The Silver Song of Spring
The Silver Song of Spring

L’Artisan Parfumeur is one of those brands that took a long while to click with me. I started off exploring two of their cult classics – Tea for Two and Patchouli Patch – both of which left me cold. I then left the brand alone for a few years whilst I sailed off around the perfume world trying anything and everything that wasn’t ‘L’Artisan’.

Fate brought me back to L’Artisan Parfumeur many years later when a friend dragged me into the Covent Garden boutique. It was there that I tried and loved Bertrand Duchaufour’s ode to the clash of East and West that is Traversée du Bosphore for the very first time and after that, well after that I fell down the rabbit hole grabbing and adoring everything that L’Artisan and Duchaufour had done together.

The latest perfume launch from L’Artisan is not a Bertrand Duchaufour creation but that’s not a bad thing in the slightest. Created by perfumer Dora Baghriche-Arnaud this latest perfume joins the brand’s Grasse collection of candles and scented gloves that takes inspiration from “the spiritual home of fragrance, in Provence”.

Named Caligna (meaning to ‘court’ or ‘flirt’ in the Provençal tongue) – the first perfume in this collection is an ode to the Grasse countryside and according to L’Artisan Parfumeur it “evokes a warm breeze blowing over the land, a sense of freedom in the wild open spaces, a lightness of being with laughter echoing into the distance.”

Angel and Alien Aqua Chic
Angel and Alien Aqua Chic

It’s almost impossible to believe that the first day of Spring has already arrived. Looking out of the window one is greeted by flurries of beautiful but ultimately inconvenient (and more than a little bit annoying) snow. To put it in to context, at this time last year it was a rather more palatable 21 °C and today it’s… – let’s not depress ourselves shall we?

Whilst this blogger may not be ready for spring his favourite perfume brand – Thierry Mugler – certainly is. This month sees the release of their annual ‘Aqua Chic’ editions of pillar fragrances Angel, Alien and Womanity. All three of which are reinterpreted as fresher, livelier and more aqueous perfumes.

For the Aqua Chic editions both Angel and Alien have been redressed in floral waters – rose and orange blossom respectively – to create summer-infused perfumes that are more than welcome to turn our SAD minds to think of warmer, happier and decidedly less blizzardy days.

Oud Mood
Francis Kurkdjian’s Trio of Oud Moods

If I were to pose most perfume-addicts the question; “are you in the mood for oud?” the response would likely be a resounding ‘no’, with a good few exasperated sighs and possibly one or two slaps to the face for good measure. The simple fact is that oud, the noble rot from the Aquilaria tree, is over exposed in the world of perfume and one cannot step into their local fragrance hall without being bombarded by “THE LATEST OUD FRAGRANCE FROM XXX” or “LOOK, WE’VE MADE A PERFUME AND IT HAS OUD IN IT, ACTUAL OUD (KINDA, NOT REALLY)!”.

But I refuse to be disheartened by the oud trend, because that’s exactly what it is – a trend, and we all know that trends are transient in nature, meaning that it’ll all be over before we know it. In reality this trend is far from being all bad, after all there are some great oud-based scents out there (check out my Guide to Oud), with perhaps the best in most recent years being Maison Francis Kurkdjian’s incandescent OUD.

“The creation of the OUD mood collection is a tribute to the type of perfume that makes you feel as if you are wrapped in a rare, delicate material, one that is in perfect harmony with a warm, gentle, refined state of mind.”

Following on from the success of last year’s incandescent OUD, Francis Kurkdjian has added not one, but three new oud fragrances to his Maison. Named ‘OUD Mood’ this collection takes inspiration from the soft feel of fabric, namely; Silk, Velvet and Cashmere. Each one offering a brand new and interesting texture of oud and serving as a wave of refreshment for tired, bored and frankly cranky perfume lovers.

Amyris/Dior
“I dress men and women with my perfume, wrap them with my art and my love.” – Francis Kurkdjian [1]
Despite coming to the Maison Francis Kurkdjian party a little later than mostI can safely say that I am pretty much hooked. Like many I have admired perfumer Francis Kurkdjian from afar, appreciating and enjoying his mainstream creations for designer brands such as Jean Paul Gaultier, Christian Dior and Elie Saab, but it is his Maison with its ‘scented lifestyle’ approach that truly cements M. Kurkdjian as a true talent.

