Last week’s Saturday Poll asked you to vote for your favourite Thierry Mugler fragrance. I wanted to know who was most popular; Angel, Alien, A*Men, Womanity or Cologne? The results didn’t go the way I expected having, in my head, predicted Angel to reign supreme, despite the feelings of love and hate she inspires in people.
But no, I was wrong, it appears that you people prefer the “intergalactic jasmine” of Alien, which received a pretty decent 34% of the vote. What did really surprise me though was the lack of love for Womanity, which only received a measly 6% of the vote. As much as Womanity is polarising (aren’t all of the Mugler’s) I did think that the fact that it is so unique and unusual would have given it a higher percentage.
What is the worst thing that you’ve ever smelled? For me it’s the smell of rhubarb boiling. Seriously, there is nothing worse to my nostrils than those large sticks of pink fruit bubbling away on the stove. As a kid I used to hide away from the kitchen whenever my dad made rhubarb crumble because the smell (which is the olfactory equivalent of white noise FYI) would permeate every fibre of my being and leave me feeling utterly nauseous.
What is the worst perfume you’ve ever smelled? Now this question is even easier to answer! I’ve smelled a good few stinky scents in my time, take Estée Lauder’s Spellbound for instance, a vile syrupy mess of florals and fruit that apparently has the power to strip nail polish, but that’s hardly the worse thing I’ve ever smelled. No, if I were to pick a scent that was the worst I’d ever smelled then I would pick Sécrétions Magnifiques by Etat Libre d’Orange, and to add insult to injury it is a fragrance that INTENDS to smell bad.
Sécrétions Magnifiques was part of the original bunch of offerings from Etat Libre d’Orange when the brand first launched in 2006. Since then it has gained cult status as one of the most disgusting fragrances on the market whilst simultaneously earning a legion of fans who love and wear it. Sécrétions Magnifiques, with its accords of milk, blood and iodine, is described as being “as real as an olfactory coitus that sends one into raptures, that extraordinary and unique moment when desire triumphs over reason.” [1] Above all it is a “subervsive, disturbing perfume” [2] that really does need to be smelled to be believed.
As I mentioned in my most recent Saturday Poll, Thierry Mugler is set to release four limited edition leather interpretations of their most popular scents. This leather collection follows on from last years La Goût du Parfum, in which Angel, Alien, A*Men and Womanity each had a taste enhancer added to shake things up a bit and a new gourmand twist to them. The brand also released Angel and Alien Liqueur de Parfums in 2009, two fragrances that were aged in oak casks to give a more boozy feel.
The success of these enhanced editions got me thinking about what additional ingredients can be added to fragrances to give an entirely new twist on the original accords. There is something to be said about this intelligent method of flankering, it allows for the essence of the fragrance to be preserved whilst simultaneously offering something new, exciting and even if the end result doesn’t quite work out, it is at least interesting, unusual and worth smelling.
So what should we add to a Thierry Mugler fragrance to enhance it? Are there other fragrances that we could an enhancer to? Or are fragrances best left as they are, without flankers or fragrant meddling?
It’s hard to review the classics and I’ve always shied away from doing so on this blog. What can I add to the discourse that’s not been said already? It’s definitely tricky, so up until now I haven’t really reviewed any classic fragrance, but I feel compelled to review Habanita simply because my relationship with it has always been a bit difficult and up until recently it was not a classic that I felt I could wax lyrical about.
I’ve always wanted to like Habanita, I love the story behind it, the fact that it was used to scent cigarettes and people loved it so much it was made into a perfume, I feel like it has a chequered and interesting past. Denyse Beaulieu of Grain de Musc spoke highly of it in her book ‘The Perfume Lover‘ and I wanted to love it as much she did (well maybe not quite so much) but it always seemed to disappoint me, it was too soapy, too light and not really bad-ass enough on my skin. Well people, I have had the chance to try the new Eau de Parfum version of Habanita and let me tell you I feel like shouting, Oprah Winfrey style “I GET IT PEOPLE, I GET IT!”
Habanita was originally released by Molinard in 1921, since then it has been through a number of revamps, the latest being the 2012 Eau de Parfum version. The Eau de Parfum version intends to keep the spirit of the original and “offers a new fresh side, whilst maintaining what is essential: strength, depth, poetry, a touch of originality, unlike any other” [1] The bottle, like the scent, has been redressed in red and black but still keeps the original Lalique frieze, maintaining the theme of reinvention but keeping the spirit of Habanita alive and intact.
It may not be a perfume but I’m pretty sure that it’s not safe to drink…
I like Juliette Has a Gun. They have succeeded in producing relatively artistic fragrances with good quality ingredients at an affordable price (lets face it £59 for 50ml is practically free by today’s niche standards) and they straddle the line between designer and niche fragrances quite happily. For these reasons I find it utterly baffling that they would decide to launch something as naff as Not a Perfume.
In 2010 the man behind Juliette Has a Gun (Romano Ricci) made the bold decision to shake things up with the brand by following the Escentric Molecules school of thought and create a non-fragrance containing only one aroma compound, and as the name suggests Not a Perfume is, well, not a perfume.
Ricci opted to use the rich, ambery ingredient Cetalox, or Ambroxan as it is sometimes known, for Not a Perfume, stating that: “usually used in perfumery as a back note, I have decided for once that it would play the lead role…because it is one of my favourite ingredients…the result is minalimst, elegant, pure” [1] Oh and it is “entirely allergen free” [2] too…
…You may not be able to see it dear reader, but my right eyebrow just met my hairline.
