L'Homme Infini
The Infinite Man

Yesterday, in honour of Movember, I took a look at some of my favourite barbershop scents in The Candy Perfume Boy’s Movember Barbershop Quartet. Alongside some of the old favourites and classics I included a brand new fragrance launching this month that is as barbershop and gentlemanly as the best of them, albeit in an atypical way; L’Homme Infini by Divine.

Divine is not a fragrance house that I have had a huge amount of exposure to in the past. I do know that two of their masculines (L’Homme Sage and L’Homme de Coeur) are cult favourites amongst male fumeheads, and smelling the samples I have it’s easy to see why; each is a contemporary and confident take on classic masculine styles of perfumery.

L’Homme Infini (The Infinite Man) is the latest fragrance to join Divine’s stable of masculines. Created by Yann Vasnier (Bang, L’Homme de Coeur, L’Homme Sage, Anima Dulcis and Santal Blush) and is described using words such as “serene” and “tender”. To me it feels like a fragrance of balance, with just the right proportions of rugged manly things and soft gentleness to create something that plays to the many contrasts of the modern man.

The New Dolce & Gabbana Pour Femme
The New Dolce & Gabbana Pour Femme

In life there are only two things that are certain; death and change. Both of these certainties are also rife within the perfume industry, with ever-tightening restrictions on ingredients and brand cost-cutting leading either to the demise or the change of some of the world’s most beloved perfumes.

Most of the time perfume reformulations are cloak and dagger affairs, with brands swearing that “absolutely nothing has happened to your beloved Mitsouko, so please stop with your questions, or else…” But this isn’t the case with the new Dolce & Gabbana Pour Femme, which the brand are fully admitting has been subjected to some “fine tuning”. Well, one can’t help but admire their honesty!

“Warm and voluptuous and a touch of creamy sweetness, this fragrance is for a woman who is compelling and sensual. It is made up of contrasts, an exuberance of sinuous details that strike the balance between strength and gentleness. Dolce & Gabbana Pour Femme for women is not afraid to face any challenge, and does so with a strong sense of self and a fierce determination.”

The re-orchestrated Dolce & Gabbana Pour Femme is described as having an “innately soft yet seductive character” and I would say that it definitely leans more to the soft side of things rather than the seductive. This may lead to some disappointment for long-term lovers of the original, which I’m led to believe was a bit of a floral-bomb. My advice? Stock up while you can…

The Magnetism of Skin
The Magnetism of Skin

When I think of Jean Paul Gaultier I think of effeminate, yet muscly sailors, cone-bras, corsets and spanking. His fashions, fragrances and even he himself embodies all that is naughty about the french. There is a reason why he has been dubbed the ‘L’Enfant Terrible’ of Parisian fashion

What I don’t imagine when I think of Jean Paul Gaultier is softness, subtlety and warmth, but that’s exactly what I find in GAULTIER². Each of JPG’s fragrances are so bold and popular that it’s a hard job to escape them out there in the real world, but not GAULTIER² – the stealth Gaultier and black sheep of the family. Classique and Le Mâle may get all the attention, but GAULTIER² is the quietly clever one, severely underrated yes, even misunderstood, but it cannot be denied that it is a stroke of genius.

“Him and Her. Her and Him. Mixing the genres is Jean Paul Gaultier’s favourite game. With GAULTIER², he breaks through traditional fragrance barriers with his unisex fragrance. A true olfactory statement.” [1]

GAULTIER² was created by Francis Kurkdjian (we’re all in agreement that the man’s a genius, right?) in 2005 and is a scent for both the boys and the girls. It is described as “the essence of two skins in love. A warm, sensual fragrance that blends the masculine and feminine in a trio of musk, amber and vanilla” [2] and is housed in a bottle of two halves, one for him and one for her, held together by a magnetic force.

I find it interesting that JPG, the king of excess, would go for three simple notes in this fragrance and I’m sure that if we were to look at the formula we would discover that there are more ingredients, but I can’t help be attracted to the idea of three aromas blended together to find the perfect equilibrium. There’s something really quite romantic about that simplicity and the harmony it brings.

Tom Ford Noir
SWOON

Traipse through your local department store and you will find a barren landscape virtually void of decent masculine fragrances. Alright I’m being dramatic, of course there are a few noteworthy ones (mainly older releases), but on the whole the majority; your Calvins, Hugos and your Pacos, are definitely essays in quantity over quality. A good masculine is hard to find, it’s true, but it’s not entirely impossible.

