Girl with Flowers

“There’s just something about the glamour and luxury of wearing great big flowers that takes away the grey humdrum of everyday life.”

I’m always keen to see what Amouage is up to, they are a brand with incredible cohesion, yet each release is new, surprising and exciting. Amouage’s creative director Christopher Chong has gone a long way to give the brand an international aesthetic, drawing inspiration from Puccini, Swan Lake and the Silk Road (to name but a few) to create perfumes that transcend culture and location.

This year has been a good year for Amouage releases, March saw the release of the latest edition to the Library Collection with the orgasmically good amber Opus VI, and now, preceding the launch of Amouage’s annual masculine and feminine duo later this year, the house has launched a new feminine perfume exclusive to a small number of high-end department stores. A perfume that has been bestowed with the named ‘Beloved’.

Beloved is an unusual launch for Amouage because it stands alone without a masculine counterpart and it joins Ubar as one of the only fragrances in the line to do so. It has been created to represent the modern woman so it stands to reason that it doesn’t need a man to shine. Amouage says that “Beloved engages the elegance and complexity of the modern woman: strong, empowered, animated, in control.” [1] and to me it feels like a contemporary modern floral with a classic edge.

Katie Puckrik

Katie Puckrik Does Indeed ‘Smell’

YouTube frightens me slightly. Maybe I’m just a wimp but despite the wealth of content YouTube has more loons, weirdos (not the good kind) and trolls than any of the other ‘tubes’, including the London Underground, which indeed has its fair share. Other than the odd music video and occasional perfume-related video I really don’t visit it much and I admire those who can put themselves out there, warts and all.

One person who is not afraid of YouTube and actively embraces the medium with as much gusto as one person can conjure is Katie Puckrik of Katie Puckrik Smells. Katie’s YouTube reviews are pithy, fun and are splashed with charismatic wit, which is no surprise as Katie Puckrik is someone with oodles of charisma and she has been a key player in changing the way that perfume is discussed.

As a general rule of thumb I am not a big fan of YouTube perfume reviews, with my tastes lying with the written word rather than the spoken, but I always make sure I watch Katie’s videos because she talks about scent in not only an intelligent way, but because she makes it so much fun. It was for this reason that I jumped at the chance of spending an evening with Katie Puckrik organised by Olfactory Events and Perfume Lovers London.

Last week’s poll focused on your favourite perfume genres. I wasn’t entirely sure which one would be the winner in such a big poll, but I am not shocked to discover that ‘Oriental’ won out with a total of 27% of the vote. ‘Floral’ (13%) was not far behind but the big surprise for me was that ‘Leather’ was such a popular genre, tying with ‘Floral’ for 13% of the vote.

Orientals were the clear winner from the outset and I imagine that this is because the genre covers a number of different styles of perfume, many of which overlap with the other genres. I did smile when I saw that ‘Oceanic/Ozonic’ received 0% of the vote, it seems that us Perfumistas, regardless of whether we have and enjoy the odd ozonic/oceanic scent, are never going to pick it as our favourite genre.

The Poll

This week’s poll is inspired by a Monday Question hosted by Olfactoria’s Travels last year. It is very much a ‘Clash of the Titans’ situation this Saturday and I want to know which powerful, french perfume house you prefer – Chanel or Guerlain? Oh, and before anyone asks, you must pick one! Register your vote and let me know your thoughts in the comments box below!

Insolence

“This extreme freedom, indifference to commentary, spontaneity and even her excesses make her magnificent. She is who she is; she is irresistibly set against prejudice and convention and is unafraid to be unreasonable. Her motto: whoever loves me will follow!”  [1]

One thing that I absolutely pride myself upon is that when it comes to perfume the subject of gender means absolutely nothing to me. I’m as happy rocking YSL’s ‘so masculine it’ll put hairs on your chest’ M7 as I am splashing on Robert Piguet’s oestrogen-fuelled Fracas. But there is one perfume so feminine that even I, yes I with the pink stripy blog think twice about before spraying on. That perfume is Guerlain’s Insolence.

I’m not saying that I don’t wear it, that would be silly and against everything I have ever said about perfume and gender, but I do really have to be in the mood for it and there have been times when I’ve felt just a little self-conscious/Candy Perfume Girl-ish whilst wearing it. Insolence is unapologetic in its femininity, and why should it apologise? Insolence is a girl that knows what she wants and most importantly she knows how to have a good time.