I can hardly believe it but today marks the first birthday of The Candy Perfume Boy! It only seems like yesterday that I was tentatively tapping away at my keyboard to write my first full-length review, an apt choice of Guerlain’s Shalimar Parfum Initial for my inaugural post I feel, and now here I am 365 days later with a blog that turned out to be one thousand times better than I ever thought it would be.
Over this last year I have been overwhelmed by the response the blog has received, in that time I’ve received over 180,000 hits, published 194 posts and obtained 3,859 comments! But more importantly than all of the stats and numbers is the friendships and interactions I have developed with my readers in that time, you are priceless and this space would not be the same without you, yes that’s right, you!
So in order show my appreciation I thought I would celebrate with a little giveaway. The prize is a collection of decants from my personal stash and includes my favourite perfume discoveries from the last year. These fragrances have been those that have impressed me the most since starting this blog and I wanted to give you the chance to try some of my “big loves”, I hope you enjoy them as much as I have.
Last week’s Saturday Poll was a Vero Profumo showdown, in which you were asked to vote for your favourite perfume from the lovely renegade perfumer Vero Kern. The results were interesting, especially because everyone seemed to have a clear idea in their mind as to which VP scent was their favourite, which just goes to show how strong each fragrance’s personality is.
Rubj and Onda, both in Extrait, were the joint winners of the poll, with Rubj EDP in third place, suggesting that the Rubj signature is the most popular overall. Who am I to argue with that? I think it’s bloomin’ marvellous!
Since being bitten by the Amouage bug last year thanks to Honour Woman (there is no cure BTW) the wait for the next annual Woman/Man duo has almost been a bit too much. Luckily since then we have had the wonderful Opus VI and Beloved to keep us busy, but still the anticipation has been growing. The problem with such a strong hunger for a new fragrance launch and the high expectations that inevitably accompany such an appetite is the fact that so often the final result is disappointing. This is not something that can be said of the this year’s fragrance duo from Amouage.
For 2012 Amouage is releasing Interlude Woman and Interlude Man, both inspired by the “interlude moment […] a reflection of all the trials and tribulations one overcomes to attain personal satisfaction and achievement” [1] Encased in Amouage’s signature bottles, hued in pure midnight blue, the Interlude duo has been created to “evoke an air of disorder while maintaining a sense of balance and tranquility” [2] Both encompass the chaos of life and offer moments of desperately needed escapism in the form of unique, contemporary fragrances.
I’m at a point now where I have tried the majority of the fragrances in the Amouage stable (although not all have been reviewed, yet) and Interlude Woman & Man are easily the most unique, and perhaps the most daring to date. The multi-coloured graffiti of the packaging gives a mere hint of the high-scale chaos that each fragrance adds to the Amouage line. Where they don’t differ however is in quality and sheer artistry, they are 100% Amouage in those respects.
Ormonde Jayne is a house that has always sat on the periphery of my perfume sampling. I have tried a number of their fragrances in passing (I have tried a shocking amount of things “in passing”) and have even visited one of their boutiques, but I don’t feel that I’ve paid them the attention that they deserve. So when the lovely people at Ormonde Jayne offered to send me one of their discovery sets I was more than happy to accept, because Ormonde Jayne is a house that I want to get to know.
Launched in 2002, Ormonde Jayne is a British perfume house created by Linda Pilkington. The Ormonde Jayne philosophy is simple: “[…]quality and true luxury, the pursuit of beauty and elegance.” [1] There is something very appealing about the sleek simplicity of Ormonde Jayne and the lack of bells and whistles is appealing. But don’t let that fool you, the perfumes themselves are very complex indeed.
This review focuses on Ormonde Jayne’s two signature fragrances: Ormonde Woman and Ormonde Man, both of which have been highly praised by many and received five star reviews from Luca Turin and Tania Sanchez in Perfumes: The Guide. Both wood-based fragrances are as enigmatic as they are sophisticated and having spent sufficient time with them I can understand why they are so highly regarded.
“At the height of her radiance, the statuesque solar goddess embodies sensuality more than ever before. In her magnetic aura, intense emotions burst forth and open the door to new imaginary worlds.”
Thierry Mugler’s second major feminine Alien has managed to become almost as popular and iconic as its sister fragrance Angel, which is no mean feat when you consider exactly how popular the latter is. Since its release in 2005 Mugler has released a plethora of Alien Editions, each of which has seemed better than the last, and it would be fair to say that the very latest edition ‘Alien Essence Absolue’ is the best yet, and they know it too hailing Essence Absolue as “The Supreme Perfume”.
What I love about the Thierry Mugler brand is that they are not afraid to experiment, not only with their flagship launches but also with their flankers. They may not always work (see Ice*Men) but they are always interesting and it’s great to see a brand really give a damn about the quality and artistry of all their fragrances. Personally, I didn’t think that Mugler could top the salted-caramel-goodness of Alien Le Goût de Parfum (released last year), but by jove they’ve gone and proved me wrong.
Alien Essence Absolue is the latest interpretation of Alien and serves as an oriental twist on the original. Created by Dominique Ropion (one of favourite perfumers FYI), who worked on the original as well as creating the Eau de Toilette, Eau Luminescente and Sunessence versions, Essence Absolue is a more intense interpretation that focuses on warm, resinous notes and intense flowers. Mugler describes it as “an intense amber, floral, vanilla perfume […] a magnetic fragrance that illuminates the skin in a halo of light” – well if “magnetic” partly explains why my nose is currently stuck to my wrist then I’m all for it.
The Candy Perfume Boy 