Tom Ford is a man that cares about quality. His fragrance line, especially his signature collection, is a cut above most designer offerings (and is priced accordingly) and he has most definitely crafted out his own style, that off opulent, classy and smart fragrances with a tiny touch of the shock factor for which he is infamous.

Noir (pronounced “Noo-ahr” if you are Tom Ford) is the latest masculine addition to Tom Ford’s signature stable and it is in good company, joining such esteemed fragrances as Tom Ford for Men, Tom Ford Extreme and Grey Vetiver. But where the other TF masculines are elegant examples of citrus, woods and/or vetiver, Noir is a essay on resins and powders that, dare I say it, almost feels like a masculine rendition of the Oriental Queen that is Guerlain’s Shalimar.

Gentleman
A Scent for The Modern Gent (Mo Not Included)

“Sartorial – sar-tor-ial adj. [attrib] of or relating to tailoring, clothes, or style of dress: sartorial elegance”

[Seeing as I’ve gone a bit mad for Movember I thought I would share a review of one of my favourite modern masculines from The Candy Perfume Boy Archives. Sartorial is a scent that not only evokes the smell of a tailor’s workroom, but also conjures up the image of a well groomed, modern gent with an incredibly stylish mo. Enjoy.]

I chose not to write a post on my fragrant new years resolutions simply because I have only made three. They are; to keep producing interesting and informative content for The Candy Perfume Boy, to review more fragrances from as many brands as possible and finally, to review more masculine fragrances.

Those who read this blog on a regular basis will know that I wear a lot of feminine fragrances and my reviews reflect this. I don’t have anything against masculines at all, they just tend not to be within my bracket of taste, whereas as feminine and niche ‘unisex’ (or sexless) fragrances tend to be right up my street. So, in the interest of balance I will ensure that I review more masculine fragrances and I will start with one of my recent favourites.

Sartorial (2010) is the latest masculine release from the über-British perfume house Penhaligon’s and is inspired by the workroom of a Saville Row Tailor. Created by perfumer Bertrand Duchaufour (who is also responsible for other Penhaligon’s fragrances such as Amaranthine and their Anthology Series) Sartorial is described as “a contemporary interpretation of a classic Fougère” [1]

Aqua Universalis
Universal Water

Last week, after six weeks of painful but also enjoyable unemployment, I started a brand new, and very exciting job (hence the lack of posts). Now like any sane fume-nerd my initial though on gaining new employment was “what perfume am I going to wear on my first day?!” That’s right, not “will I like the job?” or even “what shall I wear”, it was, as it always is, all about the perfume.

So why not just where whatever I fancy on day one? Well the thing is, when entering a new environment it is important for one to ease people in gently, it does not pay to projectile vomit ones personality in people’s general direction. I have found that it’s always best to go for something relatively low key that is still perfume-y enough to let people know that you mean business, and what do you know a few days before my first day just the thing landed on my doorstep – Aqua Universalis by Maison Francis Kurkdjian.

If you’re not familiar with the idea behind über talented perfumer Francis Kurkdjian’s solo project then you should get to familiarising yourself pretty quick because you’re missing out. The house provides an ‘all for one’ fragrant shopping experience with fragrances for the morning and evening, and wonderful scented things for the body (leather bracelets et al) and the home (candles, incense papers, laundry detergents and scented bubbles). With his ‘Maison’ Kurkdjian is selling a completely scented lifestyle like no other.

Aqua Universalis is Kurkdjian’s take on the much maligned genre of laundry clean fragrances. Made to fulfil the average consumer’s desire to feel clean and shower fresh, a style of fragrance that very often ends up producing cocktails of vile, strong musks and calone that sends fumenerds heading for the hills. Aqua Universalis is not one of these fragrances, it is an intelligent and natural take on ‘clean’ that most importantly still smells like a perfume.

Oud Ispahan
The Romantic Oud

I think the only thing more frustrating than the constant slew of oud-based fragrances is the fact that each time one is released I have to mention that we’re all a bit fed up with this oud avalanche that we’ve all been facing over the last few years. So, for this review I refuse to mention the frustration (I am aware that I haven’t succeeded in doing so) and instead say that at least Christian Dior appear to have got this whole oud malarky spot on.

In 2010 Dior, following on from the trend started by Chanel with their Les Exclusifs line, created La Collection Privée, a series of exclusive boutique scents. Part of this private collection was Leather Oud, a fantastically pornographic take on oud. Following Leather Oud’s success Dior, who know a good thing when they see it, have decide to launch a second, Oud Ispahan.

