Haute Perfumery
Haute Perfumery

To celebrate 20 years of haute perfumery, Thierry Mugler parfums is launching a collection of limited edition fragrances with a leather twist in October. Harking back to the origins of traditional perfumery and the link between perfumers and glove makers, Mugler sets to unleash four luxurious limited editions of its four famous fragrances.

Angel, A*Men, Alien and Womanity have all been given the leather treatment, having been infused with tailor made leather pieces in metal caskets for a period of four weeks. These brand new leather interpretations aim to enhance the original compositions with “intense, innovative carnal notes” and showcase Mugler’s four iconic fragrances through “the prisms of leather.”

“(Les Parfums de Cuir) The Fragrances of Leather is a journey to the heart of Mugler fragrances, with a noble material, for a collection of 4 exceptional creations”

As with all things Mugler, Les Parfums de Cuir promises to be an innovative collection of olfactory twists on four fragrances that have each created the mould for their respective genres. So throw on your leather corsets, suits and boots we’re off on a tour of Planet Mugler, and this time we’re doing it in style.

Sleek and Chic - the new Habanita Eau de Parfum
Sleek and Chic – the new Habanita Eau de Parfum

It’s hard to review the classics and I’ve always shied away from doing so on this blog. What can I add to the discourse that’s not been said already? It’s definitely tricky, so up until now I haven’t really reviewed any classic fragrance, but I feel compelled to review Habanita simply because my relationship with it has always been a bit difficult and up until recently it was not a classic that I felt I could wax lyrical about.

I’ve always wanted to like Habanita, I love the story behind it, the fact that it was used to scent cigarettes and people loved it so much it was made into a perfume, I feel like it has a chequered and interesting past. Denyse Beaulieu of Grain de Musc spoke highly of it in her book ‘The Perfume Lover‘ and I wanted to love it as much she did (well maybe not quite so much) but it always seemed to disappoint me, it was too soapy, too light and not really bad-ass enough on my skin. Well people, I have had the chance to try the new Eau de Parfum version of Habanita and let me tell you I feel like shouting, Oprah Winfrey style “I GET IT PEOPLE, I GET IT!”

Habanita was originally released by Molinard in 1921, since then it has been through a number of revamps, the latest being the 2012 Eau de Parfum version. The Eau de Parfum version intends to keep the spirit of the original and “offers a new fresh side, whilst maintaining what is essential: strength, depth, poetry, a touch of originality, unlike any other” [1] The bottle, like the scent, has been redressed in red and black but still keeps the original Lalique frieze, maintaining the theme of reinvention but keeping the spirit of Habanita alive and intact.

Alien Essence Absolue
“At the height of her radiance, the statuesque solar goddess embodies sensuality more than ever before. In her magnetic aura, intense emotions burst forth and open the door to new imaginary worlds.”

Thierry Mugler’s second major feminine Alien has managed to become almost as popular and iconic as its sister fragrance Angel, which is no mean feat when you consider exactly how popular the latter is. Since its release in 2005 Mugler has released a plethora of Alien Editions, each of which has seemed better than the last, and it would be fair to say that the very latest edition ‘Alien Essence Absolue’ is the best yet, and they know it too hailing Essence Absolue as “The Supreme Perfume”.

What I love about the Thierry Mugler brand is that they are not afraid to experiment, not only with their flagship launches but also with their flankers. They may not always work (see Ice*Men) but they are always interesting and it’s great to see a brand really give a damn about the quality and artistry of all their fragrances. Personally, I didn’t think that Mugler could top the salted-caramel-goodness of Alien Le Goût de Parfum (released last year), but by jove they’ve gone and proved me wrong.

Alien Essence Absolue is the latest interpretation of Alien and serves as an oriental twist on the original. Created by Dominique Ropion (one of favourite perfumers FYI), who worked on the original as well as creating the Eau de Toilette, Eau Luminescente and Sunessence versions, Essence Absolue is a more intense interpretation that focuses on warm, resinous notes and intense flowers. Mugler describes it as “an intense amber, floral, vanilla perfume […] a magnetic fragrance that illuminates the skin in a halo of light” – well if “magnetic” partly explains why my nose is currently stuck to my wrist then I’m all for it.