Insolence, which was created by the great Maurice Roucel no less, was released in 2006 and is a fruity floral with a difference – it actually smells good. Roucel presented Insolence as an essay on Guerlain’s L’Heure Bleue, taking the classic anisic gourmand iris and giving it a modern twist. The result is an intelligent, yet ridiculously ditzy (how’s that for an oxymoron?) perfume that smells current whilst giving a firm nod to Guerlain’s esteemed heritage.

Extrait de Parfum

“Perfume, like fashion, is about attitude, seasons, colour, mood and context. There is a time and place for everything.”

My experience of the Heeley line (brainchild of designer James Heeley) has been generally positive, and my impression so far is that it is a line full of interesting, innovative creations which simply must be tried. What I really like about Heeley Parfums though, is that they present themselves with no pretence, no gimmicks, they just say “here we are, come smells us, don’t we smell good?”. But don’t be fooled by this simple approach, the Heeley line actually consists of a range of unique and complex perfumes with highlights such as the beautiful iris ‘Iris de Nuit’, ode to the sea ‘Sel Marin’ and almost comic ‘Esprit du Tigre’.

Late last year James Heeley decided to expand the line with a trio of Extrait de Parfums that take the Heeley aesthetic to a new level of luxury without compromising the overall ethos of unique creations presented in a simple and clear manner. Each Extrait, like the entire Heeley line come to think of it, doesn’t feel the need to shout its message, instead it confidently speaks in a ‘take me or leave me’ manner.

The Heeley Extrait de Parfums are a “collection of quite different scents made from exceptional ingredients, each with an intensity and depth that create a luxurious, ‘haute couture’ feel” and were created because James Heeley wanted to work with his favourite materials in higher concentrations. Heeley succeeds in creating a collection of three perfumes – Agarwoud, Bubblegum Chic & L’Amandière – that are not only high quality but are also high-concept interesting interpretations of familiar themes.

Sunshine

“It is in the summer when I truly feel happy and at peace.”

The weather has been more than a bit funny during the last couple of weeks. Firstly it was unseasonably warm for a couple of days, and over here the first hint of sun and warmth sends us Brits into a shorts, t-shirt and flip-flop wearing frenzy even though it still it isn’t quite warm enough for all of that malarky, and then as if it couldn’t quite make up its mind the weather changed quite considerably.

Following the unexpected warmth there has been a just-as-unusual-for-this-time-of-year spell of cold weather, with heavy snow in some parts of the north. This tease of summer which was quickly clawed back by the cruelness of winter has left me craving the sun, I am a June baby after all and it is in the summer when I truly feel happy and at peace. Another reason I love summer is that it’s the perfect time to rock my favourite florals, but that’s beside the point, the main reason that summer is so good is because its the time where we really get to enjoy the outdoors.

To celebrate the summer season, each year Paul Smith launches a duo (one masculine and one feminine) of summer fragrances called the Paul Smith Sunshine Editions, the scents remain the same every year however the bottles change. Both fragrances “express the end of a sunny summers day” and the masculine edition that I shall be reviewing today certainly leads me to think of warm, sunny days where the soul feels energised and care-free.

Last week’s poll focused on the age old debate of spraying vs dabbing. Unsurprisingly, due to the fact that is the most commonly available application method, spraying won the battle with a total of 73.5% of the vote. What I found particularly interesting about the results was the fact that 20% answered that they didn’t care how the perfume was applied and a number of comments stated that it actually depended on the perfume as to whether they sprayed or dabbed, with dabbing being the preferred method of application for pure parfum/extrait and spraying for Eau de Parfum or Eau de Toilette.

The Poll

This week’s poll moves on to a completely different subject, that of perfume genres. Tastes in perfume tend to be fairly eclectic and most fumeheads own a number of bottles from a variety of fragrance families, but most will also have a favourite, and I want to know what yours is. Register your vote and let me know your thoughts in the comments box below!

Let it Rock

“Let it Rock!”

Throughout the majority of my perfume journey I have been under the impression that it’s all about the juice with my mantra very much being; ‘nothing else matters except the smell’. But I’m no longer sure that this is entirely true, after all a perfume is a concept, and the best perfumes are the ones where the smell, bottle, name and concept are harmonious with each other. One thing that I have recently discovered is that a bad name can really take away from my overall enjoyment of a perfume. I can hide a crap bottle and I don’t necessarily have to tell people the inspiration behind the perfume I’m wearing, but if the name is bad then things can go sour rapidly.