Kurkdjian says of his line: “The range is like creating a wardrobe. You go from casual to evening to couture. And in my vision, what’s missing is a daily ready-to-wear perfume” [2] and with his latest feminine and masculine duo ‘Amyris’ Kurkdjian has filled this void with two suitably pret-a-porter perfumes for the everyday guy and gal on the go.

“Its head is in Jamaica, and its heart in Florence. The Amyris duo evolves somewhere between the flamboyance of the sun and the vibration of the earth.” [3]

Both Amyris scents are centred around notes of Jamaican Amyris (the Jamaican tree which exudes elemi) and Iris from Florence. Each feels like an extension of Kurkdjian’s designer work taken to a niche level of quality where “instant hit” style of mainstream fragrances is traded for the slow burning love of niche perfumery.

PG22 Dhjenné
PG22 Dhjenné – Delicious Desert

Parfumerie Générale is a curious outfit. Perfumer Pierre Guillaume has a penchant for heavy, gourmand orientals that very often sit precariously on the divide between the delicious and the indigestible. Personally, whilst I respect the quality and artistry of the PG fragrances I must admit that I find this style somewhat difficult to stomach and as yet haven’t found any of M. Guillaume’s offerings tasty, loveable or bottle worthy.

Despite the fact that the brand is classified in my brain as ‘interesting but not for me’ I am always keen to see what PG is up to. Quality is quality right? And in this world where quality and innovation is often a second thought to the quick-buck marketing campaigns, true artistry is not to be scoffed at. Luckily for me my perseverance has paid off, as it is with his latest release Djhenné that Pierre Guillaume has won me over.

Djhenné was launched in 2012 to celebrate the brand’s 10th birthday. Taking its name from the North African oasis city, Djhenné is a warm, aromatic fragrance that strikes the right balance between dry woods and herbs and the delicious gourmand note of cocoa. I warn you dear reader, this is one is far too easy to digest…

Candies 2012
The Candies 2012

I can’t believe it but it’s the end of 2012 already, which means that it’s time for us perfume bloggers to put together our lists of the very best and very worst perfumes of the year, honestly, where did the time go?! This year I’m affectionately entitling my awards ‘The Candies’ as a short, punchy alternative to The Candy Perfume Boy Awards. Neat huh?

Across all genres there have been many interesting, exciting and unique perfumes unleashed on to the market along with the usual amount of celebrity dreck, dud flankers and down-right-bizarre niche offerings. All-in-all it’s been a busy year with over 1,300 launches. Impressive but exhausting!

Below you will find my awards for Best Masculine, Best Feminine and Best Unisex Fragrances for both niche and mainstream houses. In addition to this I’ve also included awards for Best Flanker, Best Celebrity Fragrance and Best Ad Campaign. But we’re not just celebrating the very best of perfumery in 2012 here, no sir, we’re also highlighting the very worst with the Sour Candy Award, reserved solely for the naffest perfume of the year.

So I hope you’re wearing your very best frock (or tux for the boys, or frock if you prefer, it’s up to you really) and sipping on some fine Champagne as The Candies 2012 are underway…

L'Homme Infini
The Infinite Man

Yesterday, in honour of Movember, I took a look at some of my favourite barbershop scents in The Candy Perfume Boy’s Movember Barbershop Quartet. Alongside some of the old favourites and classics I included a brand new fragrance launching this month that is as barbershop and gentlemanly as the best of them, albeit in an atypical way; L’Homme Infini by Divine.

Divine is not a fragrance house that I have had a huge amount of exposure to in the past. I do know that two of their masculines (L’Homme Sage and L’Homme de Coeur) are cult favourites amongst male fumeheads, and smelling the samples I have it’s easy to see why; each is a contemporary and confident take on classic masculine styles of perfumery.