Arabian Nights
One Thousand and One Nights

Well, it looks like Nigel really came through on the old birthday front (thank you all for your kind wishes btw) deciding much against his better judgement to generously give me a big ole bottle of L’Artisan Parfumeur’s Al Oudh as his gift. Al Oudh has been sat on my wish list for quite some time now (which makes me wonder why I haven’t reviewed it already) and out of the slew of ouds available I believe that it is one of the few thatt brings something new to the party.

Al Oudh now joins my three other L’Artisans (Vanille Absolument/Havana Vanille, Traversée du Bosphore and Nuit de Tuberéuse) all of which, Al Oudh included, just so happen to be Bertrand Duchafour creations, thus proving that I really do have a “thing” for le Duchafour, and who can blame me? The dude is clearly a genius and with Al Oudh his skill of turning common accords entirely on their head is in full swing.

Bertrand Duchaufour created Al Oudh for L’Artisan Parfumeur in 2009. It’s billed as an exotic, spicy and woody oud with accents of rose and dried fruits. L’Artisan describe it as “the elixir of sensuality itself”, which is a very fluffy way of saying that it is in fact sex on a stick, or sex in a bottle to be more accurate. Al Oudh may not be what you’re expecting from an oud but that is exactly what makes it so captivating.

Spicebomb Ad
You could cut glass with that jawline…

Viktor & Rolf have a chequered perfumed past. Their debut fragrance Flowerbomb is a good concept disappointingly executed, their second feminine Eau Mega is dull and their first masculine Antidote is an abomination. They appear to follow a high-fashion approach to their packaging but have yet to show any substance within their fragrant compositions.

Although I haven’t been particularly overwhelmed with their past offerings I am always intrigued to see what Viktor & Rolf are up to, if not simply for the visual aspect of things but also in the vain hope that maybe, just maybe they will hit the ball out of the park. Their latest fragrance Spicebomb ever-so-nearly achieves that much-needed home run.

Spicebomb is Viktor & Rolf’s second masculine and follows the absolutely atrocious behemoth-lavender of Antidote. It has been created as a male counterpart to Flowerbomb and is billed as “a cocktail of virility, crafted with refinement” [1] that “finds the perfect balance between strength and elegance, intensity and subtlety.” Where Flowerbomb was all loud and proud with her sickly sweet explosion of flowers and candy floss, Spicebomb is quiet, warm, cosy and handsome.

Stamp
Well done Liz! Have a special stamp to celebrate…

Over the last few days us Brits have been putting up our union jack bunting, dusting off our royal memorabilia and picking up our flags, ready to be waved enthusiastically. All of this is in honour of Queen Elizabeth II’s 60th year on the throne, which is no mean feat as Liz is only the second UK monarch to have reached the 60 year mark in British history.

Whether you are a Royalist, Republican, British, non-British or just generally not fussed about the Monarchy you cannot deny that the Jubilee is worth celebrating and many British brands are joining in on the celebrations by either releasing jubilee themed limited editions, or even rebranding/redressing their products in jubilee livery (my favourite being Ma’amite) to honour such an important occasion.

Venerable British perfume house Grossmith are just one of the many perfume houses releasing celebratory jubilee fragrances (others include; Floris, Roja Dove and Bond No. 9) and it’s not the first time they have done so, having created Victorian Bouquet for Queen Victoria’s Diamond Jubilee in 1896. Now it’s Liz’s turn!

Grossmith’s Diamond Jubilee Bouquet, a limited edition of 500 pieces, is described as “a subtle combination of flowers from Her Majesty’s Kingdom”, a “floral tapestry [that] embodies understated sophistication and warmth” [1] and for each bottle sold a donation will be made to The Queen Elizabeth Diamond Jubilee Trust. You may celebrate with a conscience!

Dandelion
The Rapture of Dandelions in Spring

There are so many niche perfume houses out there it’s a struggle for your friendly neighbourhood perfume blogger to keep up. There are niche lines within designer houses, niche lines within niche houses, private collections and exclusives – the mind boggles.

To cope I have to tell myself that I simply cannot sniff everything and there are niche lines that I will ignore completely, purely because my brain cannot handle adding them to the pile of things I need to try stacked somewhere at the back of my mind, behind all the stuff I don’t use anymore; like algebra, the steps to the Macarena and the ability to resist cake.

One niche house that will always receive my attention however is Amouage. I still haven’t managed to try everything in the Amouage stable (I’m taking my time and enjoying it thank you very much) but what I have tried, whether to my tastes or not has been interesting, high quality and worthy of the praise it receives.

