Tuberose

I have always wanted to ensure that The Candy Perfume Boy is a diverse blog that not only features perfume reviews but also showcases interesting articles and pieces on different aspects of perfume/fragrance. One of the things I’ve wanted to do for a while is a series of guides to particular perfume notes and genres, including information on the fragrant facets of the note/genre as well as a list of ‘reference perfumes’ that showcase the note/genre in different and interesting ways.

I’m a tuberose freak, so it makes sense that I start with one of my favourite notes. Why do I love tuberose? Well, as you probably know, I’m a bit of a ‘Fragrant Magpie’, in the sense that I am attracted to those perfumes that are shiny, loud and showy and tuberose is most definitely shiny, loud and showy!

Tuberose

Tuberose is a night-blooming white flower, which despite the name, has absolutely no relation to rose whatsoever. The name actually comes from its swollen, tuberous roots. Tuberose has been used in for perfume for many years but it is also used as wedding and funeral flowers in some cultures.

On a side note, Tuberose is a flower that I’ve always wanted to grow, but it is really difficult to find in garden centres over here and a lot of places haven’t even heard of it, which is a shame because I need me some of those pretty white flowers on my balcony!

The Smell

Tuberose is a complex smell that can be described as; lush, green, cool, almost camphorous and also buttery, rubbery, exotic, sweet, tropical and like white hot flesh.

Violet Blonde

I like Tom Ford, I find the overall aesthetic of his brand appealing, I thought A Single Man was a triumph for a first time director and he may just be the most ridiculously good looking man on the planet (a fact that makes me hate him just a little). My thoughts on Tom Ford’s perfumes however, aren’t as glowing, in fact they are quite mixed;

Private Blends: I’ve always thought that the Private Blends are OK, I even quite like one or two (Oud Wood especially) but they are ridiculously overpriced for what they are, thus causing my general opinion of them to simply be ‘meh’.

Black Orchid: Gorgeous, dark oriental that is great for half an hour but then it proceeds to get on my tits, it’s one of those scents that, whilst smelling fantastic, takes a lot of effort to wear. I have to be in the right mood for Black Orchid.

White Patchouli: I wanted to love White Patchouli, you don’t know how much I wanted to, the bottle would look so good in my collection and the ad campaign with Erykah Badu was STUN-NING, BUT I point blank refuse to wear anything that smells like French Onion Soup. That said, I haven’t given up on it just yet.

Tom Ford For Men: My boyfriend/fiancée/long suffering wife’s signature scent. What more can I say?

Grey Vetiver: A really nice barbershop vetiver BUT why bother with that when you could have Guerlain Vetiver? One vetiver is enough for me.

Black Orchid Voile de Fleur: Surprisingly, this short-lived flanker to Black Orchid is the best of the bunch, creamy, dirty and slightly spicy flowers, right up my street!

Violet Blonde is the latest fragrance to join Black Orchid and White Patchouli as part of Tom Ford’s ‘Signature Collection’. I guess you’re now thinking, ‘I know what you think of the others, but what about Violet Blonde? Well, to put it simply; Violet Blonde was love at first sniff.

Fleur du Male

Fleur du Mâle had some big boots to fill, released in 2007 it came a whole 12 years after the tour de force that was Le Mâle. Le Mâle is one of the greatest ‘Marmite’ fragrances, it has its lovers and its detractors, but very rarely does it provoke a feeling of indifference and despite whichever camp you find yourself falling into you cannot deny that it is a well made and interesting fragrance.

Gaultier isn’t one to shy away from controversy and Fleur du Mâle, with it’s name that is a play on Baudelaire’s collection of poems ‘Les Fleurs du Mal’ (The Flowers of Evil) and overdose of orange blossom doesn’t either. Sure, a masculine floral is nothing new, us boys have been wearing florals for yonks, but the idea is rarer in the mainstream and one so overtly floral (and advertised as such) as Fleur du Mâle was a breath of fresh air.

As you can see from the above advertising image (which I have included for informative purposes only, not because it’s a picture of a VERY attractive man in a bath, honest *cough*) Fleur du Mâle aims to strike a softer chord than the ultra-sexed, ultra-metrosexual image of Le Mâle.

Eat Me

“Pure Fumegasm”

I’ve said before that Thierry Mugler is one brand that always thinks intelligently about their flankers and their latest series of limited editions ‘Le Goût du Parfum’ is absolutely no exception to this rule. 