L’Homme Infini (The Infinite Man) is the latest fragrance to join Divine’s stable of masculines. Created by Yann Vasnier (Bang, L’Homme de Coeur, L’Homme Sage, Anima Dulcis and Santal Blush) and is described using words such as “serene” and “tender”. To me it feels like a fragrance of balance, with just the right proportions of rugged manly things and soft gentleness to create something that plays to the many contrasts of the modern man.

An interlude from the chaos
An interlude from the chaos

Since being bitten by the Amouage bug last year thanks to Honour Woman (there is no cure BTW) the wait for the next annual Woman/Man duo has almost been a bit too much. Luckily since then we have had the wonderful Opus VI and Beloved to keep us busy, but still the anticipation has been growing. The problem with such a strong hunger for a new fragrance launch and the high expectations that inevitably accompany such an appetite is the fact that so often the final result is disappointing. This is not something that can be said of the this year’s fragrance duo from Amouage.

For 2012 Amouage is releasing Interlude Woman and Interlude Man, both inspired by the “interlude moment […] a reflection of all the trials and tribulations one overcomes to attain personal satisfaction and achievement” [1] Encased in Amouage’s signature bottles, hued in pure midnight blue, the Interlude duo has been created to “evoke an air of disorder while maintaining a sense of balance and tranquility” [2] Both encompass the chaos of life and offer moments of desperately needed escapism in the form of unique, contemporary fragrances.

I’m at a point now where I have tried the majority of the fragrances in the Amouage stable (although not all have been reviewed, yet) and Interlude Woman & Man are easily the most unique, and perhaps the most daring to date. The multi-coloured graffiti of the packaging gives a mere hint of the high-scale chaos that each fragrance adds to the Amouage line. Where they don’t differ however is in quality and sheer artistry, they are 100% Amouage in those respects.

Ormonde Jayne
The Ormonde Jayne Collection

Ormonde Jayne is a house that has always sat on the periphery of my perfume sampling. I have tried a number of their fragrances in passing (I have tried a shocking amount of things “in passing”) and have even visited one of their boutiques, but I don’t feel that I’ve paid them the attention that they deserve. So when the lovely people at Ormonde Jayne offered to send me one of their discovery sets I was more than happy to accept, because Ormonde Jayne is a house that I want to get to know.

Launched in 2002, Ormonde Jayne is a British perfume house created by Linda Pilkington. The Ormonde Jayne philosophy is simple: “[…]quality and true luxury, the pursuit of beauty and elegance.” [1] There is something very appealing about the sleek simplicity of Ormonde Jayne and the lack of bells and whistles is appealing. But don’t let that fool you, the perfumes themselves are very complex indeed.

This review focuses on Ormonde Jayne’s two signature fragrances: Ormonde Woman and Ormonde Man, both of which have been highly praised by many and received five star reviews from Luca Turin and Tania Sanchez in Perfumes: The Guide. Both wood-based fragrances are as enigmatic as they are sophisticated and having spent sufficient time with them I can understand why they are so highly regarded.

Arabian Nights
One Thousand and One Nights

Well, it looks like Nigel really came through on the old birthday front (thank you all for your kind wishes btw) deciding much against his better judgement to generously give me a big ole bottle of L’Artisan Parfumeur’s Al Oudh as his gift. Al Oudh has been sat on my wish list for quite some time now (which makes me wonder why I haven’t reviewed it already) and out of the slew of ouds available I believe that it is one of the few thatt brings something new to the party.

Al Oudh now joins my three other L’Artisans (Vanille Absolument/Havana Vanille, Traversée du Bosphore and Nuit de Tuberéuse) all of which, Al Oudh included, just so happen to be Bertrand Duchafour creations, thus proving that I really do have a “thing” for le Duchafour, and who can blame me? The dude is clearly a genius and with Al Oudh his skill of turning common accords entirely on their head is in full swing.

Bertrand Duchaufour created Al Oudh for L’Artisan Parfumeur in 2009. It’s billed as an exotic, spicy and woody oud with accents of rose and dried fruits. L’Artisan describe it as “the elixir of sensuality itself”, which is a very fluffy way of saying that it is in fact sex on a stick, or sex in a bottle to be more accurate. Al Oudh may not be what you’re expecting from an oud but that is exactly what makes it so captivating.