1932
Chanel 1932 – “A Constellation of Diamonds”

Chanel and I have fallen out recently. “Why?” I hear you ask. Well it’s simple, the venerable house has failed to live up to expectations of late with recent releases such as last year’s Coco Noir (a perfume so yawn-worthy I couldn’t even be bothered to review it) being well-made but painfully safe, proving that this once innovative house prefers to go for the big bucks rather than the big wow.

Still, we have the wonderful boutique-exclusive ‘Les Exclusifs de Chanel’ line to rely on for our wows, right? Not always, 2011’s Jersey was a serious lavender miss-step that proved that there is such a thing as a granny perfume, and an angry one at that.

You may be thinking – “So what, Chanel always produces quality” – and you’d be right but lest we not forget that this is the house that broke ground with N°5 in 1921 with a perfume deliberately designed to smell manufactured and put-together like a piece of couture – with Chanel one not only expects quality but also innovation.

I am, of course a blip that probably isn’t on Chanel’s radar and it will surprise no-one that my dissatisfaction hasn’t stopped them with their schedule of releases (or releasing dreadful adverts staring Brad Pitt). Their first release for 2012 is part of Les Exclusifs de Chanel and has been named after and created to honour the year the brand’s high jewellery line debuted – 1932.

From the Chanel website:

“A constellation of diamonds – In 1932, Mademoiselle Chanel showered Paris with diamond stars and a high jewellery line was born. Jacques Polge chose to evoke this constellation-collection with a precious, white and oh-so feminine flower; jasmine. Worked petal by petal to make every facet shine, it gradually spirals into place, waits to reveal itself on the skin and finishes by divulging its sophisticated and voluptuous side.”

Badgley Mischka EDP
Badgley Mischka Eau de Parfum – Lemming or Loser?

Have you ever been convinced that you would love a perfume before even trying it? The scenario is quite straightforward and goes something like this; you notice a particular review or mention of a perfume on a forum and your interest is piqued, you then scour the blogs for reviews, draining the internet of all information on the particular subject. After you have soaked up as much info as possible you eventually track down and try the perfume for the first time and you fall in love. Or do you?

Like many fellow perfume nerds Luca Turin and Sanchez’s ‘Perfumes The Guide’ is a perfume bible that has created many a lemming (i.e. a fragrance love or lust) for equally a many perfume lover (as well as causing them to shout in frustration at their trashing of some of their favourites) and perhaps the biggest of these olfactory crushes for me was Badgley Mischka Eau de Parfum.

Reading Tania Sanchez’s 5 star review of Badgley Mischka (see below) it’s not hard to see why I was desperate to get my hands on, what promised to be, a beautiful fruit bomb. Everything about it sounded perfect; huge fruit? Check!; Lactonic notes? Check!; Similarities to Angel and Gucci Rush? Double check! I just knew that I had to have a perfume that ticks all these boxes in my life.

The Silver Song of Spring
The Silver Song of Spring

L’Artisan Parfumeur is one of those brands that took a long while to click with me. I started off exploring two of their cult classics – Tea for Two and Patchouli Patch – both of which left me cold. I then left the brand alone for a few years whilst I sailed off around the perfume world trying anything and everything that wasn’t ‘L’Artisan’.

Fate brought me back to L’Artisan Parfumeur many years later when a friend dragged me into the Covent Garden boutique. It was there that I tried and loved Bertrand Duchaufour’s ode to the clash of East and West that is Traversée du Bosphore for the very first time and after that, well after that I fell down the rabbit hole grabbing and adoring everything that L’Artisan and Duchaufour had done together.

The latest perfume launch from L’Artisan is not a Bertrand Duchaufour creation but that’s not a bad thing in the slightest. Created by perfumer Dora Baghriche-Arnaud this latest perfume joins the brand’s Grasse collection of candles and scented gloves that takes inspiration from “the spiritual home of fragrance, in Provence”.

Named Caligna (meaning to ‘court’ or ‘flirt’ in the Provençal tongue) – the first perfume in this collection is an ode to the Grasse countryside and according to L’Artisan Parfumeur it “evokes a warm breeze blowing over the land, a sense of freedom in the wild open spaces, a lightness of being with laughter echoing into the distance.”