Oud Ispahan, which is named after the Iranian city, follows a more traditional route by pairing oud with its beloved partner rose. If the oud trend is considered boring, then the fact that most of its offerings are blends of oud and rose is even more boring, but fear not, Dior has done a good job with Oud Ispahan. Taking its inspiration from Christian Dior’s “fascination with a fantastical orient” along with the “intoxicating scents” and colours of such a place, Oud Ispahan is a very beautiful perfume indeed.

Union Fragrance Collection presents the best of British
The Union Fragrance Collection presents the best of British ingredients

I have never felt more proud to be British in my life than I have over the last two weeks. Team GB and everything Olympics related (did you see the opening ceremony? Wasn’t it fabulous?) have gone a long way into strengthening the nation’s sense of pride, making everyone realise that for a small little island we aren’t half bad at all!

Along with the explosion of national pride this year, due mainly to the Olympics and the Queen’s diamond jubilee, is the overwhelming number of British-themed product releases. Of course the world of perfume is no exception and there is a new fragrance brand on the block celebrating the very best of what Britain has to offer in terms of perfume ingredients.

“From the moorlands of Yorkshire to the mountains of Snowdonia, the windswept fens of County Derry and craggy Highland heaths, Union’s creative perfumer, Anastasia Brozler, has scoured the countryside for the most beautiful ingredients, gaining access to some of the country’s oldest private estates in her relentless search for the finest single notes that Britain has to offer”

The name of the brand is Union and rather than just cashing-in on the current high in national spirit they have spent a significant amount of time sourcing ingredients from the four corners of the British Isles to successfully showcase the flora and fauna that makes the country so beautiful (not that I’m biased or anything). The result is four unique compositions that feature such incredibly British ingredients as thistle, quince bluebell and Marmite…

Seville - One incredibly fragrant city
Seville – One incredibly fragrant city

Séville à L’Aube (Seville at Dawn), the lastest fragrance from renegade niche house L’Artisan Parfumeur, is a fragrance like no other. It is a fragrance born from a chance encounter between fragrance writer/blogger Denyse Beaulieu (of Grain de Musc) and renegade perfumer Bertrand Duchaufour who, after hearing Denyse’s story of a hot summer night in Seville during the holy week said the magic phrase: “Now that would make a very good perfume!” [1]. Thus Séville à L’Aube was born.

Well obviously that was after roughly 130 mods and a whole lot of to-ing-and-fro-ing between perfumer and muse. The devil, as they say, is in the detail and I would suggest that anyone interested in the creation of Sévile à L’Aube should pick up a copy of Denyse’s book The Perfume Lover (you can read my review here) and immerse yourself in the full story of Séville à L’Aube’s birth. It really is fascinating.

For Séville à L’Aube Bertrand Duchaufour had the mammoth task of capturing the sights, sounds and most importantly the smells of one of Denyse Beaulieu’s most unforgettable nights. Neither being known to shy away from a challenge they have managed to create an orange blossom soliflore that one does not hesitate in decreeing as being the absolute best of its kind. That’s right, you heard me: the best!

Steel and Black
Steel and Black – The first two premium fragrances from “British hero brand” Superdry

First things first, massive apologies for the lack of posts over the last week or so. Things have been busy in both good ways (my Perfume Lovers London talk etc) and bad ways (job hunting) and the blog has had to take a little bit of a back seat. Thank you for bearing with me and things should now run on their usual schedule!

I’m quite partial to the odd piece of clothing or accessory from British clothing brand Superdry. I currently rock a coat, couple of shirts and a rather snazzy pair of specs from their collection and I’m attracted to the brand’s laid back style which seems to be a mish-mash of Japanese graphics and vintage Americana.

As for Superdry fragrances, well up until very recently my exposure was minimal. I haven’t spent too much time with the brand’s first three scents (Dry, Double Dry and Dry Oil) but I remember them being relatively well done (one in particular was a nice take on Dior Homme) so it was with great interest that I accepted an offer to try the fragrances in Superdry’s Cologne collection.

The first two in the collection that I will be reviewing are Steel and Black. Both fragrances were released in 2011 and are designed to have “day-to-night appeal” and whilst they may not be masterpieces of modern perfumery, they easily fit the laid back, modern-with-a-retro-touch styling of the Superdry brand. Oh and they come in really cool Zippo lighter-style bottles too…