The concept behind Le Goût du Parfum (The Taste of Fragrance) is simple – take the already bold, and mostly gourmand structures of four Thierry Mugler scents (Angel, Alien, Womanity and A*Men) and add a ‘Taste Enhancer’ to each. Le Goût du Parfum creates “a genuine parallel between Haute Cuisine and Haute Parfumerie.” To achieve this parallel Mugler enlisted leading Michelin-starred chef Hélène Darroze to create an “entirely Muglerian Meal” based on these four new limited editions.

WARNING: THIS POST WILL MAKE YOU HUNGRY 

Carnations

I’ve had a vase of purple carnations sat in my hallway for about two weeks now, they are suitably cheerful and they smell spicy and gorgeous. The problem with carnations is that they tend to hang around. Yes, they’re very beautiful but I’m at the point where I want them to move along so that I can refresh the vase with something else.

This is also how I feel about Vitriol d’Oeillet.

Serge Lutens has described Vitriol d’Oeillet as an ‘angry carnation’ and on the Serge Lutens website the description simply says “What is it, Doctor Jekyll?” [1] These descriptions lead me to believe that my tiny spray vial was going to unleash a huge, evil carnation monster that was going to eat me and ransack my house. A little farfetched I know, but I do have an active imagination.

What did come flying out of my little spray vial was something completely unexpected; A pretty and realistic spicy bunch of carnations. Just like the ones currently lurking in my hallway.

Loverdose

Diesel fragrances have always rated as ‘Not bad but Not Great’ on my scale of perfume awesomeness (which runs from Viktor & Rolf Antidote to Guerlain Shalimar BTW). They’ve always been competently put together, pleasant enough fragrances that smell utterly mainstream. This isn’t a bad thing in itself, after all there is nothing wrong with decent smelling mainstream fragrances, but as perfumistas we expect more, don’t we?

Loverdose is the latest feminine release for the Italian brand and it follows Fuel For Life as the second feminine launch since the Diesel fragrance line was completely revamped.

Loverdose is described as follows:

“Loverdose is the sexy & addictive new fragrance from Diesel. It represents a woman who is sexy, playful and irresistible. She receives an overdose of love from those around her, but she wants more. She desires pleasure, adrenaline & passion.” [1]

Belle

Sometimes I just want to smell like a hooker. I accept that this may be somewhat of a sensational overstatement, but what I really mean is that when it comes to perfume, despite loving the classics, the symphonic florals and the exotic orientals, what I really love is the trashy, brash and over the top.

Sometimes it’s great to wear something that is loud, proud and ultra girly, I also find that these ultra-trashy scents work really well on a man, I have no fear of smelling ‘cheap’.

If you want cheap and trashy you cannot go wrong with Rush by Gucci.

N°19 Poudré is the latest fragrance release from Chanel and is the first flanker to the original N°19 fragrance which was released in 1971.

As the name suggests N°19 Poudré is intended as a softer, more powdery version of the original and is an attempt by the brand to rejuvenate and modernise the image of the N°19 line.

Chanel describes N°19 Poudré as:

“A Floral-Powdery-Green fragrance that reveals a new powdery-musky facet.

The voluptuous scent of a bouquet of Iris blends with the freshness of a breeze of Vetiver roots: an enveloping, powdery fullness softened by White Musk notes.

N°19 POUDRÉ: within the smoothest, silkiest whisper lies the boldness of a legendary accord.” [1]

This week my good friend Cara and I will be teaming up to create a special fragrant event as part of her Instability-in-Stability project. During the event we will both be discussing our scented memories as teenagers. Thinking about the subject matter I thought it would be apt to review the first fragrance that I fell in love with, the one that started the obsession; Kingdom by Alexander McQueen.

At the tender age of 16 (it feels so long ago now), I wasn’t really fussed about fragrance, I would wear generic ‘boy’ fragrances such as Hugo Boss and Paul Smith and the fragrances I wore were normally gifted to me by relatives. That was, until Kingdom came along…

I have a confession to make:  I am unashamed to admit that I am an Etat Libre d’Orange fanboy. I enjoy their fun, pop art-like scents with wacky names and over-the-top marketing, which in my opinion needs to be taken with a rather large pinch of salt.

Tom of Finland was released by Etat Libre d’Orange in 2008 and was created by perfumer Antoine Lie who has created a number of other ELDO scents such as; Rien, Vierges et Toreros, Rossy de Palma Eau de Protection and the Infamous Sécrétions Magnifiques.

The fragrance is inspired by the drawings of Finnish erotic artist Touko Laaksonen who is more famously known as Tom of Finland. Tom of Finland’s drawings usually depict leather clad, muscular men in overtly sexual poses. Only Etat Libre d’Orange would even consider creating a scent for such an artist.