I’ve been busy on my Escentual column reviewing a number of big new launches. In this post (above and below the hump) you’ll find a round up of reviews including; Comme Des Garçons’ Floriental, the Acqua di Parma Ingredients Collection (Colonia Ambra, Colonia Oud & Colonia Leather), Dior’s Sauvage, Valentino’s Donna, Van Clef & Arpels’ Ambre Imperial and Narciso Rodriguez’s for Her L’Absolu. Enjoy.
Oof, this is a big one, dear readers. I have been tentatively putting this guide together for nearly 12 months and, after lots of tantrums and rewrites, I finally feel that it is ready to share. The notable thing about rose, and the reason for my drama, is the fact that it’s such a wide genre, with so many different interpretations and styles of just the one ingredient. In truth, I could put together a guide for each type of rose, covering the gourmand rose, or the oriental rose etc. in great depth. But that’s a level of detail that would take a lifetime to perfect and with tradition in mind, I have compiled a Guide to Rose that can be a starting point to the genre – an essential overview that highlights the very best of the many styles of rose.
Now, if you’re new to The Candy Perfume Boy’s Guide to series, here’s a little overview of what to expect. The series is an award winning olfactory guide to the popular notes found in many of the perfumes we love and wear. Each instalment takes a look at a singular note, its odour profile and the ‘must sniffs’ (i.e. the reference fragrances) that are essential members of that particular family. So far we’ve traversed the domains of; Tuberose, Orange Blossom, Lily, Jasmine, Lavender, Violet, Oud, Chocolate and Vanilla. Today, it’s time for rose, rose and nothing but rose.
I think it’s no secret that Dior Homme is one of my favourite masculine fragrances and my love for it is possibly due to the fact that it isn’t particularly ‘manly’ in the traditional sense of the word. Using a strong and powdery iris note that is reminiscent of old make up bags, Dior (and more specifically, perfumer Olivier Polge) created a perfume that celebrates the modern man who is in touch with his feminine side. It is nothing short of a masterpiece and easily one of the greatest masculine fragrances of our time.
For 2014, Dior have launched Dior Homme Eau for Men, a lighter and more urban interpretation of the original. What’s interesting about this new Eau de Toilette is that it manages to be lighter in concentration and in character without dumbing down the olfactory profile of its forbearer. If you would like to read my full thoughts on the new launch, please click here to head on over to Escentual. Let me know what you think of the scent whilst you’re there!
Spring is here and that means it’s time to break out those springtime floral fragrances. OK, I know that I need no excuse to rock a floral fragrance and will do so all year round (why the heck not, right?) but for those of you who like to stick to a more seasonal fragrance wardrobe then now is the time for flowers. And what a wonderful time it is – the sun is shining (most of the time), the flowers are growing and the bees are buzzing – all of which can be accented by the expert application of a spring floral.
For this spring, venerable fashion house Christian Dior is launching a more floral version of their popular flagship fragrance Miss Dior (formerly known as Miss Dior Chérie and a completely separate fragrance from 1947’s Miss Dior which is now known as ‘Miss Dior Originale‘ – got that?). The perfume is called Miss Dior Blooming Bouquet, a spring floral that is billed by Dior as being more “delicate and light” than the original.
Dior’s in-house perfumer François Demachy describes Blooming Bouquet as being “like a springtime bouquet with a hint of elegant and light woody notes” making for a composition that ensures that “Miss Dior keeps her promise of love”. That’s a pretty apt description as far as I am concerned, however I would concede that Miss Dior Blooming Bouquet is much more of a floral musk than it is a woody floral. But in terms of being perfect for the spring season, this bouquet is absolutely spot on.
DIOR seem to be in a phase of reinvention at the moment, having revamped a significant number of their classics. Over the last few years they have introduced a fair degree of flankers (reinterpretations) of some of their most iconic scents and for 2014 they have launched both Hypnotic Poison (see my review here) and Fahrenheit in richer and more intense concentrations.
Few masculine fragrances are more iconic than DIOR’s 1988 scent Fahrenheit and this new concentration – Fahrenheit Le Parfum – is a worthy purveyor of the name. For Le Parfum, the original’s blend of fresh greens and off-kilter tar has been expertly tinkered with by DIOR’s in-house perfumer Francois Demachy to create a more up-to-date and warmer version of Fahrenheit. Click here to head on over to Escentual and read my review.
I adore Dior’s Hypnotic Poison something rotten. Out of the entire Poison series it is the most unusual and approaches the idea of a deadly/venomous perfume in a surprisingly un-vampish way. What makes this interpretation of Dior’s Poison theme so interesting is that it wants to cuddle just as much as it wants to coil it’s evil little fingers around your heart. It is nothing short of a modern marvel of perfumery.
For my Escentual column this week, I am reviewing the newly launched Eau de Parfum concentration of my old faithful Hypnotic Poison. This version promises to be more ‘delicious’ than the original and its bottle made from molten lava (well, molten lava-esque glass) suggests something much deeper and darker than the original. Does it deliver on these promises? Well, you’ll have to click here to find out…
It came down to yours truly to pick the theme for this edition of the group blog post between myself, Olfactoria’s Travels, Persolaise, Fragrant Moments and Eyeliner on a Cat. For me this task was simple, I knew straight away that I wanted to talk about the relationship between fragrance and fashion, and more importantly I wanted to see just what my fragrant brothers and sisters would make of the correlation.
For years the worlds of perfume and couture have collided to create a wealth of classics and a whole heap of dreck. Houses like Chanel, Yves Saint Laurent, Tom Ford and Dior are as famous for their perfumes as they are for their fashions, with the former serving as an accessible way for one to own just a small piece of one’s favourite luxury brand.
One’s favourite fashion trend is most definitely animal print. There is just something so wonderfully wild about such bold, beastly prints and furs (all faux of course) in fashion and when one wishes to make a statement there is no greater choice than a measured dose of shocking animal print.
This post takes a look at one’s pick of the best ‘Animal Print Perfumes’ – those fragrances that perfectly capture the spirit of the boldest of prints. Whether it be the spots of the royal leopard, the stripes of the elegant zebra or the scales of the deadly black mamba, this post celebrates the collision of fashion and fragrance in the most utterly outrageous of styles.