Angel and Alien Aqua Chic
Angel and Alien Aqua Chic

It’s almost impossible to believe that the first day of Spring has already arrived. Looking out of the window one is greeted by flurries of beautiful but ultimately inconvenient (and more than a little bit annoying) snow. To put it in to context, at this time last year it was a rather more palatable 21 °C and today it’s… – let’s not depress ourselves shall we?

Whilst this blogger may not be ready for spring his favourite perfume brand – Thierry Mugler – certainly is. This month sees the release of their annual ‘Aqua Chic’ editions of pillar fragrances Angel, Alien and Womanity. All three of which are reinterpreted as fresher, livelier and more aqueous perfumes.

For the Aqua Chic editions both Angel and Alien have been redressed in floral waters – rose and orange blossom respectively – to create summer-infused perfumes that are more than welcome to turn our SAD minds to think of warmer, happier and decidedly less blizzardy days.

Amyris/Dior
“I dress men and women with my perfume, wrap them with my art and my love.” – Francis Kurkdjian [1]
Despite coming to the Maison Francis Kurkdjian party a little later than mostI can safely say that I am pretty much hooked. Like many I have admired perfumer Francis Kurkdjian from afar, appreciating and enjoying his mainstream creations for designer brands such as Jean Paul Gaultier, Christian Dior and Elie Saab, but it is his Maison with its ‘scented lifestyle’ approach that truly cements M. Kurkdjian as a true talent.

Kurkdjian says of his line: “The range is like creating a wardrobe. You go from casual to evening to couture. And in my vision, what’s missing is a daily ready-to-wear perfume” [2] and with his latest feminine and masculine duo ‘Amyris’ Kurkdjian has filled this void with two suitably pret-a-porter perfumes for the everyday guy and gal on the go.

“Its head is in Jamaica, and its heart in Florence. The Amyris duo evolves somewhere between the flamboyance of the sun and the vibration of the earth.” [3]

Both Amyris scents are centred around notes of Jamaican Amyris (the Jamaican tree which exudes elemi) and Iris from Florence. Each feels like an extension of Kurkdjian’s designer work taken to a niche level of quality where “instant hit” style of mainstream fragrances is traded for the slow burning love of niche perfumery.

Ooh Gorilla!
Ooh Gorilla!

As a die-hard fragrance nerd it’s difficult not to love Gorilla Perfume, the fragrant arm of those smelly bath purveyors Lush. For one, they march to the beat of their own drum, drawing inspiration from subjects as varied as Thai Ladyboys and Italian showers. But perhaps most importantly they are an outfit that champions that old idiom “It’s all about the juice”, caring first and foremost for the perfume above bottles and marketing.

This passion for perfume has allowed Lush to birth a line of beautiful, surprising and sometimes downright-wacky fragrances that challenge one’s notion of what constitutes a scent as much as they serve to inspire and foster a life-long love for all that is perfume. It sounds corny but it is brands like Gorilla Perfume that are the reason why I love perfume, when there is so much to be cranky about they have the ability to restore one’s faith in perfume and make one smile with a single spritz. You gotta love that Gorilla!

Late last year Gorilla Perfume launched 12 new fragrances (that’s right -12) under a new collection entitled ‘Volume 2’. The overall look of this new collection feels like a shift in direction for Gorilla Perfume and I’d say the scents themselves follow suit. There seems to be less focus on the cartoonish hijinks of the past and greater emphasis on a more mature approach – dare I say that our Gorilla may have grown up?!

I was sent a few of these new scents to try and today I’d like to share with you my thoughts on two of the most intriguing; Furze and The Voice of Reason.

From Latin America to China via Russia and India and the Gulf
From Latin America to China via Russia and India and the Gulf

If I could change one thing about my life it would be to ensure that I was better travelled than I am. In my head I long to be a great explorer scouring every corner of the earth. I want to walk the Great Wall of China, taste the street food in Mexico, eat lobsters in Maine (it all comes back to food with me), play with the cats at the cat cafe in Tokyo and float around the streets of Florence , but the problem is, I’m a bit of a wimp.