Take Shalimar for example, could Guerlain have picked a more beautiful and fitting name? Or what about Gorilla Perfume’s ‘Breath of God’? Or on the flip-side, think of Thierry Mugler’s Womanity, the hideous name (sorry Thierry) honestly does make me hesitate from picking up my bottle at times. A bad name can ruin things, just as a good name can be the cherry on top that makes for perfection.

One brand who can always be counted on for an interesting name is Etat Libre d’Orange – they’ve got it all, from Fat Electricians to Magnificent Secretions and Hotel Whores. I think these names are fabulous but I can understand why they might rub some people up the wrong way, they are after all quite risqué. But name-wise Etat Libre d’Orange are at their best when they aren’t trying to be controversial (‘Jasmin et Cigarette’ anyone?) and none have been bestowed with a more perfect name than their latest release – ‘Malaise of the 1970s’.

Malaise of the 1970s may be the latest perfume from the Orange Free State but it is in fact a repackaged version of 2010’s Sex Pistols fragrance created in collaboration with Sephora. Etat Libre d’Orange describe Malaise of the 1970s as being “Inspired by a wealth of seventies pop culture references, from Star Wars to The Stranglers, Malaise of the 1970s captures the resistant and tumultuous spirit of the times. A metallic juice that resonates like the twang of a guitar string, its sharpness reminiscent of safety pins fastened to tartan. A distillation of rebellion, music and raw emotion.” [1] 

Nicki Minaj

“Super hero by night, rapper by day.”

I have decided that due to the overwhelming number of abysmal celebuscent (celebrity perfume) launches the celebrities of this world simply cannot be trusted with their scent choices. So, as a remedy to their poor choices, and to avoid having to reach for the smelling salts to revive myself from bad-celebuscent-induced hysteria, I have chosen to start the Scent a Celebrity Series.

So far I have picked scents for everyone’s favourite Puppet/Marionette hybrids – The Muppets – and the love-her-or-hate-her Icelandic songstress Björk. Today I’m going to be picking scents for a relatively new kid on the block and another love-her-or-hate-her celebrity, but this one is likely to ruffle a few more feathers than Björk, even when she is donning her infamous swan dress. Ladies and gentleman I introduce you to Miss Nicki Minaj.

Nicki Minaj is not your typical bubblegum-pop-princess, she is a foul-mouthed, schizophonic rap-Barbie with a penchant for unusual vocal tricks and hyper-fast rhymes. She has successfully crossed the divide between pop & rap, and although her many alter egos and sonic styles can, at times, sound cluttered (and like they are in need of some serious editing) she is redefining the way two of the biggest music genres combine whilst being utterly fabulous at the same time.

Central Park West

“A grand perfume for a grand neighbourhood.”

Bond No. 9 is the Octomom of the niche fragrance world – they just keep popping ’em out. This spring they will be releasing a total of six, that’s right SIX new fragrances, two of which are inspired by New York City as per the norm and four of which will be joining their I Love New York Collection.

I have been pretty vocal on my thoughts of Bond No. 9 and I stand by the fact that they have more misses than hits, perhaps due to the fact that they have released a whopping 64 fragrances since their inception in 2003, and that a lot of perfumes in the line are derivative, not to mention that they are the worst offenders when it comes to vomiting Swarovski crystals on to perfume bottles… They remind me of the line in the poem about the little girl with the little curl by Henry Wadsworth Longfellow; “And when she was good, she was very, very good, but when she was bad she was horrid.”

But that’s not to say that there aren’t any good Bond’s. There are in fact a good few that I would deem bottle worthy; Silver Factory is a remarkably cold and metallic incense, Chinatown is a work of genius (why don’t I own a bottle?) and I will always regret swapping away my beloved bottle of Fire Island, who knew I would miss it so much? So yes, it is true, when Bond No. 9 are good they can be very good.

In time for Spring Bond, No. 9 have released Central Park West, the sixth fragrance to be inspired by a New York park. Central Park West is inspired by “the magnificent greenery” of New York’s “greatest urban grassland” and is a spring-like green and white floral “designed to have the grandeur and largesse of the street itself”. A grand perfume for a grand neighbourhood.