume lover (as well as causing them to shout in frustration at their trashing of some of their favourites) and perhaps the biggest of these olfactory crushes for me was Badgley Mischka Eau de Parfum.

Reading Tania Sanchez’s 5 star review of Badgley Mischka (see below) it’s not hard to see why I was desperate to get my hands on, what promised to be, a beautiful fruit bomb. Everything about it sounded perfect; huge fruit? Check!; Lactonic notes? Check!; Similarities to Angel and Gucci Rush? Double check! I just knew that I had to have a perfume that ticks all these boxes in my life.

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