I get bored of new niche brands, I really do. Yes, there are a lot of wonderful new things popping up on a daily basis but my problem is that so many of them are nothing more than familiar fragrances housed within pretty bottles, with some gimmick or other to set them apart from everything else on the shelves. They often try and offer something new, something exciting, but in more cases than not it’s just the emperor’s new clothes – pretty packaging, yes, but what’s within is nothing more than derivative juices, or in some cases, pretty dreadful smells! So yes, I’m a bit cynical of new niche brands, but not all of them are bad – in fact, some of them are bloody brilliant!
Jusbox Perfumes could fall into the trap of being yet another niche brand with a gimmick if it weren’t for two important factors; 1) the scents are incredibly well made, and are not secondary to their packaging; and 2) the attention to detail the brand has factored in to every element of the product is remarkable, not to mention perfectly in keeping with their overarching concept. It’s the little things that matter here – the weight of the vinyl-capped bottle, the fact that each is sold in a 78ml size, the boxes which contain beautiful CD cased-sized cover art for each scent, the individual print designed for each fragrance, and need I mention the fact that the four scents in the collection have been composed by two industry greats – Dominique Ropion and Antoine Lie? I could go on.
The concept behind Jusbox is the link between music and scent. Their four fragrances are inspired by a particular decade of music, as opposed to a specific genre. For the 1960s we have Beat Café (Dominique Ropion), a tobacco, leather and booze fragrance inspired by Bob Dylan, for the 1970s there is 24 Hour Dream (Antoine Lie), a hazy vanilla and patchouli scent that feels like a hippy encounter with a mind-altering substance at Woodstock and for the grungey 1990s we’re treated to Micro Love (Dominique Ropion), an aquatic with the feel of hot circuit boards. You may have noticed that I’ve omitted one fragrance from these descriptions and you would be right and that’s because today’s review focuses on my favourite from the collection: Use Abuse.
I do love tuberose, it’s true, but it often feels that all of the great tuberoses have already been well and truly done. After all, it’s pretty difficult to best the likes of Fracas, Carnal Flower, Tubereuse Criminelle and Beyond Love now, isn’t it? But every now and then a new tuberose will come along that brings something new to the table, something that isn’t photorealistic, venomous, raucous or all of the above – something that is the antithesis of all of these truly wonderful things.
The thing is, tuberose can be rather demanding (it is reportedly known to corrupt virgins, you know) and it has a tendency to dominate every molecule of air it comes into contact with, so one can be found craving the beauty of tuberose but with a little less of the baggage. Enter Tuberose Angelica by Jo Malone London, an everyday sort of tuberose that is high on prettiness and low of drama. Created by perfumer Marie Salamagne (who also made the brand’s tremendous Mimosa & Cardamom), Tuberose Angelica is part of the Cologne Intense collection, but despite its dark, brooding packaging, it has one heck of a sunny disposition!
Regular visitors may know that I have somewhat of a predilection for white florals. Actually, that’s an understatement, and I should correct myself by saying that, in truth, I blinking love anything that sends forth a hefty wind of white floral loveliness. My favourite fragrances are classics like Robert Piguet’s Fracas (a vampish tuberose) and Cartier’s La Panthère (a feline gardenia), and a thousand others. I’m an addict with no intention of curbing my lust for hot white petals anytime soon.
So, imagine my glee when I heard that a line of white floral-inspired scented candles just launched. The line comes from “one of London’s most foremost florists [and] Floral Creative”, Robbie Honey, who is launching his lifestyle brand with four candles (each with a 60hr burn time) inspired by white flowers, specifically; ‘Muguet des Bois’, ‘Jasmine’, ‘Casa Blanca’ and ‘Tuberose’. Of course I was immediately drawn to the heady, intoxicating signature of the Tuberose (I just can’t help myself) which, as you will see, lives up to the resplendent nature of its floral muse.
“In a garden filled with night-blooming that I first became hypnotized by their intoxicating fragrance. Cut after nightfall, their creamy petals exude an intense perfume; softened with sandalwood and amber.”
Few artists are as iconic and confrontational as Frida Kahlo. From her dominant monobrow to her flirtation with androgynous clothing, Frida was never afraid to challenge preconceptions. Her work, which comprises of many self-portraits, is often brutal, displaying herself or her subjects in pain, or with their organs exposed, representing in some ways, her own damaged body that was catastrophically injured in a bus accident early on in her life. She challenged the world’s idea of what it means to be a woman, and defined her own idea of feminine beauty. Frida was a renegade and a free spirit, but she was also a prisoner of her own physical presence. Most of all, she was an artist with a fearless form of expression
The other Frida, the fragrance created by Shelley Waddington for En Voyage Perfumes, that is, also questions our preconceived notions. It takes the familiar note of tuberose and presents it as something otherworldly. It’s still recognisably ‘tuberose’ (which is music to the ears of this particular tuberose fiend), but it is so much more than just another take on a popular note, in fact, I would call it a detailed essay into the psyche and inspirations of one of the most unique artists ever to have lived. Frida was a rare bird and a unique voice from a richly cultured nation. Frida, the perfume is as complex and fascinating as its muse, and for that reason, it’s most definitely a worthy sniff.