So, as much as I wish I’d visited all of these places, and I do truly hope to one day, I haven’t, in fact up until a few years ago I hadn’t made it further than France. It’s appalling, I know. Luckily for us armchair explorers, with Ormonde Jayne’s latest collection ‘The Four Corners of the Earth’ one can visit the most exotic destinations without even removing one’s pyjamas. So over the last couple of weeks I’ve been to the Gulf, Russia, Latin America and China…

For the Four Corners of the Earth collection Linda Pilkington and perfumer Geza Schoen have taken Ormonde Jayne on a trip round the globe, soaking up the sights, smells and colours of four distinct cultures without diluting the brand one bit, and this is what makes the collection so excellent; the fact that despite the strong influences of their respective homelands, each fragrance still very much follows the Ormonde Jayne signature of refined, elegant fragrances. After all, it’s not just where we go that shapes who we are, it’s where we come from too.

Candies 2012
The Candies 2012

I can’t believe it but it’s the end of 2012 already, which means that it’s time for us perfume bloggers to put together our lists of the very best and very worst perfumes of the year, honestly, where did the time go?! This year I’m affectionately entitling my awards ‘The Candies’ as a short, punchy alternative to The Candy Perfume Boy Awards. Neat huh?

Across all genres there have been many interesting, exciting and unique perfumes unleashed on to the market along with the usual amount of celebrity dreck, dud flankers and down-right-bizarre niche offerings. All-in-all it’s been a busy year with over 1,300 launches. Impressive but exhausting!

Below you will find my awards for Best Masculine, Best Feminine and Best Unisex Fragrances for both niche and mainstream houses. In addition to this I’ve also included awards for Best Flanker, Best Celebrity Fragrance and Best Ad Campaign. But we’re not just celebrating the very best of perfumery in 2012 here, no sir, we’re also highlighting the very worst with the Sour Candy Award, reserved solely for the naffest perfume of the year.

So I hope you’re wearing your very best frock (or tux for the boys, or frock if you prefer, it’s up to you really) and sipping on some fine Champagne as The Candies 2012 are underway…

A New Dawn
A New Dawn

Hermès must win the award for the most consistent style of perfumes within one line. Ever since installing the incomparable Jean-Claude Ellena as their in-house schnoz, each perfume launch has been a variation on the theme of Ellena’s pastel shades and watercolours, evoking both clarity and luxury.

It is for this reason that their latest offering, Jour d’Hermès is so interesting, it manages to perfectly replicate Ellena’s signature style of spacious scent, but it does so bigger, brighter and bolder, almost as if he’s thrown down the watercolours in a moment of madness (read: genius) and opted for full technicolor. Jour d’Hermés is Jean-Claude Ellena writ large.

“From dawn until dusk, a luminous and sensual floral that flourishes.”

Jour, meaning dawn, is a perfume that captures the myrhiad of colours and emotions promised by the prospect of a new day. It is a perfume that seems to have arrived with little fan fair yet the odours that are contained within its rather simple and unpretentious bottle are most definitely worthy of attention.

Bon Anniversaire!
Bon Anniversaire!

It’s not often that a perfume turns 100 years old, heck it’s not often that a person hits the big one double zero, let alone a scent. But in a world where there are a cool 1,200 + perfume launches per year, many of which ride the coat tails of some quasi-celebrity or another whose career is most likely going to be short lived, longevity isn’t something that’s guaranteed. So it stands to reason that a perfume which has managed to last for a cool century should be celebrated.

2012 marks the 100th anniversary of Guerlain’s classic fragrance L’Heure Bleue and the house is celebrating in style. To honour such a huge feat Guerlain has released a trio of Thierry Wasser penned limited edition interpretations of L’Heure Bleue; L’Aurore, Le Crépuscule and Le Zénith, the latter of which has been added to the Les Parisiennes line as an Eau de Parfum entitled L’Heure de Nuit.

“I felt something so intense, I could only express it in a perfume.” Jacques Guerlain

L’Heure Bleue took its inspiration from the colour of the sky just before dusk, when the world is bathed in a melancholy blue light. L’Heure de Nuit represents a softer side of this blue hour, when the light is almost entirely faded from the sky and darkness begins to take hold. It encapsulates the placid coolness of the evening evoking feelings of calm rather than sadness.