The Library Collection is Amouage’s capsule collection of unique fragrance “works”. The collection is described as being “a poetic homage to the art of living” [1] and it offers a break from the house’s tradition of grandiose, opulent fragrances. After falling truly, madly and deeply for the mind-blowing amber of Opus VI I couldn’t wait to poke my nose through the rest of the collection, and on a recent shopping trip that is exactly what I did. It was on that shopping trip that I discovered Opus III…

Epic
“Legends of the Silk Road”

I have said it a number of times before, but things that are true must be said more than once; I am taking my sweet time working my way through Amouage’s back catalogue of scents and most importantly I am enjoying the journey immensely. What strikes me most about the Amouage line is the impressive degree of cohesion demonstrated amongst such an eclectic mix of fragrance styles, each of which is woven together by the silver thread of omani frankincense.

Speaking of journeys, none are more impressive than the ancient journeys of the Silk Road, the subject of which is the inspiration behind Amouage’s 2009 feminine and masculine duo. Creative Director Christopher Chong worked alongside perfumers Cecile Zarokian, Daniel Maurel, Angeline Leporini (for Woman) and Randa Hammami (for Man) to create two perfumes that represent the sheer scale and importance of these cross-continental journeys that no longer exist.

Epic is the moniker given to this type of journey and is bestowed upon both fragrances. Inspired by the legend of travels along the world’s spice and trade routes, and hued in imperial jadeite the name Epic could not be more perfect, and whilst it may lead you to believe that these fragrances are cinematic in their size, one should not be fooled, unlike other Amouage perfumes Epic Woman and Man are essays in soft elegance.

Girl with Flowers

“There’s just something about the glamour and luxury of wearing great big flowers that takes away the grey humdrum of everyday life.”

I’m always keen to see what Amouage is up to, they are a brand with incredible cohesion, yet each release is new, surprising and exciting. Amouage’s creative director Christopher Chong has gone a long way to give the brand an international aesthetic, drawing inspiration from Puccini, Swan Lake and the Silk Road (to name but a few) to create perfumes that transcend culture and location.

This year has been a good year for Amouage releases, March saw the release of the latest edition to the Library Collection with the orgasmically good amber Opus VI, and now, preceding the launch of Amouage’s annual masculine and feminine duo later this year, the house has launched a new feminine perfume exclusive to a small number of high-end department stores. A perfume that has been bestowed with the named ‘Beloved’.

Beloved is an unusual launch for Amouage because it stands alone without a masculine counterpart and it joins Ubar as one of the only fragrances in the line to do so. It has been created to represent the modern woman so it stands to reason that it doesn’t need a man to shine. Amouage says that “Beloved engages the elegance and complexity of the modern woman: strong, empowered, animated, in control.” [1] and to me it feels like a contemporary modern floral with a classic edge.

Philippine

“I love a perfume that makes me smile – Fils de Dieu brings the smiles, and plenty of them”

Despite their often hyper-sexed and occasionally misdirected marketing techniques, Etat Libre d’Orange are one of the most solid niche brands out there. They offer a line of well made, interesting, unusual and affordable fragrances that simply cannot be matched. The Etat Libre d’Orange war cry is “Parfum est mort, vive le parfum” (“perfume is dead, long live perfume”) and they are going a very long way to resurrect the concept of fun into the landscape of modern perfumery, a landscape that can so often become devoid of any delight.

I have said many times before that I am a self-proclaimed Etat Libre d’Orange fanboy, I simply cannot help it, I find their compositions to be filled with humour, occasional, nay regular genius, surprise and wonder. Each one is an essay in pushing the boundaries of perfume, turning familiar genres on their heads and firmly sticking two figures up at the bland, the trite and the cheap.

Fils de Dieu or ‘Fils de Dieu Du Riz et Des Agrumes’ (Son of God of Rice and Citrus Fruits) to use its full name is one of two latest releases from everyone’s favourite French olfactory freedom fighters, the other being Bijou Romantique. It was created by Ralf Schwieger and the concept behind it is interesting to say the least. Also available under the more controversial name of ‘Philippine Houseboy’, Fils de Dieu “is the golden eye that reflects beauty and conflict, rapture and pain. It is an emotional fragrance that requires a sympathetic connection between the server and the served, the giver and the taker, and the willingness to exchange roles.” [1]