“Viva la Frida Vida! This perfume celebrates the life of Frida Kahlo; the woman and artist, her suffering, her Mexican heritage and her love of nature. Frida was feminine, fearless and a revolutionary; she cross dressed, smoked cigars, and has been a part of pop culture for over 50 years. A world-travelled sophisticate who had love affairs with both men and women, Frida remained happiest at Casa Azul, her traditional family home. Tuberose, a flower that the Aztecs called the Boneflower, is an important note in this perfume as an homage to Frida’s brutal calamities and artistic transformation.”
I’m on a Serge Lutens kick at the moment, which is funny considering that I was considerably late to the Lutens party and it took me quite some time to ‘get’ the brand’s aesthetic. This is due in part to the fact that much of what Uncle Serge puts out is truly hedonistic and oriental, and can often feel thick and oppressive. This style is attractive to many but for years I failed to see the beauty amongst the spices, resins and balsams.
Unsurprisingly, it was the florals (specifically the incandescent Fleurs d’Oranger) within Lutens’ stable that served as a gateway to understanding perfume’s most highly respected, reclusive and artistic individual. But why the florals? What does Lutens do to nature’s blooms that others don’t? What does he see amongst the petals, the stems and the pollen that many perfumers and creative directors cannot?
The answer is simple – Serge Lutens sees the darker side of flowers and he’s not afraid to present the beautiful amongst the downright terrifying. Within his exclusive collection of fragrances housed inside his Palais Royal shop in Paris (a purple-tinted perfume Mecca), Lutens has three of the most deadly, carnivorous and fatal florals ever to have graced the noses of the human species, they are; the maniacal tuberose – Tubéreuse Criminelle, the viper jasmine – Sarrasins and the ghostly iris – Iris Silver Mist.
I can’t believe it but it’s the end of 2012 already, which means that it’s time for us perfume bloggers to put together our lists of the very best and very worst perfumes of the year, honestly, where did the time go?! This year I’m affectionately entitling my awards ‘The Candies’ as a short, punchy alternative to The Candy Perfume Boy Awards. Neat huh?
Across all genres there have been many interesting, exciting and unique perfumes unleashed on to the market along with the usual amount of celebrity dreck, dud flankers and down-right-bizarre niche offerings. All-in-all it’s been a busy year with over 1,300 launches. Impressive but exhausting!
Below you will find my awards for Best Masculine, Best Feminine and Best Unisex Fragrances for both niche and mainstream houses. In addition to this I’ve also included awards for Best Flanker, Best Celebrity Fragrance and Best Ad Campaign. But we’re not just celebrating the very best of perfumery in 2012 here, no sir, we’re also highlighting the very worst with the Sour Candy Award, reserved solely for the naffest perfume of the year.
So I hope you’re wearing your very best frock (or tux for the boys, or frock if you prefer, it’s up to you really) and sipping on some fine Champagne as The Candies 2012 are underway…
The sheer thought of a Fracas flanker is enough to send most fumenerds in to fits of fear-induced hysterics. Such is always the case when a classic is reinterpreted for the modern generation, just take Shalimar Parfum Initial for example, the blogosphere practically imploded upon hearing the news of a pink-ified Shalimar (more on that one later), so it would not be un-wise to expect the same reaction for the arrival of Petit Fracas.
Yes that’s right, I said “Petit Fracas” as in “Little Fracas”. But fear ye not, the people over at Fashion Fragrances and Cosmetics Ltd (who own the licence for Piguet Parfums) have taken great care in the re-launch of Piguet’s classics and they have applied the very same amount of care to this reinterpretation of the original.
“Play the game of love with Petit Fracas de Robert Piguet. The scent has an audacious air, inspired by our iconic Fracas. Petit is fresh, youthful and feminine, with a playful innocence. Flirtatious and charming […] elegant and enchanting, but not too serious, Petit Fracas is a chic floral bouquet, perfect for flirty fashionistas or fashionistas at heart.”
Aiming for a younger woman who is not quite ready to step into the 9 inch stilettos of the original, Petit Fracas (created by Aurelien Guichard who has been responsible for all of the Piguet relaunches and new scents) mashes modern tastes with the haute couture style of one of perfumery’s most infamous characters. She’s the wild child of an even wilder parent; living, loving and vying for attention.